Music Tribe

PX3000  Multi-Functional 48-Point 3-Mode Balanced Patchbay  Product Features  Professional patchbay eliminates cable clutter in your studio and adding order and clarity  Fully balanced high-quality ¼” TRS connectors  3 modes, easily selectable per channel via top-side switches  "Normal" interconnects the two rear jacks of one channel; inserting a plug into one of the front jacks interrupts the connection of the rear jacks  "Thru" interconnects each rear jack with its corresponding front jack  "Half Normal" interconnects the two rear jacks of one channel; inserting a plug into the lower front jack interrupts the connection of the rear jacks  Designed and engineered in Germany    ULTRAPATCH PRO PX3000  Dismantling a stage after a gig, or putting your studio back in order, is much easier when your cables are organized. The ULTRAPATCH PRO PX3000 helps you conserve space in the studio or on stage, plus protect your cables and keep them orderly and tangle-free.    Getting Connected  This 48-point patchbay features high-quality, fully-balanced ¼ " TRS jacks. The multi-functional PX3000 is the ideal way to gain control over the cable runs in your studio. Crawling around under your desk searching for cables will become a thing of the past.    Flexible Functionality  The PX300’s three modes are user-assignable via the top panel switches for extreme flexible functionality. Normal interconnects the two rear jacks of one channel; inserting a plug into either of the front jacks interrupts the connection of the rear jacks. Half Normal interconnects the two rear jacks of one channel; inserting a plug into the lower front jack only interrupts the connection of the rear jacks. The third mode, Thru, interconnects each rear jack with its corresponding front jack.    One Smart Solution  The ULTRAPATCH PRO PX3000 makes it easy to stay organized and conserve space. Plug into this incredibly useful audio solution, and see how it streamlines your stage and studio. 

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.PSU-HSB-ALL All-Country DC 9 V / 1.7 A Power Adapter with Daisy-Chain Connectors, Jumper Cables and All-Country Mains Adapters   Product Features  7 A current capacity can power more than 20 effects pedals, keyboards and other DC 9 V gear
 Supplied with a full complement of connectors and jumper cords for total compatibility
 Includes 4 assorted jumper cables and 2 daisy-chain cables each with 5 connectors
 Takes up only one outlet space and frees up more room for your pedals
 Runs on any AC power supply from 100 ? 240 V; worldwide usability without transformer
 Transformer less design eliminates 50/60-cycle hum and extraneous noise
 Designed and engineered in Germany
   POWER THE WORLD PSU-HSB-ALL When the time comes to put your best foot forward on stage, you need the most dependable power you can get for your stomp boxes – and that’s where the PSU-HB-ALL General Purpose DC 9 V Power Adapter comes in…   Massive Power for Your Pedals and More The PSU-HB-ALL provides a more than generous 1.7 Amps of current for both your analog and digital devices. That’s more than enough power to handle up to 20 FX pedals, your keyboards – and practically anything else you’ve got that runs on 9 V DC!   Works with Virtually all FX Pedals For the ultimate in compatibility, the PSU-HB-ALL comes with 4 assorted jumper cables, plus 2 daisy-chain cables (each with 5 connectors), making it ideal for virtually all stomp boxes and effects pedals. And since it only occupies one AC outlet, you’ll have more room for stomp boxes.   Ready for the World Because we know your gear needs to work wherever you go, the PSU-HB-ALL runs on any AC power supply from 100 - 240 V, we included the most common mains adapters for flawless performance. And PSU-HB-ALL’s transformerless design eliminates 50/60-cycle hum and extraneous noise, making your music sound better than ever!  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6-SR  Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer and Distortion Effects  Product Features  Amazing Drum Machine with true analog circuitry for classic sound performance  Authentic reproduction of original circuitry with matched transistors  8 original drum sounds with mixed parameters and global accent capability  Highly acclaimed and authentic clap sound from the DR-110 drum machine  6 independent analog outputs for external processing or recording your rhythms as multi-track audio  Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns  Patterns can be chained into full songs with up to 250 bars  Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds  16 authentic-style step buttons with LED indicators for easy pattern creation  11 controls and 26 switches to give you direct and real-time access to all important parameters  MIDI and USB implementation for synchronization and connection to external devices  Sync options include USB, MIDI, Clock, and Internal for maximum versatility    RD-6-SR  The RHYTHM DESIGNER RD-6-SR provides all the tools you need to become a master beat-maker, including 8 drum sounds and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-SR has everything you need to step up to the big leagues.    Masterpiece Rejuvenated  Great care has been taken in designing the RD-6-SR to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach on a classic drum machine, the RD-6-SR gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level.     Complete Control  Built to enhance the way you perform, the RD-6-SR boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-SR also comes with a distortion based on the venerable DS-1. distortion.    Oberheim DMX  Launched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice, and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls, and flams to create a more human “feel”. The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs.  The DMX’s hard-hitting and convincing drum sound made it attractive to artists and producers in the burgeoning Hip-Hop culture and it is featured on many of the scenes early innovative records. New Order used the DMX to great effect on their 1983 single, “Blue Monday” with its repeating bass drum pattern.    E-mu SP-1200  Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter, and 12-bit sampling resolution. This all contributed to the unit’s gravelly sounds, which have been featured on many hit recordings. The SP-1200’s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy, and Daft Punk.    AKAI MPC60  The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of “Sound-Collage”. The original MPC60 only allowed sample lengths of up to 13 seconds. Sampling memory was expensive at the time, which steered people to records at higher5 speeds in order to gain more time. The side effect was playback at a lower resolution, which contributed to the grittiness of the sound. Famous users include Kanye West, Dr. Dre, and Mark Ronson. 

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6 Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer, and Distortion Effect Product Features Amazing Drum Machine with true analog circuitry for classic sound performance Authentic reproduction of original circuitry with matched transistors 8 original drum sounds with mix parameters and global accent capability Highly acclaimed and authentic clap sound from the DR-110 drum machine 6 independent analog outputs for external processing or recording your rhythms as multi-track audio Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns Patterns can be chained into full songs with up to 250 bars. Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds 16 authentic-style step buttons with LED indicators for easy pattern creation 11 controls and 26 switches to give you direct and real-time access to all important parameters MIDI and USB implementation for synchronization and connection to external devices Sync options include USB, MIDI, Clock, and Internal for maximum versatility   RD-6 The RHYTHM DESIGNER RD-6 provides all the tools you need to become a master beat-maker, including 8 drum sound and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-BB has everything you need to step up to the big leagues   Masterpiece Rejuvenated Great care has been taken in designing the RD-6 to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach to a classic drum machine, the RD-6 gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level. This is an analog beat-making monster!   Complete Control Built to enhance the way you perform, the RD-6 boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6 also comes with a distortion based on the venerable DS-1. Add spice and a bit of edge to your tone by flipping the Distortion switch on and adjusting the amount and tone of the distortion. Each pattern you create can also be chained into a whole song up to 256 bars which adds up to eight and a half minutes of beats perfect for those spicy jams where you just can’t stop.   USB Control To bring the RD-6 into the modern age, USB connectivity has been added for sync and MIDI triggering. This enables the RD-6 to be controlled by your DAW if desired, allowing songs and patterns to be swapped or individual sounds to be triggered.   The Numbers The RD-6 has 11 knobs and 26 buttons, all laid out in a highly-intuitive format that puts the fun back into your beat creation. Input and output connections include Open or Closed Hi-Hat, Clap, Cymbal, Low and Hi Tom, Snare and Bass Drum Voice Outs; Start/Stop for connecting a foot pedal; MIDI In, Out and Thru over USB for connecting the RD-6-BB to a DAW and 5 pin MIDI ports.    Introducing New Colours...

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. ULTRALINK ULM300USB Once again Behringer broke the affordability barrier – with their new ULTRALINK ULM300USB Wireless Microphone System. Now you are free to work the room to your heart’s content, without the hassle and restriction of cables underfoot. The highest-quality sound is provided by the dynamic hand-held mic thanks to the built-in transmitter, which operates in the license-free 2.4 GHz range. The dedicated ULM receiver not only connects to your PC/Mac computer’s USB port for recording directly into your favorite DAW application but also works with a wide range of BEHRINGER “Wireless-Ready” mixers and powered speakers – for the ultimate in versatility. High-Performance 2.4 GHz Digital Wireless System with Handheld Microphone and Dual-Mode USB Receiver Product Features Package of ULM300M handheld microphone and ULM300D dual-mode USB receiver High-quality microphone capsule for dedicated vocal applications Ultra-compact USB receiver with dual-mode analog/digital audio interface Digital 2.4 GHz wireless connectivity offers superior sound quality Maximum range 200 feet / 60 m Integrated volume up and down buttons on handheld microphone Panic mute feature on microphone Receiver powered via USB interface Auto-sensing of analog or USB digital audio connection 2.4 GHz ISM band operation allows license-free use on a worldwide basis Designed and engineered in Germany   Interference-Free Performance Behringer’s state-of-the-art transmitter and receiver operate in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers, two of the main culprits that wreak havoc in the wireless zone. And because it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems.   Extended Battery Life Replacing batteries in wireless mics can get expensive really fast – and having them die in the middle of your set can be a real showstopper! That’s why we devoted extra time to developing the ULM300USB to ensure that battery life was extended as much as possible. You get an honest 24 hours of performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.   Convenient Control Behringer wanted the ULM300USB to be ultra-easy to operate, so they gave each mic easy-to-understand and operate Volume buttons right on the microphone body. And should you accidentally wander into the “Feedback Zone”, we included a handy Panic Mute function that engages when you press and hold the Volume Down button.   Ready for the World Operating in the 2.4 GHz band allows your ULM300USB Wireless Microphone System to be used across the globe without any special licensing requirements.   Extraordinary Value The ULM300USB Wireless Microphone System is only available from Behringer, the premier audio manufacturer recognized worldwide for outstanding build quality and exceptional value. Visit your local authorized dealer today and see just how easy – and affordable it is to hop on the ULM300USB wireless bandwagon.  

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WB215   White Wall Mount Bracket for EUROLIVE B115 and B215 Series Speakers   Product Features Wall or ceiling mount bracket for EUROLIVE B115 and B215 series speakers
 Heavy-duty steel construction
 Designed for indoor use only
 Designed and engineered in Germany
   EUROLIVE WB215 Elevate your B215A, B215D, B215D-WH, B215XL or B215XL-WH with our wall-mount brackets, which are specially designed to secure these outstanding speaker systems to the wall of virtually any indoor environment. These heavy-duty steel brackets are ideal for installation in theaters, churches, restaurants, etc. A builtin swivel lets you aim the loudspeaker across a wide 180° axis, so you can put the sound where you want it. As stylish as they are functional, WB215 wall-mount brackets are available in your choice of black (WB215) or white (WB215-WH).  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer X-TOUCH COMPACT Universal USB/MIDI Controller Universal USB/MIDI Controller with 9 Touch-Sensitive Motor Faders   Product Features Universal Remote Control for DAWs, Instruments, Effects and Lighting applications Features Mackie Control* emulation mode for seamless integration with every compatible music production software 9 fully automated and touch-sensitive 100 mm motorized faders Dual-Layer mode for quick change between DAW and instrument control Pre-configured control elements for instant operation out of the box User-friendly editor application for in-depth configuration downloadable free of charge from www.behringer.com 16 rotary controls with LED-collars for on-the-fly adjustments of your favorite parameters 39 dedicated illuminated buttons (including transport control) for direct access of key functions Built-in USB MIDI interface for direct connection to Mac* or PC computers - no drivers required Standard MIDI I/O ports for controlling external hardware without the need of a computer Dedicated footswitch and foot controller input for external remote control 2-port powered multi-TT USB hub for connecting additional controllers "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~) and low power consumption for energy saving   X-TOUCH COMPACT The X-TOUCH COMPACT Universal USB/ MIDI Controller gives you precise control over your favorite DAW, instruments, effects, and lighting systems with the fluidity of 9 touch-sensitive and fully-automated motorized faders, 16 rotary encoders with LED collars – and 39 illuminated buttons. Free yourself from the mouse-click paradigm with X-TOUCH's preconfigured presets – or customize your configurations to master the art of on-the-fly adjustments as ever before!   Universal Control Today’s DAWs, instruments, effects and lighting applications are designed to interface with controllers that enable users to make high-precision changes with minimal effort. Built-in Mackie Control* emulation allows your X-TOUCH COMPACT to work with virtually any professional audio production software imaginable – as soon as you take it from the box – no setup required!   Faders that Dance with Your Music Your music is the embodiment of your imagination and creativity. Your controller should be equally inspired and dynamic in its response to your creation. That’s why the X-TOUCH COMPACT features 9 fully automated and touch-sensitive 100 mm motorized faders. Every move or automation you write can be seen in the movements of each fader in real time, perfectly synced with your DAW.   Control More Dual-Layer Mode provides lightning-fast switching between DAW and instrument control. Preconfigured control elements let you connect the X-TOUCH COMPACT for instant operation right out of the box, or download our user-friendly editor application for in-depth configuration, free of charge from www.behringer.com.   A Symphony of Lights 16 beautifully equipped rotary controls featuring LED-collars that provide an amber-hued visual read out couple with 39 illuminated buttons to make the X-TOUCH COMPACT a feast for the eyes as well as the hands. They provide direct access to preconfigured or user-mapped key functions. Know in brilliant color if a channel is muted or soloed and see how hot the level is pumping as you make changes during recording or mixing. Arm multiple tracks or adjust panning at the same time and marvel at how you ever relied on a mouse to do a controller’s job. The built-in USB interface allows you to connect the COMPACT directly to your Mac or PC for easy right out-of-the-box installation – no drivers required.   A Tale of Two MIDIs Complete USB and 5-pin MIDI integration means you’ll be able to interface with more of your favorite devices. Easily connect to a computer via the primary USB port, while simultaneously connecting an external MIDI device. Connect, Control, Expand The dedicated footswitch connector and one foot controller input provide external remote control. The powered multi-TT USB hub provides connectivity for 2 more controllers so it can grow with your career. A "Planet Earth" switching power supply gives you maximum flexibility and efficiency for energy savings. Best of all – the X-TOUCH COMPACT will work flawlessly wherever and whenever you plug it in.   Bring it All Together The ultra-compact design easily fits in your backpack and allows cascading or adding other X-TOUCH models. Power is supplied via your USB bus, so you no need to carry a power supply – and the high-quality, rugged construction means you'll have this trusty MINI-workhorse by your side for years to come.  

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Active DI Box with Extended Dynamic Range Product Features   Active DI box with high-headroom design and +48 V phantom power for extended dynamic range Fully transformer-isolated design ensures electrical separation between PA and stage equipment Balanced line input on Neutrik* XLR and high impedance input and link output on 1/4" TRS connectors 20 dB input pad and earth lift switches Aluminium extrusion casing with protective rubber corners Compact and rugged design DN100 The DN100 has become an established favourite amongst both engineers and musicians alike. With its high headroom, dynamic response and sonic clarity, DN100 faithfully reproduces the character of electric and acoustic instruments and allows far more of the detail of musical performances to be captured. DN100 is intended for professional applications where +48 V phantom power is a standard feature on all mixing consoles, and its innovative design results in a significantly higher clipping point than many other active DI Boxes, providing +10 dBu output into a 2 kΩ load. This increased headroom means that much higher-level input signals can be accommodated without the need for an attenuating pad. Combined with a very low noise input circuit topology, DN100 offers a very wide dynamic range, and only requires a single -30 dB pad for use when connecting directly to instrument amplifier outputs. DN100 is built to handle the rigours of life on the road, a thick aluminium extrusion protects the electronics, and in turn is covered by a tough silicone rubber sleeve. Balanced Transformer-Isolated Output Exhaustive listening tests using a wide variety of active and passive bass guitars, electro-acoustic guitars and electronic musical instruments were carried out to select the components for DN100 to achieve the best musical sound. Not only was the choice of the audio transformer particularly important in achieving this goal, but the impedances of the surrounding components were also highly critical in getting the best possible performance out of the audio transformer. The line-driving characteristics of the transformer output were carefully optimised to provide the best frequency and phase responses for short and long cables and widely differing line and termination impedances. Care was taken in the design of the DN100 to avoid audio transformer core saturation and a fixed high pass filter has been included in the signal path to roll off frequencies below those that are musically important. The lowest note on a 5- or 6-string bass guitar is B0 with a frequency of 30.87 Hz, and the lowest note on an 88-key piano keyboard is A0 with a frequency of 27.50 Hz. DN100 still maintains a frequency response of ±0.5 dB at these lowest musical notes. As well as the transformer in the signal path, DN100 also has a transformer to isolate the power rails to the input circuit from the phantom power supply sourced from the output XLR connector. When used in conjunction with the Earth Lift switch, this full galvanic isolation of input and output interfaces ensures that any risk of earth loops is avoided when taking a direct feed from stage backline equipment. Dual-Impedance Inputs A custom instrumentation-grade input circuit was designed for the DN100 using advanced analogue design techniques to create the very high input impedance required by passive guitar and bass pickups, whilst keeping the actual component values low to minimise noise. This innovative approach to circuit design produces a very low noise floor, which combined with the high clipping point creates an unrivalled dynamic range in a +48 V phantom powered DI Box. DN100 features one parallel-connected XLR and two ¼" TRS inputs, one which may also be used a link output for connection to a guitar or bass amplifier. When connecting to the XLR input only, the input impedance is 20 kΩ, ideal for line level equipment and offering even lower noise performance. This input impedance is far too low for guitar and bass pickups and is removed from the circuit when a jack plug is inserted into a ¼" TRS input, resulting in a nominal 1 MΩ input impedance, ideal for passive electric pickups. Illuminated 30dB Pad and Earth Lift Switches DN100 features illuminated Pad and Earth Lift switches, which along with the +48V phantom power indicator LED, provide ‘at a glance’ status display, even at wide distances and viewing angles. The Earth Lift switch separates the input and output grounds, useful in eliminating earth loops between equipment on different mains electricity supplies. Built for the Road Featuring a tough aluminium extrusion, the DN100 is designed for the rigours of live concert touring. The protective rubber corners also insulate the DN100 chassis to further enhance its electrical isolation. Premium Neutrik XLR connectors are used to ensure reliable audio connections, night after night.

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GRAND MAGUS DISTORTION   Organic Tube-Like Distortion with Tight Bottom-End and Natural Sag Product Features Organic tube-like distortion Tight bottom-end and natural tube sag Rich mids with smooth and creamy highs True Bypass for ultimate signal integrity "Built-like-a-tank" metal chassis Runs on 9 V battery or the TC Electronic Powerplug 9 (not included) Designed and engineered in Denmark   GRAND MAGUS DISTORTION Overflowing with organic tube amplifier-like distortion, tube compression and tight bottom-end tone, GRAND MAGUS DISTORTION channels the very essence of rock ‘n’ roll. Couple all that tone with the sultry feel of a vintage tube-rectified power supply and endorphin-elevating affordability – and you’ve got a shiny one-way trip to guitar Nirvana!   Raw Rock Power Nothing has shaped the musical landscape more than a roaring tube guitar amp set to 11 – that incredible sound remains the heart and soul of rock. GRAND MAGUS DISTORTION distills the heavenly, rich harmonic content and power supply sag that made those early tube amps the “Holy Grail” for scores of guitar-wielding legends. So if your riffs call for tight bottom-end, rich mids and creamy highs, GRAND MAGUS DISTORTION stands ready to deliver.   50+ Shades of Gain GRAND MAGUS DISTORTION isn’t just a one-trick tone pony; its ultra-wide gain range and smooth tonal character, mixed with super-tight low-end response, lets you go from a Hendrix-style crunch to beefy Blackmore distortion – and all the way to super-saturated solo tones in a flash. Whether your gig calls for dark vintage distortion, or an extra-crispy modern high-gain tone, you’ll find it here in the super-versatile GRAND MAGUS DISTORTION.   Classic Tone – Modern Features We know that the battle for a place on your pedalboard is fierce, so we equipped GRAND MAGUS DISTORTION exceptionally well to make the cut. A sturdy metal chassis with dedicated Input, Output and True Bypass means that GRAND MAGUS DISTORTION is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Your pedalboard will welcome GRAND MAGUS DISTORTION with open arms!   Backstage Pass – All Access Capable of a tremendous range of classic tube amp tones, GRAND MAGUS DISTORTION sports an easy-to-use control layout including: Gain, which controls the amount of overdrive; Volume, controls the output level; and Tone, for setting the sound for anywhere between dark, old-school dirty to crisp and modern distortion. Nothing is easier! Check out GRAND MAGUS DISTORTION at your local TC ELECTRONIC dealer today, or get yours online – and turn your tone up to eleven!

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. 2.4 GHz Wireless Stereo Transmitter for High-Performance Stereo Audio Broadcasting Product Features   Stereo transmitter to wirelessly stream audio (together with separate DW 20R) Perfect for hospitality and event spaces, retail and home audio, etc. Able to broadcast to multiple receivers (not included) Digital 2.4 GHz wireless connectivity offers superior sound quality High headroom design offers superior sound quality Maximum wireless range 100 feet (30 m) External, articulating antenna ensures optimum transmission and reception Aluminium extrusion casing with protective rubber corners Floor and wall mount brackets for fixed installation (included) High quality Neutrik* XLR and 1/4" TRS connectors 4 GHz ISM band operation allows license-free use on a worldwide basis Compact and rugged design Designed and engineered in the U.K. AIR LINK DW 20T When used in conjunction with DW 20R Wireless Receivers, the AIR LINK DW 20R Wireless Stereo Transmitter brings the convenience of high-performance audio-streaming to any installed or portable sound system, making it ideal for hospitality and event spaces, as well as retail, home audio, and much more. Featuring a maximum wireless range of 100 feet (30 m), DW 20R is easy to use and utilises premium-grade Neutrik balanced XLR and unbalanced 1/4" TRS connectors to cover a wide range of audio applications. Superior Performance Thanks to its high headroom design, the DW 20T transmitter provides pristine audio streaming that is far superior to competing products. Care has been taken in both the design process and component selection to ensure the highest-quality performance in its class. Maximum Range and Flexibility Aided by an external articulated antenna, the DW 20T is designed to provide dependable transmission over an astounding range of up to 100 feet (30 m). Multiple receivers can be deployed to provide targeted zone broadcasting, as long as each DW 20R is paired with only one DW 20T device at a time – allowing unique content to be streamed concurrently across each of the individual zones.   Robust Construction Housed in a compact and rugged aluminium extrusion enclosure, the DW 20T transmitter can be permanently installed via the included floor/wall mount brackets, or placed securely on a shelf thanks to its rubber corner protectors. Connectivity options include high quality Neutrik* XLR and 1/4" TRS input sockets, ensuring a crystal-clear signal path to professional mixers, amplifiers, or powered loudspeakers. Single Streaming Solution Engineered by the Award-winning Klark Teknik design team, the DW 20T is sublimely easy to use – and is the single audio streaming solution for a broad variety of applications.

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Classic Tube Overdrive Pedal with Intuitive 3-Knob Interface for Essential Blues Rock Tones Product Features Vintage and authentic sounding overdrive pedal Shape the scream of your tube drive with the 3-knob interface. Classic blues rock tones that conjure up the great masters of the genre True bypass for ultimate signal integrity "Built-like-a-tank" metal chassis. Runs on 9 V battery or the PSU-SB DC power supply (not included) Designed and engineered in Denmark.   EL CAMBO OVERDRIVE As far as versatile and ubiquitous effects go, an overdrive emulating a pushed tube amp is as good as it gets. EL CAMBO fattens up your tone with a little (or a lot) of extra girth around the waist, providing that highly sought-after midrange “oomph” that cuts through the mix, especially when your band is pushing hard decibels. This gritty honk gives your guitar a powerful voice that is ideal for a singing blues solo, and it’s also perfect for a hard rockin’ lead boost over the top of your amp’s already overdriven sound. Crank it up and testify! Vintage all-analog overdrive     •    True Bypass     •    Built like a tank    A Mountain of Mids EL CAMBO OVERDRIVE delivers a distinct midrange boost, one that can instantly warm up your tone, even if it’s a bit too jangly to cut through a loud rhythm section. Thanks to its symmetrical clipping overdrive circuit, the harmonic saturation is amazingly fluid and musical sounding.   Boost into Epic Solo-Mode With plenty of gain and boost on tap, EL CAMBO can be tailored to work in almost any setting. From adding just, a bit of push to your preamp with subtle warmth to your tone, to a screaming overdrive with singing sustain and thickness, EL CAMBO gets you there. Whether the moment calls for blistering Texas-style blues, soulful pop ballads or classic rock riffs – EL CAMBO fits the bill!     Roadworthy Made from a sturdy metal housing, this all-analog overdrive will last for years and years without losing that warm tube saturation tone. EL CAMBO’s top-mounted jacks help save pedal board space and corral your cables, while the true bypass operation keeps your signal nice and clean.

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Shimmering Reverb Pedal with Intuitive 4-Knob Interface for Modern, Ethereal Reverb Sounds Product Features Shimmering, super-bright reverb pedal sends you straight to shoegaze heaven. Effortlessly create celestial reverb sounds. Intuitive 4-knob interface including dedicated shimmer knob. True bypass for ultimate signal integrity. "Built-like-a-tank" metal chassis. Runs on 9 V battery or PSU-SB DC power supply (not included). Designed and engineered in Denmark.   FLUORESCENCE SHIMMER REVERB FLUORESCENCE SHIMMER REVERB is one of those affects you simply must add to your bag of tricks. Originally pioneered by recording legends Daniel Lanois and Brian Eno, shimmer reverb is produced by layering a tail of reverb (pitched up an octave) on top of the original dry signal. This produces lush soundscapes that take on a life of their known, ranging from voluptuous chimes to interstellar travel-like sounds that will evoke memories of Carl Sagan’s Cosmos while you are playing.   A String Section in Your Gig Bag Used extensively by U2's The Edge, the shimmer effect has been adopted by scores of shoegaze guitar players for conjuring up huge, vibrant soundscapes, bursting with sparkling clarity. Ever since U2 started working with producers Eno and Lanois, shimmer has found its way on to classic performances like With or Without You, 4th of July, and City of Blinding Lights. Wherever there's a need for grandiose string sections of ethereal presence to add body and scope to a passage, FLUORESCENCE fits the bill.   Truly Roadworthy FLUORESCENCE SHIMMER REVERB is built to withstand the rigors of the road with a sturdy metal frame and high quality components. True bypass circuitry keeps the integrity of your signal free from any tonal coloration, while top-mounted jacks make it easy to fit on any pedal board.   Control Simplified With only 4 controls to master, FLUORESCENCE SHIMMER REVERB makes it easy to fine-tune your ethereal resonances in great depth. A Reverb knob adjusts the amount of tail on your dry signal for short or long resonances. The Mix knob lets you adjust the balance between the reverb tail and your guitar sound, while the Tone knob sets the amount of sparkle that’s added to the reverb. Lastly, the Shimmer knob rolls in the perfect amount of sparkling, angelic octave tones to round out its thick and ethereal ambience.

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