Musical Instruments

FTS-D-420CEQ-N Full Size Cutaway Acoustic-Electric GuitarDescription: This guitar is only acoustic:The FTS-D-420CEQ-N is an acoustic-electric that gives an amazing value along with good tone, playable and Fender quality. A great guitar priced perfect for beginners and it has a Venetian cutaway that allows easy access to the upper reaches of the fingerboard, and it sounds great when plugged in using its versatile on board electronics. Whether you’re just getting started on guitar or need a good second instrument as a backup or for use with alternate tuning, the FTS-D-420CEQ-N is an impressive instrument.Features:- Body Classical Style and Standard Depth- Top Solid Engelmann Spruce- Back Flamed Maple- Side Flamed Maple Specification:- Body Depth 94-100mm- Nut Width 52mm- String Length 650mm (25 9/16")- Colour Natural- Pre-Amp System 61 2way A.R.T.What's In The Box:- FTS Acoustic Guitar Natural

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Marching Drum JWB-01 BL 26"X12" [JT01 BL]- This marching drum can be used for various occasions, - It is the biggest marching drum.- It can also be called a bass drumFeatures:-26" Marching drum heads white - Cross straps- Wooden made Drum BeatersSpecifications:-26x12" marching bass drum-Includes strap and mallets-Die-cast lugs What's in the box1 x 26" Marching Drum2 x Mallets1 x Packing Key (Drum Key)1 x Strap

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FTS 14X10''Marching Drum Red (MKI) NJ04 RD Description Introducing the FTS 14X10'' Marching Drum in Red (MKI) NJ04 RD. Designed for marching bands and drumlines, this drum delivers powerful, resonant beats with a striking red finish. Its durable construction ensures it withstands rigorous use, while the lightweight design allows for easy portability. Elevate your performance with the superior sound quality of the FTS 14X10'' Marching Drum. Shop now for exceptional value and durability. Specifications Marching Drum Set: 14” x 10” Shell: 9 Ply Poplar Shell Rim: 1.5mm Steel Lug: 12 x Die-Cast Belt: Nylon Belt Includes Drum Sticks Benefits: Strong and durable for outdoor use Lightweight and easy to carry What's in the Box 1 x 14X10''Marching Drum Red Includes Drum Sticks

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Active DI Box with Extended Dynamic Range Product Features   Active DI box with high-headroom design and +48 V phantom power for extended dynamic range Fully transformer-isolated design ensures electrical separation between PA and stage equipment Balanced line input on Neutrik* XLR and high impedance input and link output on 1/4" TRS connectors 20 dB input pad and earth lift switches Aluminium extrusion casing with protective rubber corners Compact and rugged design DN100 The DN100 has become an established favourite amongst both engineers and musicians alike. With its high headroom, dynamic response and sonic clarity, DN100 faithfully reproduces the character of electric and acoustic instruments and allows far more of the detail of musical performances to be captured. DN100 is intended for professional applications where +48 V phantom power is a standard feature on all mixing consoles, and its innovative design results in a significantly higher clipping point than many other active DI Boxes, providing +10 dBu output into a 2 kΩ load. This increased headroom means that much higher-level input signals can be accommodated without the need for an attenuating pad. Combined with a very low noise input circuit topology, DN100 offers a very wide dynamic range, and only requires a single -30 dB pad for use when connecting directly to instrument amplifier outputs. DN100 is built to handle the rigours of life on the road, a thick aluminium extrusion protects the electronics, and in turn is covered by a tough silicone rubber sleeve. Balanced Transformer-Isolated Output Exhaustive listening tests using a wide variety of active and passive bass guitars, electro-acoustic guitars and electronic musical instruments were carried out to select the components for DN100 to achieve the best musical sound. Not only was the choice of the audio transformer particularly important in achieving this goal, but the impedances of the surrounding components were also highly critical in getting the best possible performance out of the audio transformer. The line-driving characteristics of the transformer output were carefully optimised to provide the best frequency and phase responses for short and long cables and widely differing line and termination impedances. Care was taken in the design of the DN100 to avoid audio transformer core saturation and a fixed high pass filter has been included in the signal path to roll off frequencies below those that are musically important. The lowest note on a 5- or 6-string bass guitar is B0 with a frequency of 30.87 Hz, and the lowest note on an 88-key piano keyboard is A0 with a frequency of 27.50 Hz. DN100 still maintains a frequency response of ±0.5 dB at these lowest musical notes. As well as the transformer in the signal path, DN100 also has a transformer to isolate the power rails to the input circuit from the phantom power supply sourced from the output XLR connector. When used in conjunction with the Earth Lift switch, this full galvanic isolation of input and output interfaces ensures that any risk of earth loops is avoided when taking a direct feed from stage backline equipment. Dual-Impedance Inputs A custom instrumentation-grade input circuit was designed for the DN100 using advanced analogue design techniques to create the very high input impedance required by passive guitar and bass pickups, whilst keeping the actual component values low to minimise noise. This innovative approach to circuit design produces a very low noise floor, which combined with the high clipping point creates an unrivalled dynamic range in a +48 V phantom powered DI Box. DN100 features one parallel-connected XLR and two ¼" TRS inputs, one which may also be used a link output for connection to a guitar or bass amplifier. When connecting to the XLR input only, the input impedance is 20 kΩ, ideal for line level equipment and offering even lower noise performance. This input impedance is far too low for guitar and bass pickups and is removed from the circuit when a jack plug is inserted into a ¼" TRS input, resulting in a nominal 1 MΩ input impedance, ideal for passive electric pickups. Illuminated 30dB Pad and Earth Lift Switches DN100 features illuminated Pad and Earth Lift switches, which along with the +48V phantom power indicator LED, provide ‘at a glance’ status display, even at wide distances and viewing angles. The Earth Lift switch separates the input and output grounds, useful in eliminating earth loops between equipment on different mains electricity supplies. Built for the Road Featuring a tough aluminium extrusion, the DN100 is designed for the rigours of live concert touring. The protective rubber corners also insulate the DN100 chassis to further enhance its electrical isolation. Premium Neutrik XLR connectors are used to ensure reliable audio connections, night after night.

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TC Electronic Flashback 2 Mini Delay Effects PedalLegendary Ultra-Compact Delay Pedal with MASH Footswitch and New Tape and Analog Algorithms Product Features Tiny legendary delay pedal returns with innovative pressure-sensitive footswitch and a fresh batch of TonePrints Secondary footswitch functions: MASH and Tap Tempo give you powerful real-time parameter control Next-generation delay algorithms give you ultra-realistic analog and tape delay tones with warble and flutter effects All new mesmerizing Crystal delay utilizes polyphonic octaver engine from SUB 'N' UP OCTAVER for otherworldly tones Craft your own delays and customize MASH functionality with free TonePrint Editor (PC, Mac*, iPhone*, Android* and iPad*) TonePrint-enabled to let you beam the new FLASHBACK 2 presets into your pedal with the free TonePrint App Extra-small enclosure easily fits on any pedal board Simple, easy-to-use controls let you focus on playing Works flawlessly with guitar and FX loop signals True bypass allows for optimum clarity and zero high-end loss when the pedal is off Analog-Dry-Through maintains integrity of analog dry signal path when the effect is on Designed and engineered in Denmark FLASHBACK 2 MINI DELAY Old school saturated tape echoes, warm, gritty analog delays, crispy clean digital repeats and everything in between. Sounds like a lot of gear to haul around, right? Wrong! Containing all of the superbly realistic and musical sounding delay tones from its larger siblings, FLASHBACK 2 MINI DELAY packs a mean punch in a lean stompbox. Decades of Delay The extremely realistic algorithms are all painstakingly developed to deliver warm, lush, and responsive tones, echoing TC Electronic’s decades of delay experience. And if you need that little extra something to your sound, there’s a world of tone to explore under the surface thanks to TonePrint technology. Use the app to dive through cascading, shimmers of delay, modulated echo tails, or kaleidoscopic oscillating feedback – tailor your tone to your rig! Add to that the choice between tap tempo and the groundbreaking MASH footswitch that lets you phrase your delay like an expression pedal and you’ve got the pound-for-pound delay pedal champion! Tap Into Your Tone Famously wielded by such masters as the Edge, Brian May and David Gilmour to name a few, the big, bold, delay-driven riff is a higher art form. The way an already fat tone can be turned into a fearsome weapon of mass seduction by the right set of subdivisions and the right delay timbre – it’s a thing of beauty. FLASHBACK 2 MINI’s tap tempo lets you sync up your riffage to make sure those repeats are dead on. Just enable tap tempo in the TonePrint app, hold down the footswitch for a second until you see the red LED turn green, and show your drummer who’s the boss! MASH – Heart of Innovation FLASHBACK 2 MINI DELAY features a groundbreaking new technology that brings a wide range of creative expression to the party, and is controlled solely by how much pressure you apply to the footswitch. Years in the making, and only available in select TC Electronic products, this clever innovation elevates the common footswitch well above the mundane duties of just “On” and “Off”. More importantly – MASH elevates your performance to the next level. Follow Your Ears! Great tone is hard to come by but sometimes, it takes something as little as a good buffer in the right place to bring life and brilliance into a dull-sounding signal chain. FLASHBACK 2 MINI DELAY gives you the power to choose between either a totally transparent buffered bypass to drive your precious tone through long cable runs or crowded signal chains or a squeaky clean true bypass depending on your setup. All you have to do is place the pedal where you want it and use the free TonePrint app to see which bypass mode sounds best through your rig! Size Matters Just look at FLASHBACK 2 MINI DELAY! Who’d have thought that such a tiny pedal could house so many classic and classy delay sounds? Well, FLASHBACK 2 MINI DELAY brings it in truckloads – and your ears and pedalboard will be oh, so grateful. Room for Choice One added benefit of TonePrint is that we can cram as many delay types into this little miracle as your heart desires. Choose from your favorite tape, analog, classic 2290 sound and dynamic delay, it's all here in spades! Why Just Repeat History – Create it Whether you’re an ambient guru searching for a few dreamlike tones, a sonic astronaut exploring the outer regions of your own personal soundscape – or just want to add a big dose of awesome to your playing, FLASHBACK 2 MINI DELAY provides the tools to reinvigorate your creativity like nothing else. Why follow the herd – when you can lead it! Crystal Delay & More... FLASHBACK 2 MINI DELAY’s Crystal effect uses the same algorithm that made the incredible SUB ’N’ UP OCTAVER, one of our best sellers. By shifting the pitch up an octave through each feedback loop, Crystal delay creates an other-worldly shimmer that simply has to be experienced to be believed. And you can choose from a total of 8 stunning delay options, including hyper-realistic Tape, Modern, Reverse and much more. FLASHBACK 2 MINI DELAY is nothing short of brilliant! TonePrint TonePrint means signature effects – and signature effects means truly creative tones. From classic innovators to the guys shaping the future of music, we’ve asked the coolest artists around to come up with their customized signature version of a TC Electronic effect – and make them available to you for free! True to Tone You love tone, so do we, and our design philosophy testifies to that. So whatever route you wanna go, we got your back. With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it’s pure analog glory due to an Analog-Dry-Through.

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HONEY POT FUZZ Vintage-Flavored Fuzz Pedal with Massive Wall of Tones and Miles of Sustain Product Features Heavy sounding fuzz pedal with massive wall of tones Dial in massive amounts of gain that makes the angels sing Enjoy almost endless sustain as heard on classic alternative rock recordings True bypass for ultimate signal integrity "Built-like-a-tank" metal chassis Runs on 9 V battery or PSU-SB DC power supply (not included) Designed and engineered in Denmark   HONEY POT FUZZ Honey Pot Fuzz is the kind of fuzz box that blurs the lines between fuzz and distortion in a most pleasing way. There's plenty of volume on tap. It's just begging for a loud tube amp to really open up and breathe. The range of gain available in Honeypot Fuzz goes from a slightly gritty grind, almost like an overdrive, and all the way to massive walls of sticky honeycomb-structured distortion with seemingly endless sustain and a tone that's fat and nasty but with thick, sweet highs. Honeypot covers a wide musical territory that spans all the way from The Black Keys and The White Stripes to 90's alternative rock all the way up to the Dark Side Of The Moon with a beautiful creamy and vibrant sustain. Vintage style fuzz pedal     •    All-analog circuitry     •    True Bypass     Classic Fuzz Tones HONEY POT FUZZ faithfully delivers the instantly recognizable distortion guitar sound found on iconic rock albums from the ‘70s onward. There’s no doubt you’ve heard it before: fat buzzing power chords with a life of their own; singing, violin-like lead lines; and tight, rich riffing that holds its own in any mix.     Sustain for Days With only 3 knobs to master, HONEY POT FUZZ’ massive gain range provides tonal capabilities to extend from the semi-gritty grind of an overdrive pedal, all the way to ultra-thick walls of sticky honeycomb-structured distortion. The Sustain knob lets you dial in the exact amount for those epic solos where you can hang on a bended note for a few bars, or climb a wall of chunky power chords – while you’re building to a climactic finish!     Build Quality HONEY POT FUZZ’ metal chassis is built to last, so whether you’re working the club down the street, or promoting your latest release halfway around the world, you can always count on stunning performance. The top-mounted jacks make it ideal for the most compact pedal board, plus the true bypass design respects your tone – even when the pedal is off.

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Classic Tube Overdrive Pedal with Intuitive 3-Knob Interface for Essential Blues Rock Tones Product Features Vintage and authentic sounding overdrive pedal Shape the scream of your tube drive with the 3-knob interface. Classic blues rock tones that conjure up the great masters of the genre True bypass for ultimate signal integrity "Built-like-a-tank" metal chassis. Runs on 9 V battery or the PSU-SB DC power supply (not included) Designed and engineered in Denmark.   EL CAMBO OVERDRIVE As far as versatile and ubiquitous effects go, an overdrive emulating a pushed tube amp is as good as it gets. EL CAMBO fattens up your tone with a little (or a lot) of extra girth around the waist, providing that highly sought-after midrange “oomph” that cuts through the mix, especially when your band is pushing hard decibels. This gritty honk gives your guitar a powerful voice that is ideal for a singing blues solo, and it’s also perfect for a hard rockin’ lead boost over the top of your amp’s already overdriven sound. Crank it up and testify! Vintage all-analog overdrive     •    True Bypass     •    Built like a tank    A Mountain of Mids EL CAMBO OVERDRIVE delivers a distinct midrange boost, one that can instantly warm up your tone, even if it’s a bit too jangly to cut through a loud rhythm section. Thanks to its symmetrical clipping overdrive circuit, the harmonic saturation is amazingly fluid and musical sounding.   Boost into Epic Solo-Mode With plenty of gain and boost on tap, EL CAMBO can be tailored to work in almost any setting. From adding just, a bit of push to your preamp with subtle warmth to your tone, to a screaming overdrive with singing sustain and thickness, EL CAMBO gets you there. Whether the moment calls for blistering Texas-style blues, soulful pop ballads or classic rock riffs – EL CAMBO fits the bill!     Roadworthy Made from a sturdy metal housing, this all-analog overdrive will last for years and years without losing that warm tube saturation tone. EL CAMBO’s top-mounted jacks help save pedal board space and corral your cables, while the true bypass operation keeps your signal nice and clean.

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Exceptionally Musical Vibrato Pedal with 2 Vibrato Types, Easy Controls and Built-In TonePrint Technology Product Features Outstanding vibrato pedal offers you exceptionally musical tone enhancement with 2 types of vibrato Add classic true pitch vibrato to your tone or use the press-and-hold latch mode to easily apply vibrato precisely where you need it Simple 4-knob controls, including a rise-time dial, let you quickly dial-in a wide range of precise effects to expand your creativity TonePrint-enabled to let you beam cool signature tones into your pedal with the free TonePrint App Design your own customized vibrato effects from scratch with free TonePrint Editor for PC, Mac* and iPad* True bypass allows for optimum clarity and zero high-end loss when the pedal is off Optional buffered bypass mode prevents high frequency loss from long cable runs Kill-Dry feature removes the dry signal path for use with parallel effects loops Easy one-screw battery compartment access Compact format fits on any pedal board High-quality components to give you musical, tone-defining richness in a pedal format Sturdy die-cast metal case designed for life on the road Designed and engineered in Denmark   Vibrato Virtuoso Vibrato is one of those ‘hard to grasp but oh so important’ parts of guitar playing. Just think where Yngwie Malmsteen, BB King or Stevie Ray Vaughan would be without their unique vibrato. It’s what makes us recognize a guitarist after 2 notes - vibrato is what makes playing come alive. And from a subtle warble to Leslie sounds, SHAKER VIBRATO does what it can to liven things up!  2 vibrato types Great controls, including ‘Rise-Time’ Latch-mode   Pick Your Shake Flavor SHAKER VIBRATO features 2 different types of settings: a classic true pitch vibrato and ‘latch mode’ where the effect is only active when you press and hold the switch. This allows for subtle vibrato and faux-whammy bar effects without you having to tap dance all night.   Expand Your Creativity Vibrato is an effect with a wide range of applications, but it can be tough to figure out which those are if you don’t get a range of sounds, voicings and expressions that knock you off your feet - and with SHAKER VIBRATO those surprises are always musical, never unpleasant. Featuring a set of controls and giving you control over the ‘rise-time’ of the effect, SHAKER VIBRATO vibes with your playing instantly.   From Dippin’ Toes to All-In SHAKER VIBRATO allows you to decide whether you want to use it as an ‘on/off’ effect, or as a more subtle effect where it is active when you press down and cuts out as soon as you release. Both have a wide range of applications, so we advise you to experiment.   True to Tone You love tone, so do we, and our design philosophy testifies to that. So whatever route you wanna go, we got your back. With optimized headroom, True Bypass or Buffered Bypass switch and Kill-Dry on/off, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through.

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GRAND MAGUS DISTORTION   Organic Tube-Like Distortion with Tight Bottom-End and Natural Sag Product Features Organic tube-like distortion Tight bottom-end and natural tube sag Rich mids with smooth and creamy highs True Bypass for ultimate signal integrity "Built-like-a-tank" metal chassis Runs on 9 V battery or the TC Electronic Powerplug 9 (not included) Designed and engineered in Denmark   GRAND MAGUS DISTORTION Overflowing with organic tube amplifier-like distortion, tube compression and tight bottom-end tone, GRAND MAGUS DISTORTION channels the very essence of rock ‘n’ roll. Couple all that tone with the sultry feel of a vintage tube-rectified power supply and endorphin-elevating affordability – and you’ve got a shiny one-way trip to guitar Nirvana!   Raw Rock Power Nothing has shaped the musical landscape more than a roaring tube guitar amp set to 11 – that incredible sound remains the heart and soul of rock. GRAND MAGUS DISTORTION distills the heavenly, rich harmonic content and power supply sag that made those early tube amps the “Holy Grail” for scores of guitar-wielding legends. So if your riffs call for tight bottom-end, rich mids and creamy highs, GRAND MAGUS DISTORTION stands ready to deliver.   50+ Shades of Gain GRAND MAGUS DISTORTION isn’t just a one-trick tone pony; its ultra-wide gain range and smooth tonal character, mixed with super-tight low-end response, lets you go from a Hendrix-style crunch to beefy Blackmore distortion – and all the way to super-saturated solo tones in a flash. Whether your gig calls for dark vintage distortion, or an extra-crispy modern high-gain tone, you’ll find it here in the super-versatile GRAND MAGUS DISTORTION.   Classic Tone – Modern Features We know that the battle for a place on your pedalboard is fierce, so we equipped GRAND MAGUS DISTORTION exceptionally well to make the cut. A sturdy metal chassis with dedicated Input, Output and True Bypass means that GRAND MAGUS DISTORTION is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Your pedalboard will welcome GRAND MAGUS DISTORTION with open arms!   Backstage Pass – All Access Capable of a tremendous range of classic tube amp tones, GRAND MAGUS DISTORTION sports an easy-to-use control layout including: Gain, which controls the amount of overdrive; Volume, controls the output level; and Tone, for setting the sound for anywhere between dark, old-school dirty to crisp and modern distortion. Nothing is easier! Check out GRAND MAGUS DISTORTION at your local TC ELECTRONIC dealer today, or get yours online – and turn your tone up to eleven!

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903A RANDOM SIGNAL GENERATOR   Legendary Analog Noise Generator Module for Eurorack   Product Features  Vintage-sounding 903A noise generator module from the '70s
 Authentic reproduction of the circuitry from the "Modular 55" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 Generates both white and pink noise
 2 outputs per noise source
 Eurorack specs: 4 HP, 25 mA +12 V, 35 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   903A RANDOM SIGNAL GENERATOR Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the ‘70s. An authentic reproduction of the circuitry from the “Modular 55” series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Comes in White or Pink The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.   Eurorack Ready Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 903A RANDOM SIGNAL GENERATOR module from Behringer is a great tool to have when creating amazing music.

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CP35 ATTENUATORS   Legendary Analog Attenuator and Multiples Module for Eurorack   Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 passive attenuators with linked inputs
 Fixed +/-6 Volt CV reference voltage with 2 linked outputs each
 Dual 4-socket multiples for splitting CV or audio signals to multiple destinations
 Eurorack specs: 21 HP, 1 mA +12 V, 1 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP35 ATTENUATORS Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the “Modular 55, 35 and 15” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Attenuators The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - ∞ to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.   More Than Just Outputs Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!   Eurorack Ready Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP35 ATTENUATORS module from Behringer is a great tool to have when creating amazing music.  

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992 CONTROL VOLTAGES Legendary Analog CV Routing Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4-channel CV signal routing to 904A LPF module
 Single external input with inverting attenuator control
 3 switched and summed CV inputs for frequency control of VCF modules
 3 parallel CV outputs can drive multiple 904A LPF and 904B HPF modules
 Eurorack specs: 8 HP, 10 mA +12 V, 10 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   992 CONTROL VOLTAGES Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the “Modular 55 & 35” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Channels The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.   External Input and Attenuator An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.   Ins and Outs 3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.   Eurorack Ready Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 992 CONTROL VOLTAGES module from Behringer is a great tool to have when creating amazing music. Get the 992 CONTROL VOLTAGES from your local Behringer dealer today!  

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