Synthesizers

Please be informed that this item comes with an international adaptor, you will need an SA converter.DEEPMIND 12 True Analog 12-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, Tablet Remote Control, and Built-In Wifi. Product Features  Classic polyphonic synthesizer with 12 true analog voices for insanely fat and authentic sounds
. 4 simultaneous world-class TC Electronic and Klark Teknik FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and multi-band Distortion
 12 voices with 2 analog OSCs per voice with oscillator sync mode
 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering
 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes
 Flexible 8-channel modulation matrix with 19 sources and over 130 destinations including effects parameters
 32-step control sequencer with adjustable slew rate and MIDI sync
 Full remote control via iPad*/PC/Mac* App over USB, MIDI or built-in WiFi for extended parameter control
 49 semi-weighted full-size keys featuring velocity sensitivity and after-touch
 Pure analog signal path based on legendary VCF and VCA designs
 OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation
 OSC 2 generates square/pulse waveforms with tone modulation
 Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance
 Envelope faders seamlessly transform individual envelope segments between linear, exponential, and reverse exponential curves
 Powerful unison and poly modes with detune, pan spread, and drift parameters featuring up to 12 voices per note
 Global noise generator dramatically expands waveform generation
 Incredible polyphonic portamento with a flexible fixed rate, fixed time, and exponential pitch glide modes
 Sophisticated arpeggiator with tap tempo button and user-configurable pattern modes
 Chord and PolyChord memories enable polyphonic performances from monophonic playing styles
 True bypass mode for pure and high-integrity analog tone
 Global variable 6 dB high pass filter with the powerful bass boost switch
 26 sliders and one switch per function give direct and real-time access to all important parameters
 Spring-loaded pitch and assignable modulation wheels provide total hands-on performance
 LCD Display with encoder, navigation switches, and data value slider for rapid menu parameter editing and program selection
 1024 user program memories with? compare and match? feature to quickly match all analog controls to values stored in program
 Fully servo-balanced stereo outputs for the highest signal integrity
 CV/pedal input for connection to modular systems
 Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save)
 Integrated and configurable WiFi client / Access point allows an easy and secure connection to a home network
   DEEPMIND 12 With the creation of DEEPMIND 12, the ultimate true analog, 12-voice polyphonic synthesizer is finally a reality. DEEPMIND 12 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 12 gives you complete control over your soundscape. Plus, DEEPMIND 12 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB, MIDI, or built-in Wifi – for a custom-tailored workflow that lets your creative spirit soar to new heights.   Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 12’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. Glorious 12-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 12 boosts your creativity with 12-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 24 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 12, 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; Poly; Poly 6, and Poly 8. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 12 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 12 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 12 serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 12 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations.   Remote Control Comprehensive remote control is available for DEEPMIND 12 via iPad*/PC/Mac App over USB, MIDI or built-in WiFi for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*.   Ultra-Expressive Keyboard The keyboard features 49 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 12’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 12 always responds to your touch with 3 different selectable velocity and aftertouch curves.   Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 12's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 12 a boldly unique and fresh character not found in competing products.   Low Pass Filter & Envelope Faders Everything about the DEEPMIND 12 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves.   Big, Fat Tones DEEPMIND 12 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 12 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 12's extreme versatility empowers you to be your creative best.   Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 12 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation.   Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 12's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWN-ALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching.   Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 12 allows you to write extremely complex chords and polychords (up to 12 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys   True Bypass Mode The FX menu of the DEEPMIND 12 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone.   High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 12 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end.   You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 12 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation.   Pitch and Mod Wheels Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 12 the ultimate live performance and studio-ready synthesizer.   Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu.   Something to Remember The patches loaded into DEEPMIND 12's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 12 provides more than enough memory to store several soundtracks – and even entire shows.   You've Got Connections DEEPMIND 12's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save.   WiFi Router Not Required You can easily tap into your home network via DEEPMIND 12's integrated and configurable WiFi client / Access point, without any additional hardware.  

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TD-3-RD   Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain   Product Features  Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds
 Authentic reproduction of original circuitry with matched transistors
 Pure analog signal path based on legendary VCO, VCF and VCA designs
 Sawtooth and square waveform VCO with transistor wave-shaping circuitry
 Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls
 Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns
 Arpeggiator with wide patterns for great sound effects
 Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds
 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony
 11 controls and 28 switches to give you direct and real-time access to all important parameters
 MIDI and USB implementation with MIDI channel and Voice Priority selection
 3-Year Warranty Program*
 Designed and engineered in Italy
   TD-3-RD Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-RD lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-RD is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-RD, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-RD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-RD comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-RD’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-RD’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-RD’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-RD has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-RD’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!  

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TD-3-TG Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-TG Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-TG lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-TG is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-TG, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-TG its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-TG comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-TG’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-TG’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-TG are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-TG’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-TG has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-TG’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-TG gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-TG! Visit your dealer to experience the stunning TD-3-TG or get yours online today. Music never felt this good!

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Behringer TD-3-GP-SAA Analog Bass Line Synthesizer Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-GP Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-GP lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-GP is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-GP, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-GP its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-GP comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-GP’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-GP’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-GP are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!    16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-GP’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-GP has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-GP’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!

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TD-3-SB Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-SB Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-SB lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-SB is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-SB, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-SB its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-SB comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-SB’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-SB’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-SB are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!    16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-SB’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors. Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-SB has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-SB’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-SB gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-SB! Visit your dealer to experience the stunning TD-3-SB or get yours online today. Music never felt this good!

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TD-3-LM Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-LM Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-LM lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-LM is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-LM, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-LM its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-LM comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-LM’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-LM’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-LM are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-LM’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-LM has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-LM’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.MonoPoly  Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, VCF, 2 LFOs, 2 Envelopes, Sync and Cross Modulation and Arpeggiator  Product Features  Amazing analog synthesizer with 4 classic VCOs for amazingly fat music creation  4-Voice polyphonic/paraphonic design with mono, unison, and polyphonic mode  37 semi-weighted full-size keys featuring velocity functionality  Authentic reproduction of original circuitry from the ‘80s  Pure analog signal path based on authentic VCO, VCF, and VCA designs  4 variable oscillator shapes per VCO and variable pulse widths for ultimate sounds  Autotune functionality to ensure VCOs automatically stay in tune  Classic 24 dB filter with resonance for legendary sound performance  Cross-modulation and oscillator sync for piercing lead sounds and complex effects  Dual analog LFOs with 4 selectable waveforms and multiple destinations for advanced sound creation  Dedicated filter and amplifier ADSR envelope generators for full control of your sounds  Chord memory for complex harmonies with a single keypress  Noise generator for dramatically expanded waveform generation  Separate pitch modulation of VCO 1 for sync/x-mod effects  The front panel can be laid flat or tilted in multiple angles for easy access to all controls  62 controls give you direct and real-time access to all important parameters  Multiple in and outputs for controlling filter cutoff, oscillator pitch, CV/gate, and more  Comprehensive MIDI implementation with MIDI channel and Voice Priority selection    True to the Original  Great care has been taken in engineering the MONOPOLY, including the true-to-the-original analog circuitry, 4 VCOs, and incredibly flexible key modes for monophonic, duophonic and 4-voice polyphonic playstyles. This highly focused attention to detail is what gives the MONOPOLY its ultra-flexible sound shaping capability and allows you to recreate tones that are evocative of classic electronic music. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads.    Big, Fat Tones  The synthesizer tracks laid down in the ‘80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The MONOPOLY lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!    A Timeless Classic  Just like its predecessor, the MONOPOLY comes with four VCOs, each with four switchable waveshapes such as triangle, reverse sawtooth, pulse width modulation, and pulse width. Each VCO’s octave, level, and tuning can be adjusted separately with their respective knobs. Setting the VCOs to PWM mode allows you to route the signal to one of two analog LFOs again with four selectable waveforms and adjustable frequency for some more advanced sound creation.   Sculpting a Masterpiece  The MONOPOLY includes a VCF and VCA, each with its own ADSR that lets you adjust the shape of the envelope to create notes that are short and percussive or long and atmospheric. You can even add in a bit of white noise by turning up the Noise knob. This dramatically spices up your waveforms and gives you full control of your sounds, letting you shape your tone any way you want. Sweep the Cutoff knob on the VCF from left to right while setting the resonance to just the right amount and listen as your note transforms from a low rumble to a sizzling crescendo that’s just perfect for creating the right atmosphere in your next cyberpunk epic.    Key Assign Mode  With the Key Assign Mode section you can select how the MONOPOLY operates, whether it’s in Unison mode, which plays all four VCOs at once when a key is pressed, Polyphonic mode or Unison/Share mode which shares the VCOs according to the number of notes played. There’s also a Chord Memory mode for creating complex harmonies with a single key press. Start off in Poly mode, press the hold button, play your chord, and hit the Chord Memory button. Now you’ll be able to play that chord with a single key  The Keys Please  The MONOPOLY features 37 semi-weighted keys with velocity functionality. Pitch can be raised or lowered using the Bend wheel, while modulation depth is controlled with the MG1 wheel. You can even select what each wheel modifies as well as its intensity in the Wheel section.    Controls and Connectivity  We just can’t help ourselves – like you, we gear heads too. For those who want the numbers, the MONOPOLY has 62 knobs and buttons, all laid out on a tiltable front panel in a highly intuitive format that puts the joy back into your music creation. The MONOPOLY also includes multiple in and outputs for controlling filter cutoff, oscillator pitch, and CV/Gate as well as MIDI.    Unleash Your Imagination  When it comes to recreating the classic sounds of an era like the 1980s, with a few modern features, there’s nothing like the Behringer MONOPOLY, portable and so very affordable.  Visit your dealer to experience the amazing MONOPOLY or get yours online today!    Watch Video...

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TD-3-BU   Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain   Product Features  Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds
 Authentic reproduction of original circuitry with matched transistors
 Pure analog signal path based on legendary VCO, VCF and VCA designs
 Sawtooth and square waveform VCO with transistor wave-shaping circuitry
 Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls
 Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns
 Arpeggiator with wide patterns for great sound effects
 Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds
 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony
 11 controls and 28 switches to give you direct and real-time access to all important parameters
 MIDI and USB implementation with MIDI channel and Voice Priority selection
 3-Year Warranty Program*
 Designed and engineered in Italy
   TD-3-BU Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-BU lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-BU is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-BU, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-BU comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-BU’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-BU’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!    16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-BU’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-BU has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-BU’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!  

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TD-3-SR Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection Designed and engineered in Italy   TD-3-SR Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-SR lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-SR is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-SR, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-SR its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-SR comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-SR’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-SR’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em! 16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-SR’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-SR has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-SR’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-SR gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-SR!  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. Behringer PRO-1-SAA Analog Synthesizer PRO-1 Analog Synthesizer with Dual VCOs, 3 Simultaneous Waveforms, 4-Pole VCF, Extensive Modulation Matrix, 16-Voice Poly Chain and Eurorack Format Product Features Amazing analog synthesizer with dual VCO design allows for amazingly fat music creation Authentic reproduction of original circuitry with legendary 3340 and 3320 semiconductors Pure analog signal path based on authentic VCO, VCF and VCA designs 3 simultaneous oscillator shapes (OSC A: Saw / Pulse, OSC B: Saw / Triangle / Pulse waveforms) Classic 4-pole filter design with self-resonance capability Powerful modulation matrix for 2 modulation buses for flexible music creation Dedicated and analog LFO with simultaneous Sawtooth, Triangle and Square oscillator shapes 2 envelope generators for modulation of VCF and VCA Easy-to-use 64-note dual sequencer (LFO clock serves as master clock) Arpeggiator with 3 patterns for great sound effects 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony Complete Eurorack solution main module can be transferred to a standard Eurorack case 56 controls give you direct and real-time access to all important parameters Audio input for processing external sound sources for enhanced creativity External control inputs and outputs (Gate, Filter etc.) Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection Designed and engineered in the U.K.   PRO-1 Making its debut in 1981, the monophonic Sequential Circuits Pro-One* quickly established itself as the synthesizer of choice for numerous artists including: Thompson Twins, the Prodigy, Depeche Mode, Vince Clarke, New Order, Prince, Soft Cell and a host of others. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the PRO-1 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 3 selectable waveforms, plus extremely flexible VCF and VCA filters, the PRO-1 is sure to become one of your favorite keyboards. Owning the PRO-1 is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!   True to the Original Great care has been taken in engineering the PRO-1, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the PRO-1 its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – and all the way out to the otherworldly sounds of your imagination.   Big, Fat Tones The inspired synthesizer tracks laid down in the 1980s and ’90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The PRO-1 lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right!   Authentic 3340 Oscillator PRO-1’s 3340 Voltage Controlled Oscillators (VCOs) provides your choice of up to 3 simultaneous waveforms (Oscillator A: Sawtooth and Pulse, Oscillator B: Sawtooth, Triangle and Pulse), with a selectable range of 4 octaves. The VCOs can be modulated via the envelope or the low frequency oscillator (LFO). Performance is further enhanced by the Mixer section, which balances the levels of the internal VCOs and noise generator. This amazing flexibility gives you the tools to be your creative best.   Versatile VCF The very heart of PRO-1’s sound is its classic 4-pole filter, which lets you freely experiment with the Cutoff Frequency, Resonance and Envelope and Keyboard amount, and full complement of ADSR (Attack, Decay, Sustain, Release) controls to dial in the perfect sound. PRO-1’s filter Mode switch can be set to either Lo- or Hi-pass for selecting the range of your choice.   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), PRO-1’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Eurorack Ready Designed to handle the rigors of life on the road or in the studio, your PRO-1 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.   Rock Right out-of-the Box! Your PRO-1 comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   The Envelope, Please... Make that envelopes! PRO-1’s Low Frequency Oscillator (LFO) features your choice of Sawtooth, Triangle and Pulse waveforms with a sweepable frequency range from 0.1 to 30 Hz – plus 2 separate Envelope generators for modulating the VCF and VCA.   Onboard Sequencer & Arpeggiator PRO-1’s dual 64-note sequencers allow you to record and playback your choice of 2 unique patterns, which can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing the pattern. The onboard Arpeggiator switch features 3 positions, Up (ascending), Down (descending) and Off. Both sequencers and the arpeggiator are fun, mesmerizing and totally addictive...   The LFO, the Matrix & More… Thanks to its dedicated and fully-analog LFO, PRO-1 lets you choose from triangle, pulse or square waveforms and features a single Frequency control for ultra-easy operation. Additionally, the onboard Modulation matrix lets you set the Amount of Filter Envelope, Oscillator B and LFO modulation is applied to the signal, and how. You can even modulate the pulse wave via the LFO, envelope or manually – for sounds ranging from mild to wild!   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, PRO-1 has 56 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand PRO-1’s tone-sculpting capabilities beyond your wildest dreams by utilizing the patchbay for incredibly vast and flexible patching options!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, PRO-1 gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer PRO-1!  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer MS-1-BU-SAA Analog Synthesizer MS-1-BU Analog Synthesizer with 32 Full-Size Keys, 3340 VCO with 4 Simultaneous Waveforms, VCF, NovaMod FM Sources, 32-Step Sequencer, Arpeggiator and Live Performance Kit Product Features Amazing monophonic synthesizer with authentic 3340 analog oscillator for insanely fat music creation 32 semi-weighted full-size keys for great playability Pure analog signal path based on legendary VCO, VCF and VCA designs to recreate the classic sound performance Oscillator with 4 simultaneously-mixable waveforms: saw, triangle, square/pwm and octave-divided square sub-oscillator Resonant VCF can be modulated with ADSR, LFO, keyboard tracking and bender controller 6 FM sources based on NovaMod* allow for creative VCF modulation and unheard of filter effects ADSR envelope generator for incredible wave shaping Easy-to-use 32-step sequencer with 64 sequence locations Arpeggiator with wide patterns for great sound effects Attachable handgrip included with pitch bend wheel and pitch modulation trigger Guitar strap included for live jamming on stage Bender assignable to VCO, VCF and pitch mod wheel on attachable handgrip Noise generator can be used as modulation source for distortion-like effects Incredible portamento function for fantastic sound effects Pulse wave can be modulated by LFO, envelope and manually 57 sliders and switches to give you direct and real-time access to all important parameters External audio input for processing external sound sources Comprehensive USB/MIDI implementation for connection to keyboard/sequencer Designed and engineered in the U.K.   MS-1-BU The 1980s and ’90s spawned a new “wave” of synth performers including Devo, The Chemical Brothers, The Prodigy, The Crystal Method and a host of others, all empowered by the sound of a simple strap-on instrument that let keyboardists steal the spotlight away from their guitar-wielding bandmates. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!   True to the Original Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – and all the way out to the otherworldly sounds of your imagination.   Big, Fat Tones The inspired synthesizer tracks laid down in the 1980s and ’90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right!   Versatile Oscillator MS-1-BU’s authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.   Versatile VCF The very heart of MS-1-BU’s sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU’s VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.   The Envelope, Please... MS-1-BU’s Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.   Onboard Sequencer & Arpeggiator MS-1-BU’s sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive...   Own the Stage When you’re ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight – carve out a little of your own!   Modulate Me to the Max! In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU’s Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually – for sounds ranging from mild to wild! Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output. Unleash Your Imagination When it comes to not just pushing envelopes but creating them, MS-1-BU gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer MS-1-BU!  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.MS-1-RD  Analog Synthesizer with 32 Full-Size Keys, 3340 VCO with 4 Simultaneous Waveforms, VCF, NovaMod FM Sources, 32-Step Sequencer, Arpeggiator and Live Performance Kit  Product Features  Amazing monophonic synthesizer with authentic 3340 analog oscillator for insanely fat music creation  32 semi-weighted full-size keys for great playability  Pure analog signal path based on legendary VCO, VCF, and VCA designs to recreate the classic sound performance  Oscillator with 4 simultaneously-mixable waveforms: saw, triangle, square/pwm, and octave-divided square sub-oscillator  Resonant VCF can be modulated with ADSR, LFO, keyboard tracking, and bender controller  6 FM sources based on NovaMod* allow for creative VCF modulation and unheard of filter effects  ADSR envelope generator for incredible waveshaping  Easy-to-use 32-step sequencer with 64 sequence locations  Arpeggiator with wide patterns for great sound effects  Attachable handgrip included with pitch bend wheel and pitch modulation trigger  Guitar strap included for live jamming on stage  Bender assignable to VCO, VCF, and pitch mod wheel on attachable handgrip  Noise generator can be used as a modulation source for distortion-like effects  Incredible portamento function for fantastic sound effects  Pulse wave can be modulated by LFO, envelope and manually  57 sliders and switches to give you direct and real-time access to all important parameters  External audio input for processing external sound sources  Comprehensive USB/MIDI implementation for connection to keyboard/sequencer  Designed and engineered in the U.K.    MS-1-RD  An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator, and live performance kit, the MS-1-RD lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-RD is sure to become your favorite keyboard.     True to the Original  Great care has been taken in engineering the MS-1-RD, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-RD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects.      Versatile Oscillator  MS-1-RD’s authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include saw, triangle, square/pwm, and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.    Versatile VCF  The very heart of MS-1-RD’s sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-RD’s VCF can be modulated via the ADSR, keyboard tracking, and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from pulse; sawtooth; sub-oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.    The Envelope, Please...  MS-1-RD’s Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger, and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.  Onboard Sequencer & Arpeggiator  MS-1-RD’s sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern.  Own the Stage  When you’re ready to strut your stuff and get a little centerstage time, the MS-1-RD has that covered too! Just attach the included guitar strap and handgrip (with a pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight – carve out a little of your own!    Modulate Me to the Max!  The noise generator can also be used as a modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-RD’s Bender is also assignable to the VCO, VCF, and pitch mod wheel on attachable handgrip.     Controls & Connectivity  Behringer just can’t help themselves. For those who want the numbers, MS-1-RD has 57 knobs, faders, and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output     

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