Musical Instruments

TD-3-RD   Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain   Product Features  Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds
 Authentic reproduction of original circuitry with matched transistors
 Pure analog signal path based on legendary VCO, VCF and VCA designs
 Sawtooth and square waveform VCO with transistor wave-shaping circuitry
 Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls
 Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns
 Arpeggiator with wide patterns for great sound effects
 Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds
 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony
 11 controls and 28 switches to give you direct and real-time access to all important parameters
 MIDI and USB implementation with MIDI channel and Voice Priority selection
 3-Year Warranty Program*
 Designed and engineered in Italy
   TD-3-RD Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-RD lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-RD is sure to become one of your favorite synthesizers.   Pure Analog Signal Path Great care has been taken in engineering the TD-3-RD, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-RD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – all the way out to the otherworldly sounds of your imagination.   Rock Right Out of the Box! Your TD-3-RD comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right!   Versatile VCF The very heart of TD-3-RD’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.   Vintage Oscillator TD-3-RD’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.   Onboard Sequencer The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern.   Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em!   16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-RD’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-RD has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-RD’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!  

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SAMPLE & HOLD / RANDOM VOLTAGE MODULE 1036 Legendary 2500 Series Dual Sample and Hold with Voltage Controlled Clock Module for Eurorack Product Features Classic 1036 analog dual sample and hold module from the '70s Authentic reproduction of the circuitry from the "2500" Series Contains 2 independent sample and hold circuits, 2 random noise generators, and 2 voltage-controlled clocks Produces random tone sequences, scales and arpeggios Audio signal input and output for each Sample and Hold circuit with a sample command input to control the timing of samples from different sources Clock Frequency control adjusts the frequency of each clock and the sampling rate Manual sample control is available using momentary push buttons Sampling can also be controlled externally via a trigger or gate signal using the external input connection An internally generated random signal can be used as the sampled signal with an adjustable level control for each circuit Eurorack specs: 16 HP, XX mA +12 V, XX mA -12 V Modular Synthesis The first 2500 series synth modules came out in the 70s and tended to be extremely expensive. They were mainly all discrete transistor designs with some op-amps as at the time op-amps were high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like The Who, Jean Michel Jarre, Vangelis, Kraftwerk and so many more, giving us some of the greatest records and film soundtracks we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better. SAMPLE & HOLD/RANDOM VOLTAGE MODULE 1036 This is the Behringer 2500 series SAMPLE & HOLD/RANDOM VOLTAGE MODULE 1036. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the SAMPLE & HOLD/RANDOM VOLTAGE MODULE 1036 in with your existing rig or start your modular synth journey from here. Either way you’re sure to have a lot of fun. SAMPLE & HOLD The SAMPLE & HOLD/RANDOM VOLTAGE MODULE 1036 is a classic analog sample and hold module. The 1036 features discrete transistor circuitry to add vintage character and is equipped with onboard clock frequency controls, frequency range switches, clock on/off switches, trigger/gate select switches, manual sample switches, internal random signal level controls, external signal input attenuators and clock frequency modulation attenuators to create amazing sounds. Ins and Outs The 1036 gives you comprehensive connectivity, each channel has separate external signal inputs, sample inputs, clock modulation inputs and signal outputs to other send to other modules. Eurorack Ready Installing the SAMPLE & HOLD/RANDOM VOLTAGE MODULE 1036 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cable to the power supply and screw in the module using the included screws. This allows for the 1036 to be mixed with other synth modules for a truly unique set up.  

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OD300   2-Mode Overdrive/Distortion Effects Pedal   Product Features  Take off with overdrive, distortion or a combination of both effects in one powerful pedal
 This Behringer product has been designed to compete head to head with leading products on the market
 Dedicated Level, Tone, Drive and Mode controls for awesome sound shaping
 Status LED for effect on/off and battery check
 Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
 First-class electronic On/Off switch for highest signal integrity in bypass mode
 3-Year Warranty Program*
 Designed and engineered in Germany
   OVERDRIVE/DISTORTION OD300 Some songs call for an edgy modern-crunch; others call for the classic sound of hot and bothered tubes – still others need a little of both. The OVERDRIVE/DISTORTION OD300 has all your bases covered, allowing you to expertly sculpt your tone with the Level, Tone, Drive and Mode controls.   Truckloads of Tone Thanks to the OD300’s Overdrive/Distortion blend dial, you can turn all the way to the left for pure overdrive, or all the way to the right for straight-ahead distortion. In between, you get an infinite amount of options for creating the perfect overdrive/distortion cocktail. And with the dedicated Tone, Level and Drive dials, everything you need to create a signature sound is right at your fingertips.   Ease of Use The LED tells you when the OD300 is working its magic, and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the OD300 with either a 9 V battery or our PSU-SB DC power supply (not included).  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer MS-1-BU-SAA Analog Synthesizer MS-1-BU Analog Synthesizer with 32 Full-Size Keys, 3340 VCO with 4 Simultaneous Waveforms, VCF, NovaMod FM Sources, 32-Step Sequencer, Arpeggiator and Live Performance Kit Product Features Amazing monophonic synthesizer with authentic 3340 analog oscillator for insanely fat music creation 32 semi-weighted full-size keys for great playability Pure analog signal path based on legendary VCO, VCF and VCA designs to recreate the classic sound performance Oscillator with 4 simultaneously-mixable waveforms: saw, triangle, square/pwm and octave-divided square sub-oscillator Resonant VCF can be modulated with ADSR, LFO, keyboard tracking and bender controller 6 FM sources based on NovaMod* allow for creative VCF modulation and unheard of filter effects ADSR envelope generator for incredible wave shaping Easy-to-use 32-step sequencer with 64 sequence locations Arpeggiator with wide patterns for great sound effects Attachable handgrip included with pitch bend wheel and pitch modulation trigger Guitar strap included for live jamming on stage Bender assignable to VCO, VCF and pitch mod wheel on attachable handgrip Noise generator can be used as modulation source for distortion-like effects Incredible portamento function for fantastic sound effects Pulse wave can be modulated by LFO, envelope and manually 57 sliders and switches to give you direct and real-time access to all important parameters External audio input for processing external sound sources Comprehensive USB/MIDI implementation for connection to keyboard/sequencer Designed and engineered in the U.K.   MS-1-BU The 1980s and ’90s spawned a new “wave” of synth performers including Devo, The Chemical Brothers, The Prodigy, The Crystal Method and a host of others, all empowered by the sound of a simple strap-on instrument that let keyboardists steal the spotlight away from their guitar-wielding bandmates. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!   True to the Original Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects – and all the way out to the otherworldly sounds of your imagination.   Big, Fat Tones The inspired synthesizer tracks laid down in the 1980s and ’90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right!   Versatile Oscillator MS-1-BU’s authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.   Versatile VCF The very heart of MS-1-BU’s sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU’s VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.   The Envelope, Please... MS-1-BU’s Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.   Onboard Sequencer & Arpeggiator MS-1-BU’s sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive...   Own the Stage When you’re ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight – carve out a little of your own!   Modulate Me to the Max! In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU’s Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually – for sounds ranging from mild to wild! Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output. Unleash Your Imagination When it comes to not just pushing envelopes but creating them, MS-1-BU gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer MS-1-BU!  

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  The Ultimate Guitar-to-USB Interface for Recording and Jamming with your PC/Mac or iOS device Product Features: Plug in your favorite guitar and turn your PC or Mac* computer into a guitar amp and recording system without the need for any other hardware Opens up a world of free or commercial guitar amp and stomp box modeling plugins for your guitar sound Directly works with your PC or Mac computer - ultra-low latency ASIO* driver for PC audio optimization available at behringer.com Connect the Guitar Link interface to the camera connection kit of your iOS device and enjoy jamming with countless guitar apps Stereo Headphone output lets you jam with your computer and can also be used for monitoring with active monitor speakers Powered via USB - no additional power supply required   GUITAR LINK UCG102 The guitar is a time-tested cornerstone of popular music. But to get your music out there, you need to record, right? Hook up your axe directly to pop’s present and future with the GUITAR LINK UCG102. It interfaces seamlessly with PC or Mac* operating systems and utilizes an ultra-low latency ASIO driver, so nothing gets in the way of you and your passion. The stereo headphone out lets you jam along with your tracks without disturbing the neighbours or use it to hook up a pair of active monitors and get your friends in on the action!   Old School Meets Cutting Edge The UCG102 is a USB interface that, like a guitar amp, receives signal from your guitar via a ¼ " input jack. A built-in USB cable then sends the signal directly to your computer, in addition to tracking your latest masterpiece. It has a ¼ " headphone jack and Phones volume dial so you can monitor your performance as you record, a Clip LED to tell you when your signal is too hot, and a Hi/Lo level selector. Link In Whether you’re a guitar ace, novice home recording buff or a jack-of-all trades songwriter in need of a souped-up guitar presence, the UCG102 is the ideal accessory for you. For an incredibly low price, you can bridge your favourite axe to your home computer while applying a virtual treasure trove of vintage gear and killer multitracking software. Check out the incredible GUITAR LINK UCG102 at a BEHRINGER dealer near you – or order online today!

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MODAMP MODULE 1005   Legendary 2500 Series Ring Modulator and VCA Module for Eurorack Product Features Classic 1005 analog ModAmp module from the '70s
 Authentic reproduction of the circuitry from the "2500" Series
 Consists of a discrete balanced modulator and VCA
 Balanced modulator accepts 2 input signals (DC to 20 kHz) and produces an output that is a multiplication of the two signals
 Creates complex waveforms with in-harmonic overtones
 2 precision voltage outputs control the frequency of the VCO's that are typically connected
 Modulation is activated by illuminated push buttons (Mod and Unmod)
 In Unmod mode the signal at input A passes to the output without any modulation and the level is set by the Unmod Gain control
 Modulation can be switched on and off by trigger or gate signals which can be patched into the module
 VCA accepts the output from the modulator and modifies the output signal level according to the sum of the Gain control and external control voltages
 2 external VCA control signals can be attenuated by front panel controls
 VCA mode can be selected as either exponential or linear
 Eurorack specs: 16 HP, XX mA +12 V, XX mA -12 V
   Modular Synthesis The first 2500 series synth modules came out in the 70s and tended to be extremely expensive. They were mainly all discrete transistor designs with some op-amps as at the time op-amps were high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like The Who, Jean Michel Jarre, Vangelis, Kraftwerk and so many more, giving us some of the greatest records and film soundtracks we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   MODAMP MODULE 1005 This is the Behringer 2500 series MODAMP MODULE 1005. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the MODAMP MODULE 1005 in with your existing rig or start your modular synth journey from here. Either way you’re sure to have a lot of fun.   Make it Ring The MODAMP MODULE 1005 is a feature rich ring modulator to create metallic and bell-like sounds as well as many other modulation effects, modulation can be applied to any signals such as a signal from VCO’s or LFO’s via the INA and IN B jacks and is fed out via the VCA output. The 1005 features INA and INB attenuators, an UNMOD gain control lets you set the gain when in UNMOD mode, a VCA with gain control and a choice of exponential or linear response, Ratio and tune controls allow you to control and balance the frequency of 2 external VCO’s for convenience. The illuminated UNMOD and MOD switches disable or enable modulation effects   Ins and Outs The 1005 gives you comprehensive connectivity, Inputs A and B for the modulator inputs where signal A is modulated by signal B, CVA and CVB connect to your VCO’s frequency CV inputs for remote control, CV IN to control the VCA level from another module. The GATE, MOD and UNMOD jacks give you a choice of remote control of the UNMOD (Modulation disabled) and MOD (Modulation enabled) switches and finally the VCA OUT provides the unmodulated or modulated signal output allowing the VCA to be used independently when in UNMOD mode.   Eurorack Ready Installing the MODAMP MODULE 1005 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 1005 to be mixed with other synth modules for a truly unique set up.

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6-RD   Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer and Distortion Effect Product Features Amazing Drum Machine with true analog circuitry for classic sound performance
 Authentic reproduction of original circuitry with matched transistors
 8 original drum sounds with mix parameters and global accent capability
 Highly acclaimed and authentic clap sound from the DR-110 drum machine
 6 independent analog outputs for external processing or recording your rhythms as multi-track audio
 Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns
 Patterns can be chained into full songs with up to 250 bars
 Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds
 16 authentic-style step buttons with LED indicators for easy pattern creation
 11 controls and 26 switches to give you direct and real-time access to all important parameters
 MIDI and USB implementation for synchronization and connection to external devices
 Sync options include USB, MIDI, Clock and Internal for maximum versatility
   RD-6-RD The RHYTHM DESIGNER RD-6-RD provides all the tools you need to become a master beat-maker, including: 8 drum sound and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-RD has everything you need to step up to the big leagues.   Masterpiece Rejuvenated Great care has been taken in designing the RD-6-RD to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach on a classic drum machine, the RD-6-RD gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level. This is an analog beat-making monster!   Complete Control Built to enhance the way you perform, the RD-6-RD boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-RD also comes with a distortion based on the venerable DS-1. Add spice and a bit of edge to your tone by flipping the Distortion switch on and adjusting the amount and tone of the distortion. Each pattern you create can also be chained into a whole song up to 256 bars which adds up to eight and a half minutes of beats perfect for those spicy jams where you just can’t stop.   USB Control To bring the RD-6-RD into the modern age, USB connectivity has been added for sync and MIDI triggering. This enables the RD-6-RD to be controlled by your DAW if desired, allowing songs and patterns to be swapped or individual sounds to be triggered.   The Numbers The RD-6-RD has 11 knobs and 26 buttons, all laid out in a highly-intuitive format that puts the fun back into your beat creation. Input and output connections include: Open or Closed Hi-Hat, Clap, Cymbal, Low and Hi Tom, Snare and Bass Drum Voice Outs; Start/Stop for connecting a foot pedal; MIDI In, Out and Thru over USB for connecting the RD-6-RD to a DAW and 5 pin MIDI ports.

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UV300   Classic Vibrato Effects Pedal   Product Features Experience classic and mind-bending, dimensional vibrato effects of the '60s and '70s
 This Behringer product has been designed to compete head to head with leading products on the market
 Dedicated Depth, Rate, Rise and Mode controls for awesome sound shaping
 Status LED for effect on/off and battery check
 Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
 First-class electronic On/Off switch for highest signal integrity in bypass mode
 Designed and engineered in Germany
   ULTRA VIBRATO UV300 Kicking the ULTRA VIBRATO UV300 into action is like putting an invisible, automatic whammy bar on your guitar. From the gentle, pulsing rhythms of the ocean surf, to the wild, whirling effects of a rotating speaker system, the UV300 will bring a dose of days-gone- by to your sound.   Altered State Select from Unlatch, Bypass or Latch modes and twist the dedicated Rise, Rate and Depth dials to create your ideal vibrato. In Latch mode, the effect is constantly on once you step on it. Unlatch mode only applies the effect while you press down on the pedal, so you can add vibrato to a single note if you like. Your guitar will be playing mind-games with everyone in earshot as familiar, but hardly ordinary, tones of the 1960s and ‘70s ooze out of your amp.   Power Options The blazingly-bright amber LED tells you when the ULTRA VIBRATO UV300 is activated, and the first-class on/off switch maintains peerless signal integrity in bypass mode. You can power the UV300 with a 9 V battery or our PSU-SB DC power supply (not included).

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HM300   Heavy Metal Distortion Effects Pedal   Product Features Level the house with the most extreme and sought-after hard rock/heavy metal distortion of the '80s
 This Behringer product has been designed to compete head to head with leading products on the market
 Ultra-high gain circuitry to give you the thickest and most obscene distortion with endless sustain
 Dedicated Distortion, 2-band EQ and Level controls for awesome sound shaping
 Status LED for effect on/off and battery check
 Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
 First-class electronic On/Off switch for highest signal integrity in bypass mode
 3-Year Warranty Program*
 Designed and engineered in Germany
   HEAVY METAL HM300 The HEAVY METAL HM300 produces the huge, slicing guitar tone that, until now, was only available from high-gain amps cranked to the point just before meltdown. With the 2-band EQ and dedicated Distortion and Level controls, the HM300 will push your tone to the perfect level for a massive sonic assault. Tone with Serious Attitude With its ultra-high gain circuitry, the HM300 gives you rude and rowdy distortion for the fiercest rhythm chops and searing leads, with virtually endless sustain.   Easy to Operate HM300’s dedicated Distortion, Low, Mid and Level controls allow you to sculpt your own trademark metal tone, from deep and brooding – to crisp and furious. A status LED tells you when this beast is activated, the top-quality on/off switch maintains incredible signal integrity in bypass mode, and your HM300 can run from either a 9 V battery or our PSU-SB DC power supply (not included). 

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FTS-FA-380C-RDS Full Size Cutaway Acoustic Guitar Description:This guitar is only acoustic:The FTS-FA-380C is an acoustic that gives an amazing value along with good tone, playable, and Fender quality. A great guitar priced perfect for beginners and it has a Venetian cutaway that allows easy access to the upper reaches of the fingerboard, and it sounds great when plugged in using its versatile onboard electronics. Whether you’re just getting started on guitar or need a good second instrument as a backup or for use with alternate tuning, the FTS-FA-380R is an impressive instrument.Features:- Body Classical Style and Standard Depth- Top Solid Engelmann Spruce- Back Flamed Maple- Side Flamed MapleSpecification:- Body Depth 94-100mm- Nut Width 52mm- String Length 650mm (25 9/16")- Color Natural- Pre-Amp System 61 2way A.R.T.What's In The Box:- 1 xFTS-FA-380C Acoustic Guitar Red

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Description FTS DKS-03 Double Brace Keyboard Stand with adjustable height, durable X-frame design, foldable for easy transport, and non-slip rubber feet for stability.   The FTS DKS-03 Double Brace Keyboard Stand offers sturdy and reliable support for your keyboard during performances, practice sessions, or studio recordings. Its double-braced, X-frame design ensures maximum stability and durability, making it ideal for both heavy keyboards and frequent use.   With adjustable height settings, this stand easily accommodates players of different heights and preferences, allowing for comfortable positioning. The lightweight yet robust construction makes it easy to transport, while the foldable design ensures compact storage. Features: Heavy-duty steel construction Adjustable height Non-slip rubber feet Foldable for easy transport Benefits: Sturdy and stable for all keyboards Lightweight and easy to carry What’s In the Box:- 1 x FTS DKS-03 Double Brace Keyboard Stand  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.MonoPoly  Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, VCF, 2 LFOs, 2 Envelopes, Sync and Cross Modulation and Arpeggiator  Product Features  Amazing analog synthesizer with 4 classic VCOs for amazingly fat music creation  4-Voice polyphonic/paraphonic design with mono, unison, and polyphonic mode  37 semi-weighted full-size keys featuring velocity functionality  Authentic reproduction of original circuitry from the ‘80s  Pure analog signal path based on authentic VCO, VCF, and VCA designs  4 variable oscillator shapes per VCO and variable pulse widths for ultimate sounds  Autotune functionality to ensure VCOs automatically stay in tune  Classic 24 dB filter with resonance for legendary sound performance  Cross-modulation and oscillator sync for piercing lead sounds and complex effects  Dual analog LFOs with 4 selectable waveforms and multiple destinations for advanced sound creation  Dedicated filter and amplifier ADSR envelope generators for full control of your sounds  Chord memory for complex harmonies with a single keypress  Noise generator for dramatically expanded waveform generation  Separate pitch modulation of VCO 1 for sync/x-mod effects  The front panel can be laid flat or tilted in multiple angles for easy access to all controls  62 controls give you direct and real-time access to all important parameters  Multiple in and outputs for controlling filter cutoff, oscillator pitch, CV/gate, and more  Comprehensive MIDI implementation with MIDI channel and Voice Priority selection    True to the Original  Great care has been taken in engineering the MONOPOLY, including the true-to-the-original analog circuitry, 4 VCOs, and incredibly flexible key modes for monophonic, duophonic and 4-voice polyphonic playstyles. This highly focused attention to detail is what gives the MONOPOLY its ultra-flexible sound shaping capability and allows you to recreate tones that are evocative of classic electronic music. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads.    Big, Fat Tones  The synthesizer tracks laid down in the ‘80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The MONOPOLY lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!    A Timeless Classic  Just like its predecessor, the MONOPOLY comes with four VCOs, each with four switchable waveshapes such as triangle, reverse sawtooth, pulse width modulation, and pulse width. Each VCO’s octave, level, and tuning can be adjusted separately with their respective knobs. Setting the VCOs to PWM mode allows you to route the signal to one of two analog LFOs again with four selectable waveforms and adjustable frequency for some more advanced sound creation.   Sculpting a Masterpiece  The MONOPOLY includes a VCF and VCA, each with its own ADSR that lets you adjust the shape of the envelope to create notes that are short and percussive or long and atmospheric. You can even add in a bit of white noise by turning up the Noise knob. This dramatically spices up your waveforms and gives you full control of your sounds, letting you shape your tone any way you want. Sweep the Cutoff knob on the VCF from left to right while setting the resonance to just the right amount and listen as your note transforms from a low rumble to a sizzling crescendo that’s just perfect for creating the right atmosphere in your next cyberpunk epic.    Key Assign Mode  With the Key Assign Mode section you can select how the MONOPOLY operates, whether it’s in Unison mode, which plays all four VCOs at once when a key is pressed, Polyphonic mode or Unison/Share mode which shares the VCOs according to the number of notes played. There’s also a Chord Memory mode for creating complex harmonies with a single key press. Start off in Poly mode, press the hold button, play your chord, and hit the Chord Memory button. Now you’ll be able to play that chord with a single key  The Keys Please  The MONOPOLY features 37 semi-weighted keys with velocity functionality. Pitch can be raised or lowered using the Bend wheel, while modulation depth is controlled with the MG1 wheel. You can even select what each wheel modifies as well as its intensity in the Wheel section.    Controls and Connectivity  We just can’t help ourselves – like you, we gear heads too. For those who want the numbers, the MONOPOLY has 62 knobs and buttons, all laid out on a tiltable front panel in a highly intuitive format that puts the joy back into your music creation. The MONOPOLY also includes multiple in and outputs for controlling filter cutoff, oscillator pitch, and CV/Gate as well as MIDI.    Unleash Your Imagination  When it comes to recreating the classic sounds of an era like the 1980s, with a few modern features, there’s nothing like the Behringer MONOPOLY, portable and so very affordable.  Visit your dealer to experience the amazing MONOPOLY or get yours online today!    Watch Video...

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