Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.
Behringer B-115MP3 Mp3 Active Speaker System
Active 2-Way 15" PA Speaker System with MP3 Player, Wireless Option, and Integrated Mixer
Product Features:
High-Power 1000-Watt 2-way PA sound reinforcement speaker system for live and playback applications
The ultra-compact and lightweight system delivers excellent sound even at extreme sound pressure levels
High-performance MP3 player included playing audio files via USB stick
"Wireless-ready" for high-quality Behringer digital wireless system (not included)
2-channel mixer with individual Mic/Line inputs, Volume controls, and Clip LEDs
Dedicated 2-band EQ plus integrated sound processor for ultimate system control and speaker protection
Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance, and super-lightweight
Extremely powerful 15'' long-excursion driver provides incredibly deep bass and acoustic power
State-of-the-art 1.35'' aluminum-diaphragm compression driver for exceptional high-frequency reproduction
Ultra-wide dispersion, large-format exponential horn
Additional Line output allows linking of additional speaker systems
Versatile trapezoidal enclosure design allows different positioning: - Stand mounting with 35-mm pole socket - Tilts on its side for use as a floor monitor
Ergonomically shaped handles for easy carrying and setup
EUROLIVE B115MP3
The EUROLIVE B115MP3 active loudspeaker is exactly what you’ve come to expect from BEHRINGER – more power, more features, and absolutely more affordable!
Class-D - Massive Power, Perfect Sound
This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts while using less energy and protecting the environment.
Cut the Fat; Keep the Beef
We drew from our considerable experience to build this performance-grade loudspeaker, which made them lighter (38.9 lbs/17.7 kg) – and more powerful.
Onboard MP3 Player
One of the coolest features of this loudspeaker is the fully addressable, embedded MP3 player. From break and background music to high-resolution performance tracks, this full-feature MP3 player can handle it all.
Own the Stage with Digital Wireless
Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables.
Built-in Mixing Capability
The B115MP3’s integrated 2-channel mixer features the same ultra low-noise, high-headroom mic preamps that have made BEHRINGER mixers legendary, and the individual Mic/Line inputs accept virtually level signal you’re likely to run across. Variable Input gain controls (with Clip LED) will have you dialing in the perfect level every time. Just plug in a mic, along with a guitar/piano, connect your backing tracks via USB stick and let the show begin. And if you need more coverage, use the convenient Link Output XLR connector to add more active loudspeakers.
Bi-Amplification - The Path to Absolute Signal Integrity
With its 1000 ultra-clean Watts of digital output delivered through separately-powered drivers, courtesy of true bi-amping (2 amplifiers per speaker system), the B115MP3 delivers high-resolution sound that really brings out the best in your music. BEHRINGER has gone the extra mile – driving each woofer and tweeter with a separate amplifier for absolute signal integrity.
Custom-Engineered Transducers
When you buy a BEHRINGER active loudspeaker, you can rest assured that the transducers inside have been engineered to perform flawlessly in conjunction with every other element for truly professional results.
Extraordinarily Versatile
Thanks to the trapezoidal shape, the B115MP3 is suitable for a wide variety of applications, which includes standard speaker pole mounting, vertical placement atop subwoofers, or even laid on the side for use as onstage monitor wedges.
Which Speaker Should I Buy?
Well, let’s start with your application… are you giving a speech in a hotel ballroom—or rocking out at the local bar or dance club? A 15" woofer has about 40% more surface area with which to move air than a 12" and that translates into more bass. So if you’re addressing a small meeting, or jamming at the coffee house, the B112MP3 might be all you’ll ever need. But if you’re providing a disco in a busy nightclub, hosting Karaoke night in your living room, or just need to crank it up louder, then the B115MP3 may be a better choice.
Sound Value
The BEHRINGER B115MP3 active PA loudspeaker stands head and shoulders above the rest of the pack and delivers exceptional performance, even when pushed to the limit. Lightweight and powerful, with a built-in mixer, custom-designed transducers, integrated wireless functionality, and a user-friendly media player, the B115MP3 active loudspeaker is ideal for both speech and music applications – at a price that is unheard of in this class.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer 40USB 5" Active Monitor Speakers
MEDIA 40USB MEDIA 40USB 150-Watt digital monitor speakers combine exceptional connectivity via USB and analog input in a bi-amped, two-way speaker configuration, providing the perfect sonic upgrade for any audio or video application.
You’re sure to want a pair for every computer workstation in the house – and they make exceptional add-on speakers for flat-screen TVs and self-contained AV media players - as well as the perfect monitor solution for college dorm rooms or anywhere enjoying music is a must.
Bi-Amplification - The Path to Absolute Signal Integrity With its 150 ultra-clean Watts of digital output, delivered through separately-powered drivers via a true bi-amping mode with 2 amplifiers per speaker, the MEDIA 40USB delivers high-resolution sound that really brings out the best in your music.
You will notice that most competitors apply simple passive crossovers, which not only inaccurately separate the frequency spectrum, but most importantly impact the drivers’ performance. BEHRINGER has gone the extra mile, driving each woofer and tweeter with a separate amplifier for absolute signal integrity.
Great care was taken to match the system’s amplifiers and crossover points specifically to the woofer and tweeter for optimal efficiency. MEDIA 40USB’s performance provides ultra-linear frequency response – perfect for multimedia production, or just enjoying sound from your streaming media.
USB Simplicity and Elegance USB connectivity eliminates the need for special cables and adapters, which makes setup a breeze – plus, MEDIA 40USB powered speakers are magnetically-shielded to work perfectly with your computer monitor – even when placed in close proximity to video monitors of all types.
To add a touch of style to MEDIA 40USB’s amazing sonic features, we wrapped them in an elegantly streamlined package with gracious curves that complements even the most-sophisticated décor. Analog at the Ready Flexibility is built into every pair of MEDIA 40USB speakers.
You also have the freedom to connect either a stereo TRS or RCA device to the rear panel inputs of the MEDIA 40USB – or mix them with your computer’s digital audio.
Glowing Control The beautiful amber glow of MEDIA 40USB’s volume control shows your exact output level and provides an easy go-to knob for fast speaker or headphone level adjustments – plus the internal speakers auto-mute when you connect headphones to the convenient, front-mounted jack.
Your Computer’s Next Sound System With its room-filling 150-Watt output, high-quality woofers and tweeters plus true bi-amped mode, flexible USB / analog connectivity and elegant styling, MEDIA 40USB digital monitor speakers will bring your music to life! Get your hands on a pair today and take your digital audio library to the next level.
Product Features * 2-way digital monitor speakers ideally suited for computer studios, audio and multimedia workstations * True bi-amping mode with 4 amplifiers for ultimate high-resolution sound * 150 Watts of digital power amplification * Powerful woofers and high-resolution tweeters provide an ultra-linear frequency response * USB input for direct connection of digital stereo audio sources * Two stereo analog inputs featuring TRS and RCA connectors can be used simultaneously or mixed with a digital stereo source * Illuminated Volume control for both Line inputs * Front panel ?'' headphone connector with auto-mute loudspeaker function for easy access
992 CONTROL VOLTAGES
Legendary Analog CV Routing Module for Eurorack
Product Features
Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
Artist roster includes world's most famous pop, rock and jazz musicians
4-channel CV signal routing to 904A LPF module
Single external input with inverting attenuator control
3 switched and summed CV inputs for frequency control of VCF modules
3 parallel CV outputs can drive multiple 904A LPF and 904B HPF modules
Eurorack specs: 8 HP, 10 mA +12 V, 10 mA -12 V
Modular Synthesis
The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard.
Modular synths were a landmark development in electronic music and today, it’s about to get better.
992 CONTROL VOLTAGES
Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the “Modular 55 & 35” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price.
Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.
Channels
The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.
External Input and Attenuator
An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.
Ins and Outs
3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.
Eurorack Ready
Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.
Complete Your Collection
Whether you’re just getting into modular synths or looking to complete your collection, the 992 CONTROL VOLTAGES module from Behringer is a great tool to have when creating amazing music.
Get the 992 CONTROL VOLTAGES from your local Behringer dealer today!
903A RANDOM SIGNAL GENERATOR
Legendary Analog Noise Generator Module for Eurorack
Product Features
Vintage-sounding 903A noise generator module from the '70s
Authentic reproduction of the circuitry from the "Modular 55" Series
Artist roster includes world's most famous pop, rock and jazz musicians
Generates both white and pink noise
2 outputs per noise source
Eurorack specs: 4 HP, 25 mA +12 V, 35 mA -12 V
Modular Synthesis
The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.
903A RANDOM SIGNAL GENERATOR
Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the ‘70s. An authentic reproduction of the circuitry from the “Modular 55” series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.
Comes in White or Pink
The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.
Eurorack Ready
Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.
Complete Your Collection
Whether you’re just getting into modular synths or looking to complete your collection, the 903A RANDOM SIGNAL GENERATOR module from Behringer is a great tool to have when creating amazing music.
Aston Spirit Microphone
The Aston Spirit is a high-performance switchable pattern microphone utilising a 1” gold evaporated capsule. A switch on the mic body selects from Omni, Cardioid or Figure-of-Eight polar patterns. It is versatile enough to use with most instruments and excels on acoustic guitar and vocals.
Its Aston 33 panel selected capsule is teamed with high-end transformer balanced circuitry using only the best components.
The Spirit is designed to deliver a beautifully open sound with sparkling harmonics. This highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to.
Features:
The Aston Sound
Aston mics are developed by a panel of top industry professionals.
Wave-Form Spring Head
Unique design provides shock absorption to protect capsule.
Built In Pop Filter
The Spirit uses the latest in stainless steel mesh-knit technology to dramatically reduce vocal plosives.
Direct to stand mounting
Proprietary end cap design and ultimate capsule-chassis isolation means the Spirit can be direct-to-stand mounted with virtually no handling noise.
Chassis
2mm solid stainless steel laser cut and etched body…
PCB
Aston uses only market leading electronic components, coupled with cutting edge, original electronic design…
Eco-Friendly Packaging
No unnecessary frills, just well-designed, re-usable and recyclable packaging.
Tech Specs:
Transducer Type - Condenser
Acoustic Operating Principle - Pressure Gradient
Frequency Response - 20Hz – 20kHz (+/-3dB)
Equivalent Noise Level - 14dB A-Weighted
Sensitivity at 1kHz into 1kohm - 23.7mV/Pa
Maximum SPL for THD 0.5% - 138dB
Signal-to-Noise Ratio (rel. 94dB SPL) - 80dB A-Weighted
Polar pattern - Omni/Cardioid/Figure-of-Eight
Pad Switches - 20dB/-10dB/0dB
Low-Cut Filter - 80Hz
Size:
Product length - 175 mm / 6.89 in
Product width - 54 mm / 2.13 in
Product weight - 625 g / 1.38 lb
Aston Spirit Black Bundle – Studio Production Set
This studio production set features a highly collectable, black textured version of Aston’s flagship condenser mic, the Spirit, plus the best-in-class Aston Swiftshield pop filter and shock mount set – everything you need for high-class recordings of vocals, instruments and most other sound sources.
Features:
The Aston Sound
Aston mics are developed by a panel of top industry professionals.
Wave-Form Spring Head
Unique design provides shock absorption to protect capsule, with elastic memory.
Built In Pop Filter
The Spirit uses the latest in stainless steel mesh-knit technology to dramatically reduce vocal plosives.
Direct to stand mounting
Proprietary end cap design and ultimate capsule-chassis isolation means the Spirit can be direct-to-stand mounted with virtually no handling noise.
Chassis
2mm solid stainless black textured body…
PCB
Aston uses only market leading electronic components, coupled with cutting edge, original electronic design.
Eco-Friendly Packaging
No unnecessary frills, just well-designed, re-usable and recyclable packaging.
Tech Specs:
Transducer Type - Condenser
Acoustic Operating Principle - Pressure Gradient
Frequency Response - 20Hz – 20kHz (+/-3dB)
Equivalent Noise Level - 14dB A-Weighted
Sensitivity at 1kHz into 1kohm - 23.7mV/Pa
Maximum SPL for THD 0.5% - 138dB
Signal-to-Noise Ratio (rel. 94dB SPL) - 80dB A-Weighted
Polar pattern - Omni/Cardioid/Figure-of-Eight
Pad Switches - -20dB/-10dB/0dB
Low-Cut Filter - 80Hz
Size:
Product length 175 mm / 6.89 in
Product width - 54 mm / 2.13 in
Product weight - 625 g / 1.38 lb
DEEPMIND 12-TB
Deluxe Water Resistant Transport Bag for DEEPMIND 12
Product Features
Deluxe water resistant transport bag for synthesizers etc.
Rugged black multi-layer nylon outer material prevents ingress of dirt and dust
Thick interior foam padding provides superior protection in transit
Integral carry handles and shoulder strap
Ideal for Behringer DEEPMIND 12 Polyphonic Synthesizer
Designed and engineered in the U.K.
DEEPMIND 12-TB
You depend on your DEEPMIND 12 Polyphonic Synthesizer to work perfectly night after night – so protect it with a custom-fit, deluxe, water-resistant transport bag. Made of super-tough, multi-layer black nylon, the DEEPMIND 12-TB is a “must-have” accessory for your DEEPMIND 12 synth.
Protection Against the Elements
The rugged DEEPMIND 12-TB helps keep your DEEPMIND 12 free from dirt and moisture during transit to and from the gig, and protects it from dust in-between performances.
Made to Travel
Equipped with a convenient carry handle and shoulder strap, the transport bag cradles your DEEPMIND 12 in a thick layer of interior padding for exceptional protection during transit.
Value
The super-tough, multi-layer black nylon DEEPMIND 12-TB fits your DEEPMIND 12 Polyphonic Synthesizer like a glove, and protects your investment from dirt, dust and rain – and is an amazingly-affordable way to keep your gear looking great for years.
Please be informed that this item comes with an international adaptor, you will need an SA converter.DEEPMIND 6
True Analog 6-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, and Tablet Remote Control
Product Features
Classic polyphonic synthesizer with 6 true analog voices for insanely fat and authentic sounds
4 simultaneous world-class TC Electronic and Klark Teknik FX with over 30 algorithms, including Reverb, Chorus, Flanger, Phaser, Delay, and Multi-band Distortion
6 voices with 2 analog OSCs per voice with oscillator sync mode
2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering
3 ADSR generators per voice for control of VCF, VCA and MOD envelopes
Flexible 8-channel modulation matrix with 19 sources and over 130 destinations, including effects parameters
32-step control sequencer with adjustable slew rate and MIDI sync
Full remote control via iPad*/PC/Mac* App over USB or MIDI for extended parameter control
37 semi-weighted full-size keys featuring velocity sensitivity and after-touch
Pure analog signal path based on legendary VCF and VCA designs
OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation
OSC 2 generates square/pulse waveforms with tone modulation
Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance
Envelope faders seamlessly transform individual envelope segments between linear, exponential, and reverse exponential curves
Powerful unison and poly modes with detune, pan spread, and drift parameters featuring up to 6 voices per note
Global noise generator dramatically expands waveform generation
Incredible polyphonic portamento with a flexible fixed rate, fixed time, and exponential pitch glide modes
Sophisticated arpeggiator with tap tempo button and user configurable pattern modes
Chord and PolyChord memories enable polyphonic performances from monophonic playing styles
True bypass mode for pure and high-integrity analog tone
Global variable 6 dB high pass filter with a powerful bass boost switch
26 sliders and one switch per function give direct and real-time access to all important parameters
Spring-loaded pitch and assignable modulation wheels provide total hands-on performance
LCD Display with encoder, navigation switches, and data value slider for rapid menu parameter editing and program selection
1024 user program memories with compare-and-match feature to quickly match all analog controls to values stored in the program
Fully servo-balanced stereo outputs for the highest signal integrity
CV/pedal input for connection to modular systems
Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save)
Designed and engineered in the U.K.
DEEPMIND 6
With the creation of DEEPMIND 6, the ultimate true analog, a 6-voice polyphonic synthesizer, is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix, and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights.
Classic Polyphonic Synthesizer
The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that might make you a legend in your own right.
The FX Racks
We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing.
TC ELECTRONIC is synonymous with some of the best-sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and loves in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some!
The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*)
Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)
PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*)
BEHRINGER’s GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*)
REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*)
Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*)
Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*)
FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*)
The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously.
STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*)
The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*)
MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between.
The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*)
The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON)
AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance.
The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology.
STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field.
The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.
The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.
TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear)
DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines.
MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from.
STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments.
The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)
The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments.
A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks.
The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A.
The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”.
ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect.
Glorious 6-Note Polyphony
Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 6 boosts your creativity with 6-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 12 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; and Poly. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability.
Making Waves
Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 6 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects.
3 Envelope Generators
When it comes to envelope generation, DEEPMIND 6 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 6 serves up all the versatility and tone-sculpting options a professional musician could ask for.
8-Channel Modulation Matrix
Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 6 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy.
32-Step Control Sequencer
The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations.
Remote Control
Comprehensive remote control is available for DEEPMIND 6 via iPad*/PC/Mac App over USB or MIDI for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*.
Ultra-Expressive Keyboard
The keyboard features 37 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 6’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 6 always responds to your touch with 3 different selectable velocity and aftertouch curves.
Pure Analog Signal Path
A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 6's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 6 a boldly unique and fresh character not found in competing products.
Low Pass Filter & Envelope Faders
Everything about the DEEPMIND 6 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves.
Big, Fat Tones
DEEPMIND 6 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 6 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 6's extreme versatility empowers you to be your creative best.
Polyphonic Portamento
While most synthesizers only allow simple mono portamento glides, the DEEPMIND 6 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation.
Arpeggiator
A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 6's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWNALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching.
Chord Memory
Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 6 allows you to write extremely complex chords and polychords (up to 6 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys.
True Bypass Mode
The FX menu of the DEEPMIND 6 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone.
High Pass Filter
The 6 dB High Pass Filter (HPF) in the DEEPMIND 6 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end.
You Are Always in Control
We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 6 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation.
Pitch and Mod Wheels
Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 6 the ultimate live performance and studio-ready synthesizer.
Large LCD Screen
The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu.
Something to Remember
The patches loaded into DEEPMIND 6's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 6 provides more than enough memory to store several soundtracks – and even entire shows.
You've Got Connections
DEEPMIND 6's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save.
Deluxe Water Resistant Transport Bag for DEEPMIND 12D
Product Features
Deluxe water resistant transport bag for desktop synthesizers
Rugged black multi-layer nylon outer material prevents ingress of dirt and dust
Thick interior foam padding provides superior protection in transit
Integral carry handles and shoulder strap
Ideal for Behringer DEEPMIND 12D Polyphonic Synthesizer
Designed and engineered in the U.K.
DEEPMIND 12D-TB
You depend on your DEEPMIND 12D Polyphonic Synthesizer to work perfectly night after night – so protect it with a custom-fit, deluxe, waterresistant transport bag. Made of super-tough, multi-layer black nylon, the DEEPMIND 12D-TB is a “must-have” accessory for your DEEPMIND 12D synth.
Protection Against the Elements
The rugged DEEPMIND 12D-TB helps keep your DEEPMIND 12D free from dirt and moisture during transit to and from the gig, and protects it from dust in-between performances.
Made to Travel
Equipped with convenient carry handles and shoulder strap, the transport bag cradles your DEEPMIND 12D in a thick layer of interior padding for exceptional protection during transit.
Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer CAT-SAA Legendary Duophonic Analog Synthesizer CAT
Legendary Duophonic Analog Synthesizer with Dual VCOs, 4 Mixable Waveforms, External Signal Processor, 16-Voice Poly Chain, and Eurorack Format
Product Features
Amazing analog synthesizer with dual VCO design allows for insanely fat music creation
Authentic reproduction of original "CAT SRM II" circuitry with matched transistors and JFETs
Pure analog signal path based on authentic VCO, VCF and VCA designs
4 variable and simultaneous oscillator shapes (Sawtooth, Triangle, modulated Pulse and Sub-Octave Square) for ultimate sounds
Duophonic/Paraphonic mode allows both oscillators to be independently controlled
Oscillators can be modulated from 6 different sources with 2 modulation depth attenuators
Classic filter design (low pass with peak/resonance) with self-resonance capability
Filter can be modulated from 6 different sources with 2 modulation depth attenuators
Dedicated and fully analog sine/square wave LFO
2 analog Envelope Generators for modulation of VCF and VCA
White noise generator dramatically expands waveform generation
16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony
Complete Eurorack solution main module can be transferred to a standard Eurorack case
47 controls give you direct and real-time access to all important parameters
Audio input for processing external sound sources for enhanced creativity
External control inputs and outputs (High Note CV, Low Note CV, Gate, Filter etc.)
Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection
CAT
The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive.
In 1975, a new synth strolled into town. The Cat as it was called was an analog, duophonic, three octave synthesizer that was very similar to the ARP Odyssey. Its keyboard would produce two control voltages that were routed into its two VCOs. An ultra-affordable and even more feature-packed homage to that iconic synthesizer comes in the form of the Behringer CAT.
Conjure up the virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF and VCA designs in conjunction with 4 variable and simultaneous oscillator shapes and Duophonic/Paraphonic capabilities. Owning a CAT is like having your own personal time machine, enabling you to freely embrace the past – or shape the future. And the best of all, it doesn’t scratch.
True to the Original
Great care has been taken in engineering the CAT, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs that come together to recreate classic tones that are evocative of classic electronic music.
This highly-focused attention to detail is what gives the CAT its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads – and all the way to full on dreamy ambience from the far reaches of your imagination.
Big, Fat Tones
The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The CAT lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!
Keyboard Control
The CAT has the ability to accept any keyboard controller via MIDI. The signals generated can be tweaked via the Pitch Bend slider which can bend a note up or down one octave.
Bump this up to two octaves by flipping the Octave Shift switch up or down. Use the Glide slider to change how fast a note transitions to another; up is faster, down is slower. Combine that with the LFO Freq slider to control the LFO and ADSR repeat tempo and you can create some amazing pulsating portamentos.
Two VCOs are Better
The very heart of the CAT’s sound is its two VCOs. The Duophonic/Paraphonic nature of the CAT allows both oscillators to be controlled independently. Use the Fine and Coarse Frequency controls to tune VCO1 to VCO2.
Keyboard control on the CAT can be set to either Mono or Poly. Poly mode lets VCO1 generate the highest note played on the keyboard while VCO2 handles the lowest allowing two notes to be played simultaneously. Setting the switch to Mono mode makes VCO1 generate the lowest note depressed on the keyboard.
Make Waves
Waveform switches on both VCOs allow different waveforms to be patched in from the LFO. Choose between Sine, Square, Sample and Hold and even pitch modulation through each VCO. Turning the Modulation Depth knobs in either direction controls the intensity of the effect. VCO2 also comes with a Sync switch that locks VCO1 with it and has them act as one huge oscillator to produce more complex waveforms and dramatic results. Mix VCO1 into VCO2 or vice versa and the CAT can produce some really tasty tones that make themselves at home in your next synth jam.
Slide In
Each VCO on the CAT comes equipped with their own waveform sliders where you can adjust the volume of each type of VCO wave form. Pump up the Sub Octave, Sawtooth, Square, Triangle or Pulse waves or mix them all together and create some truly unique tones.
VCF
As if combining two VCOs wasn’t amazing enough, the CAT comes with another set of claws in the form of a VCF filter section. Here you can get more complex and robust tones by incorporating VCO1 into the mix.
Introduce more waveforms and manipulate the Q slider to emphasize harmonics and Filter Cutoff slider which acts as a low-pass filter. Turn the CAT into a really funky bass machine or an out-of-this-world synth that creates some searing lead tones. You can even create some amazing drum sounds by manipulating the VCOs, VCF and ADSR.
The Envelope, Please…
To give the signal even more character, you can use the CAT’s Transient Generator to create a detailed voltage transient every time a key is depressed. Adjust the Attack, Decay, Sustain and Release via the matching sliders and to shape your signal.
The AR transient generator works similarly to the ADSR but with less detailed control over the envelope. You can also set the ADSR to automatically repeat or only when a key is held down. The Sample and Hold switch can be set so the VCO1 setting is sampled or, when set to Noise mode, produce a random output pattern. Slide the LFO Delay control up or down to determine when the LFO will reach its maximum output after a key is depressed.
The Ins and Outs
The CAT features a whole slew of Inputs and Outputs that expand its capabilities beyond what you can see out of the box. You can route external control voltages to VCO1 or 2, the VCF and even pump in some external line-level audio into the CAT.
You can even connect the CAT to other external synthesizers through the Gate, ADSR, AR or Keyboard Outputs. The CAT’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – and it provides vastly improved reliability and stability over its 1970s and '80s predecessors.
Controls & Connectivity
We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, the CAT has 47 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation.
Unleash Your Imagination
When it comes to not just pushing envelopes but creating them, the CAT gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer CAT!
Visit your dealer to experience the stunning CAT or get yours online today. Music never felt this good!
A Brief History of Analog Synthesis
The modern synthesizer’s evolution began in 1919, when a Russian physicist named Lev Termen (also known as Léon Theremin) invented one of the first electronic musical instruments – the Theremin.
It was a simple oscillator that was played by moving the performer’s hand in the vicinity of the instrument’s antenna. An outstanding example of the Theremin’s use can be heard on the Beach Boys iconic smash hit “Good Vibrations”.
Ondioline
In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon’s “Runaway”.
Storytone Piano
Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World’s Fair. Hailed as the world’s first electric piano, the Storytone is prized by musicians and collectors alike for its realistic piano sound – only 500 or so were ever built.
Mellotron
Finding a high level of acceptance in the 1960s, Harry Chamberlin’s Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists.
Classic tracks from the Moody Blues “Days of Future Passed”, the Beatles “Strawberry Fields Forever”, and the Rolling Stones “She’s a Rainbow” are prime examples. Attribute author: By Buzz Andersen from San Francisco, California, United States Mellotron | NAMM 2007
Arp 2600
Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables.
The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock – to name just a few.
An Arp 2600 was even used to create the voice of the Star Wars character R2-D2. Attribute author: The original uploader was Kimi95 at Italian Wikipedia - http://www.vintagesynth.com/arp/arp2600blue.jpg e http://www.vintagesynth.com/arp/arp.php, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=7708499
Minimoog
Designed to replace the large, modular synths being used in pop music at the time, Bill Hemsath and Robert Moog developed the Minimoog in 1971. The monophonic instrument became the first truly all-in-one, portable analog synthesizer.
Thanks to its 3 oscillators and 24 dB/octave filter, the Minimoog produces an extremely rich and powerful bass sound and is still in high demand today. Yes keyboardist Rick Wakeman said the instrument “absolutely changed the face of music.” Attribute author: glacial23 - Early Minimoog Uploaded by clusternote, CC BY-SA 2.0
Yamaha CS-80
In 1976, Yamaha released their CS-80 8-voice polyphonic synthesizer, which provided velocity-sensitive keys and aftertouch that worked on individual voices. The analog instrument featured a ribbon controller, which allowed the user to perform polyphonic pitch bends and smooth glissandos.
Composer Vangelis used the CS-80 extensively in the Blade Runner and Chariots of Fire soundtracks. The CS-80 also provided the bass line heard in the BBC 1980 series Doctor Who theme song
Sequential Circuits Prophet 5
Sequential Circuits introduced the Prophet 5, which was the first analog 5-voice polyphonic synthesizers to provide onboard memory storage of all patch settings for instant recall.
The great-sounding Prophet 5 revolutionized the synthesizer world and, in spite of its rather expensive price tag, became one of the most successful synths of all time. Designed by Dave Smith and J owen, the Prophet 5 was the keyboard of choice by a very long list of performers that includes Peter Gabriel, Philip Glass, Journey,
The Cars, Thomas Dolby, Duran Duran, Gary Numan, Pink Floyd, and countless others. Image attribution: original uploader was Felix2036 at Dutch Wikipedia derivative work: Clusternote (Sequential_Circuits_Prophet_5.jpg) [Public domain], via Wikimedia Commons Which brings us to 1977...
A Passion for Keyboards
Our founder, Uli Behringer has a deep passion for keyboards. Born in the small town of Baden, Switzerland in 1961, Uli grew up in a musical family where his mother taught him to play the piano at the tender age of four.
His father was a scientist who built a massive organ in the family home and taught the young lad all about electronics. So at the age of 17, Behringer built his first synthesizer – the UB-1. Later, while attending college to seek a degree in audio engineering, Uli put his electronics knowledge to use, building his own equalizers and signal processors to fill the gap left by the university's inability to provide enough proper studio gear.
Word soon spread about how good his products were, and he began building gear for his friends – the Behringer legacy had begun. The rest, as they say, is history...
CP3A-O OSCILLATOR CONTROLLER
Legendary Analog Oscillator Controller Module for Eurorack
Product Features
Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
Artist roster includes world's most famous pop, rock and jazz musicians
4 switches allows you to send CV to one or more oscillators
External input jack with dedicated attenuator control
3 switched and summed CV inputs for frequency control of VCO modules
3 parallel CV outputs can drive multiple 921A/B oscillator modules
Eurorack specs: 8 HP, 5 mA +12 V, 5 mA -12 V
Modular Synthesis
The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.
CP3A-O OSCILLATOR CONTROLLER
Enter the Behringer CP3A-O OSCILLATOR CONTROLLER module. An authentic reproduction of the circuitry from the “Modular 55 and 35” series mixers used by the world’s most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that’ll fulfill any synth geek’s wildest dreams.
Switch It Up
The CP3A-O Module features 4 routing switches that enable you to send Control Voltages to one or more oscillators. Switches 1 to 3 are connected to Control Inputs 1, 2 and 3; switch 4 can be used to route an external Control Voltage signal via a 3.5 mm TS plug and can be controlled by an attenuator knob.
Ins and Outs
You can route up to three external control voltage signals to any of the three summed Control Inputs. Signals from these inputs can be combined by flipping any of the matching routing switches on. The parallel jacks at the bottom will route the final combined voltage signal to any module they’re connected to. A great way to utilize the CP3A-O is to have it drive multiple 921A or B oscillator modules which can allow you to create more intricate patches and hours and hours of fun.
Eurorack Ready
Installing the CP3A-O is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CP3A-O to be mixed with other synth modules for a truly unique set up.
Complete Your Collection
Whether you’re just getting into modular synths or looking to complete your collection, the CP3A-O OSCILLATOR CONTROLLER module from Behringer is a great tool to have when creating amazing music.
CP35 ATTENUATORS
Legendary Analog Attenuator and Multiples Module for Eurorack
Product Features
Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
Artist roster includes world's most famous pop, rock and jazz musicians
4 passive attenuators with linked inputs
Fixed +/-6 Volt CV reference voltage with 2 linked outputs each
Dual 4-socket multiples for splitting CV or audio signals to multiple destinations
Eurorack specs: 21 HP, 1 mA +12 V, 1 mA -12 V
Modular Synthesis
The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.
CP35 ATTENUATORS
Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the “Modular 55, 35 and 15” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.
Attenuators
The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - ∞ to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.
More Than Just Outputs
Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!
Eurorack Ready
Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.
Complete Your Collection
Whether you’re just getting into modular synths or looking to complete your collection, the CP35 ATTENUATORS module from Behringer is a great tool to have when creating amazing music.
