Musical Instruments

TC Electronic Tailspin Vibrato Effects PedalClassic True Pitch Vibrato with All-Analog Bucket-Brigade Design Product Features Classic true pitch vibrato Legendary, all-analog bucket-brigade (BBD) circuit Classic 80's inspired vibrato circuit True Bypass for ultimate signal integrity "Built-like-a-tank" metal chassis Runs on 9 V battery or the TC Electronic Powerplug 9 (not included) Designed and engineered in Denmark TAILSPIN VIBRATO TAILSPIN VIBRATO delivers a truckload of stunningly-vintage vibrato tones in a stompbox that’s so affordable – it’ll make your head spin! Featuring an all-analog, bucket-brigade design, TAILSPIN VIBRATO provides everything from subtle wobbles, to pitch-bendy, warped-vinyl tones – and all the way up to ultra-smooth, fast or slow whirling-speaker organ sounds. Vast World of Vibrato Nothing beats the organically-warm warble of classic true-pitch vibrato. You can use it at slow speeds to bring life and depth to slow chord progressions, or wind it up a bit for a super-wet surfin’ safari. Want to raise the roof? Max it out and watch as your audience searches in vain for the nonexistent B3 organ! Feel the Mojo TAILSPIN VIBRATO gets its 100% vintage vibrato mojo from its old-school analog bucket-brigade design. This means that wherever you set the dials, you’ll always conjure up a vibrato tone that is natural sounding and usable across the entire musical spectrum. Classic Tone – Modern Features A sturdy metal chassis with dedicated Input, Output and True Bypass means that TAILSPIN VIBRATO is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Backstage Pass – All Access Capable of a wide range of vintage vibrato tones, TAILSPIN VIBRATO sports an easy-to-use control layout including: Rate, which controls the vibrato speed; and Depth, which sets the effect’s intensity. Nothing is easier!

Read more less

GRAND MAGUS DISTORTION   Organic Tube-Like Distortion with Tight Bottom-End and Natural Sag Product Features Organic tube-like distortion Tight bottom-end and natural tube sag Rich mids with smooth and creamy highs True Bypass for ultimate signal integrity "Built-like-a-tank" metal chassis Runs on 9 V battery or the TC Electronic Powerplug 9 (not included) Designed and engineered in Denmark   GRAND MAGUS DISTORTION Overflowing with organic tube amplifier-like distortion, tube compression and tight bottom-end tone, GRAND MAGUS DISTORTION channels the very essence of rock ‘n’ roll. Couple all that tone with the sultry feel of a vintage tube-rectified power supply and endorphin-elevating affordability – and you’ve got a shiny one-way trip to guitar Nirvana!   Raw Rock Power Nothing has shaped the musical landscape more than a roaring tube guitar amp set to 11 – that incredible sound remains the heart and soul of rock. GRAND MAGUS DISTORTION distills the heavenly, rich harmonic content and power supply sag that made those early tube amps the “Holy Grail” for scores of guitar-wielding legends. So if your riffs call for tight bottom-end, rich mids and creamy highs, GRAND MAGUS DISTORTION stands ready to deliver.   50+ Shades of Gain GRAND MAGUS DISTORTION isn’t just a one-trick tone pony; its ultra-wide gain range and smooth tonal character, mixed with super-tight low-end response, lets you go from a Hendrix-style crunch to beefy Blackmore distortion – and all the way to super-saturated solo tones in a flash. Whether your gig calls for dark vintage distortion, or an extra-crispy modern high-gain tone, you’ll find it here in the super-versatile GRAND MAGUS DISTORTION.   Classic Tone – Modern Features We know that the battle for a place on your pedalboard is fierce, so we equipped GRAND MAGUS DISTORTION exceptionally well to make the cut. A sturdy metal chassis with dedicated Input, Output and True Bypass means that GRAND MAGUS DISTORTION is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Your pedalboard will welcome GRAND MAGUS DISTORTION with open arms!   Backstage Pass – All Access Capable of a tremendous range of classic tube amp tones, GRAND MAGUS DISTORTION sports an easy-to-use control layout including: Gain, which controls the amount of overdrive; Volume, controls the output level; and Tone, for setting the sound for anywhere between dark, old-school dirty to crisp and modern distortion. Nothing is easier! Check out GRAND MAGUS DISTORTION at your local TC ELECTRONIC dealer today, or get yours online – and turn your tone up to eleven!

Read more less

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6 Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer, and Distortion Effect Product Features Amazing Drum Machine with true analog circuitry for classic sound performance Authentic reproduction of original circuitry with matched transistors 8 original drum sounds with mix parameters and global accent capability Highly acclaimed and authentic clap sound from the DR-110 drum machine 6 independent analog outputs for external processing or recording your rhythms as multi-track audio Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns Patterns can be chained into full songs with up to 250 bars. Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds 16 authentic-style step buttons with LED indicators for easy pattern creation 11 controls and 26 switches to give you direct and real-time access to all important parameters MIDI and USB implementation for synchronization and connection to external devices Sync options include USB, MIDI, Clock, and Internal for maximum versatility   RD-6 The RHYTHM DESIGNER RD-6 provides all the tools you need to become a master beat-maker, including 8 drum sound and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-BB has everything you need to step up to the big leagues   Masterpiece Rejuvenated Great care has been taken in designing the RD-6 to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach to a classic drum machine, the RD-6 gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level. This is an analog beat-making monster!   Complete Control Built to enhance the way you perform, the RD-6 boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6 also comes with a distortion based on the venerable DS-1. Add spice and a bit of edge to your tone by flipping the Distortion switch on and adjusting the amount and tone of the distortion. Each pattern you create can also be chained into a whole song up to 256 bars which adds up to eight and a half minutes of beats perfect for those spicy jams where you just can’t stop.   USB Control To bring the RD-6 into the modern age, USB connectivity has been added for sync and MIDI triggering. This enables the RD-6 to be controlled by your DAW if desired, allowing songs and patterns to be swapped or individual sounds to be triggered.   The Numbers The RD-6 has 11 knobs and 26 buttons, all laid out in a highly-intuitive format that puts the fun back into your beat creation. Input and output connections include Open or Closed Hi-Hat, Clap, Cymbal, Low and Hi Tom, Snare and Bass Drum Voice Outs; Start/Stop for connecting a foot pedal; MIDI In, Out and Thru over USB for connecting the RD-6-BB to a DAW and 5 pin MIDI ports.    Introducing New Colours...

Read more less

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6-SR  Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer and Distortion Effects  Product Features  Amazing Drum Machine with true analog circuitry for classic sound performance  Authentic reproduction of original circuitry with matched transistors  8 original drum sounds with mixed parameters and global accent capability  Highly acclaimed and authentic clap sound from the DR-110 drum machine  6 independent analog outputs for external processing or recording your rhythms as multi-track audio  Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns  Patterns can be chained into full songs with up to 250 bars  Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds  16 authentic-style step buttons with LED indicators for easy pattern creation  11 controls and 26 switches to give you direct and real-time access to all important parameters  MIDI and USB implementation for synchronization and connection to external devices  Sync options include USB, MIDI, Clock, and Internal for maximum versatility    RD-6-SR  The RHYTHM DESIGNER RD-6-SR provides all the tools you need to become a master beat-maker, including 8 drum sounds and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-SR has everything you need to step up to the big leagues.    Masterpiece Rejuvenated  Great care has been taken in designing the RD-6-SR to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach on a classic drum machine, the RD-6-SR gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level.     Complete Control  Built to enhance the way you perform, the RD-6-SR boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-SR also comes with a distortion based on the venerable DS-1. distortion.    Oberheim DMX  Launched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice, and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls, and flams to create a more human “feel”. The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs.  The DMX’s hard-hitting and convincing drum sound made it attractive to artists and producers in the burgeoning Hip-Hop culture and it is featured on many of the scenes early innovative records. New Order used the DMX to great effect on their 1983 single, “Blue Monday” with its repeating bass drum pattern.    E-mu SP-1200  Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter, and 12-bit sampling resolution. This all contributed to the unit’s gravelly sounds, which have been featured on many hit recordings. The SP-1200’s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy, and Daft Punk.    AKAI MPC60  The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of “Sound-Collage”. The original MPC60 only allowed sample lengths of up to 13 seconds. Sampling memory was expensive at the time, which steered people to records at higher5 speeds in order to gain more time. The side effect was playback at a lower resolution, which contributed to the grittiness of the sound. Famous users include Kanye West, Dr. Dre, and Mark Ronson. 

Read more less

903A RANDOM SIGNAL GENERATOR   Legendary Analog Noise Generator Module for Eurorack   Product Features  Vintage-sounding 903A noise generator module from the '70s
 Authentic reproduction of the circuitry from the "Modular 55" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 Generates both white and pink noise
 2 outputs per noise source
 Eurorack specs: 4 HP, 25 mA +12 V, 35 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   903A RANDOM SIGNAL GENERATOR Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the ‘70s. An authentic reproduction of the circuitry from the “Modular 55” series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Comes in White or Pink The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.   Eurorack Ready Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 903A RANDOM SIGNAL GENERATOR module from Behringer is a great tool to have when creating amazing music.

Read more less

CP35 ATTENUATORS   Legendary Analog Attenuator and Multiples Module for Eurorack   Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 passive attenuators with linked inputs
 Fixed +/-6 Volt CV reference voltage with 2 linked outputs each
 Dual 4-socket multiples for splitting CV or audio signals to multiple destinations
 Eurorack specs: 21 HP, 1 mA +12 V, 1 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP35 ATTENUATORS Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the “Modular 55, 35 and 15” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Attenuators The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - ∞ to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.   More Than Just Outputs Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!   Eurorack Ready Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP35 ATTENUATORS module from Behringer is a great tool to have when creating amazing music.  

Read more less

992 CONTROL VOLTAGES Legendary Analog CV Routing Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4-channel CV signal routing to 904A LPF module
 Single external input with inverting attenuator control
 3 switched and summed CV inputs for frequency control of VCF modules
 3 parallel CV outputs can drive multiple 904A LPF and 904B HPF modules
 Eurorack specs: 8 HP, 10 mA +12 V, 10 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   992 CONTROL VOLTAGES Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the “Modular 55 & 35” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Channels The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.   External Input and Attenuator An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.   Ins and Outs 3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.   Eurorack Ready Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 992 CONTROL VOLTAGES module from Behringer is a great tool to have when creating amazing music. Get the 992 CONTROL VOLTAGES from your local Behringer dealer today!  

Read more less

CP3A-O OSCILLATOR CONTROLLER Legendary Analog Oscillator Controller Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 switches allows you to send CV to one or more oscillators
 External input jack with dedicated attenuator control
 3 switched and summed CV inputs for frequency control of VCO modules
 3 parallel CV outputs can drive multiple 921A/B oscillator modules
 Eurorack specs: 8 HP, 5 mA +12 V, 5 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP3A-O OSCILLATOR CONTROLLER Enter the Behringer CP3A-O OSCILLATOR CONTROLLER module. An authentic reproduction of the circuitry from the “Modular 55 and 35” series mixers used by the world’s most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that’ll fulfill any synth geek’s wildest dreams.   Switch It Up The CP3A-O Module features 4 routing switches that enable you to send Control Voltages to one or more oscillators. Switches 1 to 3 are connected to Control Inputs 1, 2 and 3; switch 4 can be used to route an external Control Voltage signal via a 3.5 mm TS plug and can be controlled by an attenuator knob.   Ins and Outs You can route up to three external control voltage signals to any of the three summed Control Inputs. Signals from these inputs can be combined by flipping any of the matching routing switches on. The parallel jacks at the bottom will route the final combined voltage signal to any module they’re connected to. A great way to utilize the CP3A-O is to have it drive multiple 921A or B oscillator modules which can allow you to create more intricate patches and hours and hours of fun.   Eurorack Ready Installing the CP3A-O is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CP3A-O to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP3A-O OSCILLATOR CONTROLLER module from Behringer is a great tool to have when creating amazing music.  

Read more less

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer CAT-SAA Legendary Duophonic Analog Synthesizer CAT Legendary Duophonic Analog Synthesizer with Dual VCOs, 4 Mixable Waveforms, External Signal Processor, 16-Voice Poly Chain, and Eurorack Format Product Features Amazing analog synthesizer with dual VCO design allows for insanely fat music creation Authentic reproduction of original "CAT SRM II" circuitry with matched transistors and JFETs Pure analog signal path based on authentic VCO, VCF and VCA designs 4 variable and simultaneous oscillator shapes (Sawtooth, Triangle, modulated Pulse and Sub-Octave Square) for ultimate sounds Duophonic/Paraphonic mode allows both oscillators to be independently controlled Oscillators can be modulated from 6 different sources with 2 modulation depth attenuators Classic filter design (low pass with peak/resonance) with self-resonance capability Filter can be modulated from 6 different sources with 2 modulation depth attenuators Dedicated and fully analog sine/square wave LFO 2 analog Envelope Generators for modulation of VCF and VCA White noise generator dramatically expands waveform generation 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony Complete Eurorack solution main module can be transferred to a standard Eurorack case 47 controls give you direct and real-time access to all important parameters Audio input for processing external sound sources for enhanced creativity External control inputs and outputs (High Note CV, Low Note CV, Gate, Filter etc.) Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection   CAT The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive.   In 1975, a new synth strolled into town. The Cat as it was called was an analog, duophonic, three octave synthesizer that was very similar to the ARP Odyssey. Its keyboard would produce two control voltages that were routed into its two VCOs. An ultra-affordable and even more feature-packed homage to that iconic synthesizer comes in the form of the Behringer CAT. Conjure up the virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF and VCA designs in conjunction with 4 variable and simultaneous oscillator shapes and Duophonic/Paraphonic capabilities. Owning a CAT is like having your own personal time machine, enabling you to freely embrace the past – or shape the future. And the best of all, it doesn’t scratch.   True to the Original Great care has been taken in engineering the CAT, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs that come together to recreate classic tones that are evocative of classic electronic music. This highly-focused attention to detail is what gives the CAT its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads – and all the way to full on dreamy ambience from the far reaches of your imagination.   Big, Fat Tones The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The CAT lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!   Keyboard Control The CAT has the ability to accept any keyboard controller via MIDI. The signals generated can be tweaked via the Pitch Bend slider which can bend a note up or down one octave. Bump this up to two octaves by flipping the Octave Shift switch up or down. Use the Glide slider to change how fast a note transitions to another; up is faster, down is slower. Combine that with the LFO Freq slider to control the LFO and ADSR repeat tempo and you can create some amazing pulsating portamentos.   Two VCOs are Better The very heart of the CAT’s sound is its two VCOs. The Duophonic/Paraphonic nature of the CAT allows both oscillators to be controlled independently. Use the Fine and Coarse Frequency controls to tune VCO1 to VCO2. Keyboard control on the CAT can be set to either Mono or Poly. Poly mode lets VCO1 generate the highest note played on the keyboard while VCO2 handles the lowest allowing two notes to be played simultaneously. Setting the switch to Mono mode makes VCO1 generate the lowest note depressed on the keyboard.   Make Waves Waveform switches on both VCOs allow different waveforms to be patched in from the LFO. Choose between Sine, Square, Sample and Hold and even pitch modulation through each VCO. Turning the Modulation Depth knobs in either direction controls the intensity of the effect. VCO2 also comes with a Sync switch that locks VCO1 with it and has them act as one huge oscillator to produce more complex waveforms and dramatic results. Mix VCO1 into VCO2 or vice versa and the CAT can produce some really tasty tones that make themselves at home in your next synth jam.   Slide In Each VCO on the CAT comes equipped with their own waveform sliders where you can adjust the volume of each type of VCO wave form. Pump up the Sub Octave, Sawtooth, Square, Triangle or Pulse waves or mix them all together and create some truly unique tones.   VCF As if combining two VCOs wasn’t amazing enough, the CAT comes with another set of claws in the form of a VCF filter section. Here you can get more complex and robust tones by incorporating VCO1 into the mix. Introduce more waveforms and manipulate the Q slider to emphasize harmonics and Filter Cutoff slider which acts as a low-pass filter. Turn the CAT into a really funky bass machine or an out-of-this-world synth that creates some searing lead tones. You can even create some amazing drum sounds by manipulating the VCOs, VCF and ADSR.   The Envelope, Please… To give the signal even more character, you can use the CAT’s Transient Generator to create a detailed voltage transient every time a key is depressed. Adjust the Attack, Decay, Sustain and Release via the matching sliders and to shape your signal. The AR transient generator works similarly to the ADSR but with less detailed control over the envelope. You can also set the ADSR to automatically repeat or only when a key is held down. The Sample and Hold switch can be set so the VCO1 setting is sampled or, when set to Noise mode, produce a random output pattern. Slide the LFO Delay control up or down to determine when the LFO will reach its maximum output after a key is depressed.   The Ins and Outs The CAT features a whole slew of Inputs and Outputs that expand its capabilities beyond what you can see out of the box. You can route external control voltages to VCO1 or 2, the VCF and even pump in some external line-level audio into the CAT. You can even connect the CAT to other external synthesizers through the Gate, ADSR, AR or Keyboard Outputs. The CAT’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – and it provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, the CAT has 47 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation.   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, the CAT gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer CAT!   Visit your dealer to experience the stunning CAT or get yours online today. Music never felt this good! A Brief History of Analog Synthesis The modern synthesizer’s evolution began in 1919, when a Russian physicist named Lev Termen (also known as Léon Theremin) invented one of the first electronic musical instruments – the Theremin. It was a simple oscillator that was played by moving the performer’s hand in the vicinity of the instrument’s antenna. An outstanding example of the Theremin’s use can be heard on the Beach Boys iconic smash hit “Good Vibrations”.   Ondioline In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon’s “Runaway”.   Storytone Piano Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World’s Fair. Hailed as the world’s first electric piano, the Storytone is prized by musicians and collectors alike for its realistic piano sound – only 500 or so were ever built.   Mellotron Finding a high level of acceptance in the 1960s, Harry Chamberlin’s Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists. Classic tracks from the Moody Blues “Days of Future Passed”, the Beatles “Strawberry Fields Forever”, and the Rolling Stones “She’s a Rainbow” are prime examples. Attribute author: By Buzz Andersen from San Francisco, California, United States Mellotron | NAMM 2007   Arp 2600 Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables. The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock – to name just a few. An Arp 2600 was even used to create the voice of the Star Wars character R2-D2. Attribute author: The original uploader was Kimi95 at Italian Wikipedia - http://www.vintagesynth.com/arp/arp2600blue.jpg e http://www.vintagesynth.com/arp/arp.php, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=7708499   Minimoog Designed to replace the large, modular synths being used in pop music at the time, Bill Hemsath and Robert Moog developed the Minimoog in 1971. The monophonic instrument became the first truly all-in-one, portable analog synthesizer. Thanks to its 3 oscillators and 24 dB/octave filter, the Minimoog produces an extremely rich and powerful bass sound and is still in high demand today. Yes keyboardist Rick Wakeman said the instrument “absolutely changed the face of music.” Attribute author: glacial23 - Early Minimoog Uploaded by clusternote, CC BY-SA 2.0   Yamaha CS-80 In 1976, Yamaha released their CS-80 8-voice polyphonic synthesizer, which provided velocity-sensitive keys and aftertouch that worked on individual voices. The analog instrument featured a ribbon controller, which allowed the user to perform polyphonic pitch bends and smooth glissandos. Composer Vangelis used the CS-80 extensively in the Blade Runner and Chariots of Fire soundtracks. The CS-80 also provided the bass line heard in the BBC 1980 series Doctor Who theme song   Sequential Circuits Prophet 5 Sequential Circuits introduced the Prophet 5, which was the first analog 5-voice polyphonic synthesizers to provide onboard memory storage of all patch settings for instant recall. The great-sounding Prophet 5 revolutionized the synthesizer world and, in spite of its rather expensive price tag, became one of the most successful synths of all time. Designed by Dave Smith and J owen, the Prophet 5 was the keyboard of choice by a very long list of performers that includes Peter Gabriel, Philip Glass, Journey, The Cars, Thomas Dolby, Duran Duran, Gary Numan, Pink Floyd, and countless others. Image attribution: original uploader was Felix2036 at Dutch Wikipedia derivative work: Clusternote (Sequential_Circuits_Prophet_5.jpg) [Public domain], via Wikimedia Commons Which brings us to 1977... A Passion for Keyboards Our founder, Uli Behringer has a deep passion for keyboards. Born in the small town of Baden, Switzerland in 1961, Uli grew up in a musical family where his mother taught him to play the piano at the tender age of four. His father was a scientist who built a massive organ in the family home and taught the young lad all about electronics. So at the age of 17, Behringer built his first synthesizer – the UB-1. Later, while attending college to seek a degree in audio engineering, Uli put his electronics knowledge to use, building his own equalizers and signal processors to fill the gap left by the university's inability to provide enough proper studio gear. Word soon spread about how good his products were, and he began building gear for his friends – the Behringer legacy had begun. The rest, as they say, is history...

Read more less

Deluxe Water Resistant Transport Bag for DEEPMIND 12D Product Features Deluxe water resistant transport bag for desktop synthesizers Rugged black multi-layer nylon outer material prevents ingress of dirt and dust Thick interior foam padding provides superior protection in transit Integral carry handles and shoulder strap Ideal for Behringer DEEPMIND 12D Polyphonic Synthesizer Designed and engineered in the U.K. DEEPMIND 12D-TB You depend on your DEEPMIND 12D Polyphonic Synthesizer to work perfectly night after night – so protect it with a custom-fit, deluxe, waterresistant transport bag. Made of super-tough, multi-layer black nylon, the DEEPMIND 12D-TB is a “must-have” accessory for your DEEPMIND 12D synth. Protection Against the Elements The rugged DEEPMIND 12D-TB helps keep your DEEPMIND 12D free from dirt and moisture during transit to and from the gig, and protects it from dust in-between performances. Made to Travel Equipped with convenient carry handles and shoulder strap, the transport bag cradles your DEEPMIND 12D in a thick layer of interior padding for exceptional protection during transit.  

Read more less

Please be informed that this item comes with an international adaptor, you will need an SA converter.DEEPMIND 6 True Analog 6-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, and Tablet Remote Control Product Features Classic polyphonic synthesizer with 6 true analog voices for insanely fat and authentic sounds 4 simultaneous world-class TC Electronic and Klark Teknik FX with over 30 algorithms, including Reverb, Chorus, Flanger, Phaser, Delay, and Multi-band Distortion 6 voices with 2 analog OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with 19 sources and over 130 destinations, including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* App over USB or MIDI for extended parameter control 37 semi-weighted full-size keys featuring velocity sensitivity and after-touch Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential, and reverse exponential curves Powerful unison and poly modes with detune, pan spread, and drift parameters featuring up to 6 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with a flexible fixed rate, fixed time, and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with a powerful bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters Spring-loaded pitch and assignable modulation wheels provide total hands-on performance LCD Display with encoder, navigation switches, and data value slider for rapid menu parameter editing and program selection 1024 user program memories with compare-and-match feature to quickly match all analog controls to values stored in the program Fully servo-balanced stereo outputs for the highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Designed and engineered in the U.K. DEEPMIND 6 With the creation of DEEPMIND 6, the ultimate true analog, a 6-voice polyphonic synthesizer, is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix, and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights.   Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that might make you a legend in your own right.   The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best-sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and loves in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) BEHRINGER’s GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*)   FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect.   Glorious 6-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 6 boosts your creativity with 6-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 12 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; and Poly. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability.   Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 6 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects.   3 Envelope Generators When it comes to envelope generation, DEEPMIND 6 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 6 serves up all the versatility and tone-sculpting options a professional musician could ask for.   8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 6 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy.   32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations.   Remote Control Comprehensive remote control is available for DEEPMIND 6 via iPad*/PC/Mac App over USB or MIDI for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*.   Ultra-Expressive Keyboard The keyboard features 37 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 6’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 6 always responds to your touch with 3 different selectable velocity and aftertouch curves.   Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 6's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 6 a boldly unique and fresh character not found in competing products.   Low Pass Filter & Envelope Faders Everything about the DEEPMIND 6 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves.   Big, Fat Tones DEEPMIND 6 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 6 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 6's extreme versatility empowers you to be your creative best.   Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 6 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation.   Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 6's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWNALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching.   Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 6 allows you to write extremely complex chords and polychords (up to 6 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys.   True Bypass Mode The FX menu of the DEEPMIND 6 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone.   High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 6 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end.   You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 6 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation.   Pitch and Mod Wheels Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 6 the ultimate live performance and studio-ready synthesizer.   Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu.   Something to Remember The patches loaded into DEEPMIND 6's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 6 provides more than enough memory to store several soundtracks – and even entire shows.   You've Got Connections DEEPMIND 6's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save.  

Read more less

DEEPMIND 12-TB Deluxe Water Resistant Transport Bag for DEEPMIND 12 Product Features  Deluxe water resistant transport bag for synthesizers etc.
 Rugged black multi-layer nylon outer material prevents ingress of dirt and dust
 Thick interior foam padding provides superior protection in transit
 Integral carry handles and shoulder strap
 Ideal for Behringer DEEPMIND 12 Polyphonic Synthesizer
 Designed and engineered in the U.K.
   DEEPMIND 12-TB You depend on your DEEPMIND 12 Polyphonic Synthesizer to work perfectly night after night – so protect it with a custom-fit, deluxe, water-resistant transport bag. Made of super-tough, multi-layer black nylon, the DEEPMIND 12-TB is a “must-have” accessory for your DEEPMIND 12 synth.   Protection Against the Elements The rugged DEEPMIND 12-TB helps keep your DEEPMIND 12 free from dirt and moisture during transit to and from the gig, and protects it from dust in-between performances.   Made to Travel Equipped with a convenient carry handle and shoulder strap, the transport bag cradles your DEEPMIND 12 in a thick layer of interior padding for exceptional protection during transit.   Value The super-tough, multi-layer black nylon DEEPMIND 12-TB fits your DEEPMIND 12 Polyphonic Synthesizer like a glove, and protects your investment from dirt, dust and rain – and is an amazingly-affordable way to keep your gear looking great for years.

Read more less