Behringer RD-6 SR Classic Analog Drum Machine

Description

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.



RD-6-SR 

Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer and Distortion Effects 

Product Features 

  • Amazing Drum Machine with true analog circuitry for classic sound performance 
  • Authentic reproduction of original circuitry with matched transistors 
  • 8 original drum sounds with mixed parameters and global accent capability 
  • Highly acclaimed and authentic clap sound from the DR-110 drum machine 
  • 6 independent analog outputs for external processing or recording your rhythms as multi-track audio 
  • Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns 
  • Patterns can be chained into full songs with up to 250 bars 
  • Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds 
  • 16 authentic-style step buttons with LED indicators for easy pattern creation 
  • 11 controls and 26 switches to give you direct and real-time access to all important parameters 
  • MIDI and USB implementation for synchronization and connection to external devices 
  • Sync options include USB, MIDI, Clock, and Internal for maximum versatility 

 

RD-6-SR 

The RHYTHM DESIGNER RD-6-SR provides all the tools you need to become a master beat-maker, including 8 drum sounds and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-SR has everything you need to step up to the big leagues. 

 

Masterpiece Rejuvenated 

Great care has been taken in designing the RD-6-SR to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear.

By taking a fresh and modern approach on a classic drum machine, the RD-6-SR gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well.

Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level.  

 

Complete Control 

Built to enhance the way you perform, the RD-6-SR boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-SR also comes with a distortion based on the venerable DS-1. distortion. 

 

Oberheim DMX 

Launched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice, and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls, and flams to create a more human “feel”.

The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs. 

The DMX’s hard-hitting and convincing drum sound made it attractive to artists and producers in the burgeoning Hip-Hop culture and it is featured on many of the scenes early innovative records. New Order used the DMX to great effect on their 1983 single, “Blue Monday” with its repeating bass drum pattern. 

 

E-mu SP-1200 

Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter, and 12-bit sampling resolution.

This all contributed to the unit’s gravelly sounds, which have been featured on many hit recordings. The SP-1200’s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy, and Daft Punk. 

 

AKAI MPC60 

The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of “Sound-Collage”.

The original MPC60 only allowed sample lengths of up to 13 seconds. Sampling memory was expensive at the time, which steered people to records at higher5 speeds in order to gain more time. The side effect was playback at a lower resolution, which contributed to the grittiness of the sound. Famous users include Kanye West, Dr. Dre, and Mark Ronson. 

Product form

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6-SR  Classic... Read more

SKU: 2007057000000

R 3,300.00 Incl. VAT

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    • Shipped today? Order within: Nov 28, 2024 15:00:00 +0200
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    Description

    Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.



    RD-6-SR     

    Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer and Distortion Effects 

    Product Features 

    • Amazing Drum Machine with true analog circuitry for classic sound performance 
    • Authentic reproduction of original circuitry with matched transistors 
    • 8 original drum sounds with mixed parameters and global accent capability 
    • Highly acclaimed and authentic clap sound from the DR-110 drum machine 
    • 6 independent analog outputs for external processing or recording your rhythms as multi-track audio 
    • Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns 
    • Patterns can be chained into full songs with up to 250 bars 
    • Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds 
    • 16 authentic-style step buttons with LED indicators for easy pattern creation 
    • 11 controls and 26 switches to give you direct and real-time access to all important parameters 
    • MIDI and USB implementation for synchronization and connection to external devices 
    • Sync options include USB, MIDI, Clock, and Internal for maximum versatility 

     

    RD-6-SR 

    The RHYTHM DESIGNER RD-6-SR provides all the tools you need to become a master beat-maker, including 8 drum sounds and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-SR has everything you need to step up to the big leagues. 

     

    Masterpiece Rejuvenated 

    Great care has been taken in designing the RD-6-SR to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear.

    By taking a fresh and modern approach on a classic drum machine, the RD-6-SR gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well.

    Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level.  

     

    Complete Control 

    Built to enhance the way you perform, the RD-6-SR boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-SR also comes with a distortion based on the venerable DS-1. distortion. 

     

    Oberheim DMX 

    Launched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice, and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls, and flams to create a more human “feel”.

    The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs. 

    The DMX’s hard-hitting and convincing drum sound made it attractive to artists and producers in the burgeoning Hip-Hop culture and it is featured on many of the scenes early innovative records. New Order used the DMX to great effect on their 1983 single, “Blue Monday” with its repeating bass drum pattern. 

     

    E-mu SP-1200 

    Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter, and 12-bit sampling resolution.

    This all contributed to the unit’s gravelly sounds, which have been featured on many hit recordings. The SP-1200’s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy, and Daft Punk. 

     

    AKAI MPC60 

    The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of “Sound-Collage”.

    The original MPC60 only allowed sample lengths of up to 13 seconds. Sampling memory was expensive at the time, which steered people to records at higher5 speeds in order to gain more time. The side effect was playback at a lower resolution, which contributed to the grittiness of the sound. Famous users include Kanye West, Dr. Dre, and Mark Ronson. 

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