Musical Instruments

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6 Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer and Distortion Effect Product Features Amazing Drum Machine with true analog circuitry for classic sound performance Authentic reproduction of original circuitry with matched transistors 8 original drum sounds with mix parameters and global accent capability Highly acclaimed and authentic clap sound from the DR-110 drum machine 6 independent analog outputs for external processing or recording your rhythms as multi-track audio Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns Patterns can be chained into full songs with up to 250 bars Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds 16 authentic-style step buttons with LED indicators for easy pattern creation 11 controls and 26 switches to give you direct and real-time access to all important parameters MIDI and USB implementation for synchronization and connection to external devices Sync options include USB, MIDI, Clock and Internal for maximum versatility   RD-6 The RHYTHM DESIGNER RD-6 provides all the tools you need to become a master beat-maker, including: 8 drum sound and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6 has everything you need to step up to the big leagues.   Masterpiece Rejuvenated Great care has been taken in designing the RD-6 to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach to a classic drum machine, the RD-6 gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level. This is an analog beat-making monster!   Complete Control Built to enhance the way you perform, the RD-6 boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-BB also comes with a distortion based on the venerable DS-1. Add spice and a bit of edge to your tone by flipping the Distortion switch on and adjusting the amount and tone of the distortion. Each pattern you create can also be chained into a whole song up to 256 bars which adds up to eight and a half minutes of beats perfect for those spicy jams where you just can’t stop.   USB Control To bring the RD-6 into the modern age, USB connectivity has been added for sync and MIDI triggering. This enables the RD-6 to be controlled by your DAW if desired, allowing songs and patterns to be swapped or individual sounds to be triggered.   The Numbers The RD-6 has 11 knobs and 26 buttons, all laid out in a highly-intuitive format that puts the fun back into your beat creation. Input and output connections include Open or Closed Hi-Hat, Clap, Cymbal, Low and Hi Tom, Snare and Bass Drum Voice Outs; Start/Stop for connecting a foot pedal; MIDI In, Out and Thru over USB for connecting the RD-6 to a DAW and 5 pin MIDI ports.   Introducing All the Colours...

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.MS-1-RD  Analog Synthesizer with 32 Full-Size Keys, 3340 VCO with 4 Simultaneous Waveforms, VCF, NovaMod FM Sources, 32-Step Sequencer, Arpeggiator and Live Performance Kit  Product Features  Amazing monophonic synthesizer with authentic 3340 analog oscillator for insanely fat music creation  32 semi-weighted full-size keys for great playability  Pure analog signal path based on legendary VCO, VCF, and VCA designs to recreate the classic sound performance  Oscillator with 4 simultaneously-mixable waveforms: saw, triangle, square/pwm, and octave-divided square sub-oscillator  Resonant VCF can be modulated with ADSR, LFO, keyboard tracking, and bender controller  6 FM sources based on NovaMod* allow for creative VCF modulation and unheard of filter effects  ADSR envelope generator for incredible waveshaping  Easy-to-use 32-step sequencer with 64 sequence locations  Arpeggiator with wide patterns for great sound effects  Attachable handgrip included with pitch bend wheel and pitch modulation trigger  Guitar strap included for live jamming on stage  Bender assignable to VCO, VCF, and pitch mod wheel on attachable handgrip  Noise generator can be used as a modulation source for distortion-like effects  Incredible portamento function for fantastic sound effects  Pulse wave can be modulated by LFO, envelope and manually  57 sliders and switches to give you direct and real-time access to all important parameters  External audio input for processing external sound sources  Comprehensive USB/MIDI implementation for connection to keyboard/sequencer  Designed and engineered in the U.K.    MS-1-RD  An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator, and live performance kit, the MS-1-RD lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-RD is sure to become your favorite keyboard.     True to the Original  Great care has been taken in engineering the MS-1-RD, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-RD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects.      Versatile Oscillator  MS-1-RD’s authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include saw, triangle, square/pwm, and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.    Versatile VCF  The very heart of MS-1-RD’s sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-RD’s VCF can be modulated via the ADSR, keyboard tracking, and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from pulse; sawtooth; sub-oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.    The Envelope, Please...  MS-1-RD’s Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger, and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.  Onboard Sequencer & Arpeggiator  MS-1-RD’s sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern.  Own the Stage  When you’re ready to strut your stuff and get a little centerstage time, the MS-1-RD has that covered too! Just attach the included guitar strap and handgrip (with a pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight – carve out a little of your own!    Modulate Me to the Max!  The noise generator can also be used as a modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-RD’s Bender is also assignable to the VCO, VCF, and pitch mod wheel on attachable handgrip.     Controls & Connectivity  Behringer just can’t help themselves. For those who want the numbers, MS-1-RD has 57 knobs, faders, and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output     

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.RD-6-SR  Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer, and Distortion Effects  Product Features  Amazing Drum Machine with true analog circuitry for classic sound performance  Authentic reproduction of original circuitry with matched transistors  8 original drum sounds with mix parameters and global accent capability  Highly acclaimed and authentic clap sound from the DR-110 drum machine  6 independent analog outputs for external processing or recording your rhythms as multi-track audio  Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns  Patterns can be chained into full songs with up to 250 bars  Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds  16 authentic-style step buttons with LED indicators for easy pattern creation  11 controls and 26 switches to give you direct and real-time access to all important parameters  MIDI and USB implementation for synchronization and connection to external devices  Sync options include USB, MIDI, Clock, and Internal for maximum versatility    RD-6-SR  The RHYTHM DESIGNER RD-6-SR provides all the tools you need to become a master beat-maker, including 8 drum sounds and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-SR has everything you need to step up to the big leagues.    Masterpiece Rejuvenated  Great care has been taken in designing the RD-6-SR to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach to a classic drum machine, the RD-6-SR gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level.     Complete Control  Built to enhance the way you perform, the RD-6-SR boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-SR also comes with a distortion based on the venerable DS-1. distortion. Each pattern you     Oberheim DMX  Launched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice, and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls, and flams to create a more human “feel”. The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs.    E-mu SP-1200  Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter, and 12-bit sampling resolution. This all contributed to the unit’s gravelly sounds, which have been featured on many hit recordings. The SP-1200’s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy, and Daft Punk.    AKAI MPC60  The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of “Sound-Collage”. The original MPC60 only allowed sample lengths of up to 13 seconds.    Watch Video...

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TD-3-TG Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Product Features Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters MIDI and USB implementation with MIDI channel and Voice Priority selection   TD-3-TG Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-TG lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-TG is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-TG, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-TG its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-TG comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-TG’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-TG’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-TG are fun, mesmerizing and totally addictive...   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-TG’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-TG has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-TG’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-TG gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-TG! Visit your dealer to experience the stunning TD-3-TG or get yours online today. Music never felt this good!

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. K900FX Ultra-Flexible 90-Watt 3-Channel PA System / Keyboard Amplifier with FX and FBQ Feedback Detection Product Features Ultra-flexible 90-Watt 3-channel PA System / Keyboard Amplifier Powerful 12'' Bugera woofer and custom-made 1'' driver for ultimate sound reproduction Integrated digital FX processor with 100 awesome pre-sets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies Full 3-channel operation with separate Volume and FX Send per channel Additional XLR mic input on Channel 1 for direct connection of dynamic microphones Dedicated 5-band graphic EQ for awesome sound shaping Line output for direct connection to your mixing console Main section with FX Return level and Master Volume Subwoofer output for ultimate low-end power CD input allows you to play along to your favorite music Separate headphone output-perfect for quiet practicing Integrated 35-mm pole socket for stand mounting and use as PA System Designed and engineered in Germany     ULTRATONE K900FX The 90-Watt ULTRATONE K900FX excels as an extraordinarily-versatile keyboard and drum amplifier, as well as a high-quality 3-channel Public Address (PA) system, with a world class, 12" BUGERA Speaker – all in one compact and easy-to-transport package. Specializing in rich, accurate tone and professional features, such as a studio-grade Multi-FX Processor and our own FBQ Feedback Detection System, this powerful workhorse will bring out the best in your performance gig after gig.   Channel Your Sound The K900FX gives you 3 independent stereo channels, each with separate Volume and FX Send controls, plus an additional XLR mic input on Channel 1 for the direct connection of a dynamic microphone. So, if you’re the kind of keyboardist or drummer with multiple instruments at your disposal, the K900FX is ready to handle up to 3 independent signals. It is also ideal for use as an all-in-one solution for keys and vocal applications.   The Master Section provides separate controls for FX Return, Master Volume and Phones. A stereo Aux Input allows you to play recorded music through the K900FX during performance breaks, or just for playing along. A separate headphone output is perfect for quiet practicing. The K900FX also features an integrated 35 mm pole socket for stand mounting and a Line Output for connecting to the house mixing board, or to your favourite recording device.   Big, Beautiful BUGERA A powerful 12" BUGERA woofer, made by skilled artisans, works in connection with a custom-made 1.0" high frequency driver for awesome, full-range sound. Long appreciated by the most demanding guitarists and bassists in the world, keyboard players and PA specialists are now getting in on the BUGERA action!

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OSCILLATOR MODULE 1004 Legendary 2500 Series Dual-Core VCO Module for Eurorack Product Features Classic 1004 dual analog VCO module from the 70s Authentic reproduction of the circuitry from the 2500 Series VCO features 5 waveforms: sine, triangle, square, sawtooth, and pulse Waveforms can be combined and inversed into the audio outputs Output frequency range from 0.03 Hz to 16 kHz in 2 ranges VCO range selectable between Low (LFO) or High (Audio) Coarse frequency control allows adjustment over 10 octaves Fine frequency control adjusts over +/- 1 octave Frequency modulation with 2 inputs and controls responding to 1 V/octave The width of the pulse waveform can be set manually and controlled dynamically Eurorack specs: 16 HP, XX mA +12 V, XX mA -12 V   OSCILLATOR MODULE 1004 This is the Behringer 2500 series OSCILLATOR MODULE 1004. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the OSCILLATOR MODULE 1004 in with your existing rig or start your modular synth journey from here. Either way, you’re sure to have a lot of fun.   Mix & Shape The OSCILLATOR MODULE 1004 is a classic analog dual-core oscillator module. The 1004 features discrete transistor circuitry to add vintage character and is equipped with coarse and fine frequency controls, frequency range switch, on/off switch, pulse width control, 3 modulation attenuators and best of all it features 3-position toggle switches for each waveform which can be set to invert/off/non-inverted, all the enabled waveforms are mixed together to create complex waveform shapes and amazing sounds.   Ins and Outs The 1004 gives you comprehensive connectivity, 1V/Octave keyboard input, and two VCO modulation inputs, a pulse width modulation input, and finally two parallel oscillator outputs to signal send to other modules.   Eurorack Ready Installing the OSCILLATOR MODULE 1004 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cable to the power supply and screw in the module using the included screws. This allows for the 1004 to be mixed with other synth modules for a truly unique setup.   Complete Your Setup Whether you’re just getting into modular synths or looking to complete your collection, the OSCILLATOR MODULE 1004 from Behringer is a great tool to have when creating amazing music. Get the OSCILLATOR MODULE 1004 from Fastrak Online today!  

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A guitar cable is used to connect a guitar to a guitar amplifier. It is built to convey a weak, unamplified signal from your guitar to your amp, where it is boosted up to a usable level.

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.MS-1-RD Analog Synthesizer with 32 Full-Size Keys, 3340 VCO with 4 Simultaneous Waveforms, VCF, NovaMod FM Sources, 32-Step Sequencer, Arpeggiator and Live Performance Kit Product Features Amazing monophonic synthesizer with authentic 3340 analog oscillator for insanely fat music creation 32 semi-weighted full-size keys for great playability Pure analog signal path based on legendary VCO, VCF and VCA designs to recreate the classic sound performance Oscillator with 4 simultaneously-mixable waveforms: saw, triangle, square/pwm and octave-divided square sub-oscillator Resonant VCF can be modulated with ADSR, LFO, keyboard tracking and bender controller 6 FM sources based on NovaMod* allow for creative VCF modulation and unheard of filter effects ADSR envelope generator for incredible wave shaping Easy-to-use 32-step sequencer with 64 sequence locations Arpeggiator with wide patterns for great sound effects Attachable handgrip included with pitch bend wheel and pitch modulation trigger Guitar strap included for live jamming on stage Bender assignable to VCO, VCF, and pitch mod wheel on attachable handgrip Noise generator can be used as a modulation source for distortion-like effects Incredible portamento function for fantastic sound effects Pulse wave can be modulated by LFO, envelope, and manually 57 sliders and switches to give you direct and real-time access to all important parameters External audio input for processing external sound sources Comprehensive USB/MIDI implementation for connection to keyboard/sequencer Designed and engineered in the U.K. MS-1-RD An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator, and live performance kit, the MS-1-RD lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-RD is sure to become your favorite keyboard.   True to the Original Great care has been taken in engineering the MS-1-RD, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-RD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects.   Big, Fat Tones The inspired synthesizer tracks laid down in the 1980s and ’90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-RD lets you recreate all of that magic.   Versatile Oscillator MS-1-RD’s authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include saw, triangle, square/pwm, and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.   Versatile VCF The very heart of MS-1-RD’s sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-RD’s VCF can be modulated via the ADSR, keyboard tracking, and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.   The Envelope, Please... MS-1-RD’s Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger, and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation. Onboard Sequencer & Arpeggiator MS-1-RD’s sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Own the Stage When you’re ready to strut your stuff and get a little centerstage time, the MS-1-RD has that covered too! Just attach the included guitar strap and handgrip (with a pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight – carve out a little of your own! Modulate Me to the Max! The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-RD’s Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, MS-1-RD has 57 knobs, faders, and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

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UO300   3-Mode Octaver Effects Pedal   Product Features Create a monster sound by adding 2 additional tones using your guitar?1 and 2 octaves below the original tone
 This Behringer product has been designed to compete head to head with leading products on the market
 Dedicated volume controls for all 3 tones for awesome sound shaping
 Flexible 3-mode Range switch allows ultimate bass performance
 Status LED for effect on/off and battery check
 Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
 First-class electronic On/Off switch for highest signal integrity in bypass mode
 Designed and engineered in Germany
   ULTRA OCTAVER UO300 It is widely known that there is great strength in numbers. The ULTRA OCTAVER UO300 underpins your sound with added muscle, generating notes one and two octaves below what you play. The result is powerful, with the deep, rich impact that is only possible when guitar and bass lines are joined at the hip. Wanna play bass lines with your guitar? Wanna play synth-like lines with the addition of some fuzz with your guitar or bass? The stunning UO300 will make your tonal dreams come to life.   Ease of Use First, use the dedicated Range control to specify whether you want to add beef to the high, middle or low frequencies, then dial in the amount of your original sound with the Direct knob. Lastly, turn up the OCT 1 and OCT 2 controls to add the lower octaves. Now bask in the adoration of your fans.   Not Just for Guitar The UO300 isn’t just great for fattening up guitar riffs – it can add incredible beef to keyboards and bass, too! The status LED tells you when the UO300 stomp box is working its magic, and the on/off switch maintains superior signal integrity in bypass mode. You can power the UO300 with either a 9 V battery or our PSU-SB DC power supply (not included).

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. Behringer PRO-1-SAA Analog Synthesizer PRO-1 Analog Synthesizer with Dual VCOs, 3 Simultaneous Waveforms, 4-Pole VCF, Extensive Modulation Matrix, 16-Voice Poly Chain and Eurorack Format Product Features Amazing analog synthesizer with dual VCO design allows for amazingly fat music creation Authentic reproduction of original circuitry with legendary 3340 and 3320 semiconductors Pure analog signal path based on authentic VCO, VCF and VCA designs 3 simultaneous oscillator shapes (OSC A: Saw / Pulse, OSC B: Saw / Triangle / Pulse waveforms) Classic 4-pole filter design with self-resonance capability Powerful modulation matrix for 2 modulation buses for flexible music creation Dedicated and analog LFO with simultaneous Sawtooth, Triangle and Square oscillator shapes 2 envelope generators for modulation of VCF and VCA Easy-to-use 64-note dual sequencer (LFO clock serves as master clock) Arpeggiator with 3 patterns for great sound effects 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony Complete Eurorack solution main module can be transferred to a standard Eurorack case 56 controls give you direct and real-time access to all important parameters Audio input for processing external sound sources for enhanced creativity External control inputs and outputs (Gate, Filter etc.) Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection Designed and engineered in the U.K.   PRO-1 Making its debut in 1981, the monophonic Sequential Circuits Pro-One* quickly established itself as the synthesizer of choice for numerous artists including: Thompson Twins, the Prodigy, Depeche Mode, Vince Clarke, New Order, Prince, Soft Cell and a host of others. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the PRO-1 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 3 selectable waveforms, plus extremely flexible VCF and VCA filters, the PRO-1 is sure to become one of your favorite keyboards. Owning the PRO-1 is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!   True to the Original Great care has been taken in engineering the PRO-1, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the PRO-1 its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – and all the way out to the otherworldly sounds of your imagination.   Big, Fat Tones The inspired synthesizer tracks laid down in the 1980s and ’90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The PRO-1 lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right!   Authentic 3340 Oscillator PRO-1’s 3340 Voltage Controlled Oscillators (VCOs) provides your choice of up to 3 simultaneous waveforms (Oscillator A: Sawtooth and Pulse, Oscillator B: Sawtooth, Triangle and Pulse), with a selectable range of 4 octaves. The VCOs can be modulated via the envelope or the low frequency oscillator (LFO). Performance is further enhanced by the Mixer section, which balances the levels of the internal VCOs and noise generator. This amazing flexibility gives you the tools to be your creative best.   Versatile VCF The very heart of PRO-1’s sound is its classic 4-pole filter, which lets you freely experiment with the Cutoff Frequency, Resonance and Envelope and Keyboard amount, and full complement of ADSR (Attack, Decay, Sustain, Release) controls to dial in the perfect sound. PRO-1’s filter Mode switch can be set to either Lo- or Hi-pass for selecting the range of your choice.   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), PRO-1’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Eurorack Ready Designed to handle the rigors of life on the road or in the studio, your PRO-1 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.   Rock Right out-of-the Box! Your PRO-1 comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   The Envelope, Please... Make that envelopes! PRO-1’s Low Frequency Oscillator (LFO) features your choice of Sawtooth, Triangle and Pulse waveforms with a sweepable frequency range from 0.1 to 30 Hz – plus 2 separate Envelope generators for modulating the VCF and VCA.   Onboard Sequencer & Arpeggiator PRO-1’s dual 64-note sequencers allow you to record and playback your choice of 2 unique patterns, which can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing the pattern. The onboard Arpeggiator switch features 3 positions, Up (ascending), Down (descending) and Off. Both sequencers and the arpeggiator are fun, mesmerizing and totally addictive...   The LFO, the Matrix & More… Thanks to its dedicated and fully-analog LFO, PRO-1 lets you choose from triangle, pulse or square waveforms and features a single Frequency control for ultra-easy operation. Additionally, the onboard Modulation matrix lets you set the Amount of Filter Envelope, Oscillator B and LFO modulation is applied to the signal, and how. You can even modulate the pulse wave via the LFO, envelope or manually – for sounds ranging from mild to wild!   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, PRO-1 has 56 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand PRO-1’s tone-sculpting capabilities beyond your wildest dreams by utilizing the patchbay for incredibly vast and flexible patching options!   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, PRO-1 gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer PRO-1!  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.MonoPoly  Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, VCF, 2 LFOs, 2 Envelopes, Sync and Cross Modulation and Arpeggiator  Product Features  Amazing analog synthesizer with 4 classic VCOs for amazingly fat music creation  4-Voice polyphonic/paraphonic design with mono, unison, and polyphonic mode  37 semi-weighted full-size keys featuring velocity functionality  Authentic reproduction of original circuitry from the ‘80s  Pure analog signal path based on authentic VCO, VCF, and VCA designs  4 variable oscillator shapes per VCO and variable pulse widths for ultimate sounds  Autotune functionality to ensure VCOs automatically stay in tune  Classic 24 dB filter with resonance for legendary sound performance  Cross-modulation and oscillator sync for piercing lead sounds and complex effects  Dual analog LFOs with 4 selectable waveforms and multiple destinations for advanced sound creation  Dedicated filter and amplifier ADSR envelope generators for full control of your sounds  Chord memory for complex harmonies with a single keypress  Noise generator for dramatically expanded waveform generation  Separate pitch modulation of VCO 1 for sync/x-mod effects  The front panel can be laid flat or tilted in multiple angles for easy access to all controls  62 controls give you direct and real-time access to all important parameters  Multiple in and outputs for controlling filter cutoff, oscillator pitch, CV/gate, and more  Comprehensive MIDI implementation with MIDI channel and Voice Priority selection    True to the Original  Great care has been taken in engineering the MONOPOLY, including the true-to-the-original analog circuitry, 4 VCOs, and incredibly flexible key modes for monophonic, duophonic and 4-voice polyphonic playstyles. This highly focused attention to detail is what gives the MONOPOLY its ultra-flexible sound shaping capability and allows you to recreate tones that are evocative of classic electronic music. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads.    Big, Fat Tones  The synthesizer tracks laid down in the ‘80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The MONOPOLY lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!    A Timeless Classic  Just like its predecessor, the MONOPOLY comes with four VCOs, each with four switchable waveshapes such as triangle, reverse sawtooth, pulse width modulation, and pulse width. Each VCO’s octave, level, and tuning can be adjusted separately with their respective knobs. Setting the VCOs to PWM mode allows you to route the signal to one of two analog LFOs again with four selectable waveforms and adjustable frequency for some more advanced sound creation.   Sculpting a Masterpiece  The MONOPOLY includes a VCF and VCA, each with its own ADSR that lets you adjust the shape of the envelope to create notes that are short and percussive or long and atmospheric. You can even add in a bit of white noise by turning up the Noise knob. This dramatically spices up your waveforms and gives you full control of your sounds, letting you shape your tone any way you want. Sweep the Cutoff knob on the VCF from left to right while setting the resonance to just the right amount and listen as your note transforms from a low rumble to a sizzling crescendo that’s just perfect for creating the right atmosphere in your next cyberpunk epic.    Key Assign Mode  With the Key Assign Mode section you can select how the MONOPOLY operates, whether it’s in Unison mode, which plays all four VCOs at once when a key is pressed, Polyphonic mode or Unison/Share mode which shares the VCOs according to the number of notes played. There’s also a Chord Memory mode for creating complex harmonies with a single key press. Start off in Poly mode, press the hold button, play your chord, and hit the Chord Memory button. Now you’ll be able to play that chord with a single key  The Keys Please  The MONOPOLY features 37 semi-weighted keys with velocity functionality. Pitch can be raised or lowered using the Bend wheel, while modulation depth is controlled with the MG1 wheel. You can even select what each wheel modifies as well as its intensity in the Wheel section.    Controls and Connectivity  We just can’t help ourselves – like you, we gear heads too. For those who want the numbers, the MONOPOLY has 62 knobs and buttons, all laid out on a tiltable front panel in a highly intuitive format that puts the joy back into your music creation. The MONOPOLY also includes multiple in and outputs for controlling filter cutoff, oscillator pitch, and CV/Gate as well as MIDI.    Unleash Your Imagination  When it comes to recreating the classic sounds of an era like the 1980s, with a few modern features, there’s nothing like the Behringer MONOPOLY, portable and so very affordable.  Visit your dealer to experience the amazing MONOPOLY or get yours online today!    Watch Video...

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Description FTS DKS-03 Double Brace Keyboard Stand with adjustable height, durable X-frame design, foldable for easy transport, and non-slip rubber feet for stability.   The FTS DKS-03 Double Brace Keyboard Stand offers sturdy and reliable support for your keyboard during performances, practice sessions, or studio recordings. Its double-braced, X-frame design ensures maximum stability and durability, making it ideal for both heavy keyboards and frequent use.   With adjustable height settings, this stand easily accommodates players of different heights and preferences, allowing for comfortable positioning. The lightweight yet robust construction makes it easy to transport, while the foldable design ensures compact storage. Features: Heavy-duty steel construction Adjustable height Non-slip rubber feet Foldable for easy transport Benefits: Sturdy and stable for all keyboards Lightweight and easy to carry What’s In the Box:- 1 x FTS DKS-03 Double Brace Keyboard Stand  

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