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FCV100   Ultra-Flexible Dual-Mode Foot Pedal for Volume and Modulation Control Product Features  Volume control of 1 stereo or 2 individual musical instruments
 Dedicated modulation function for direct connection to keyboard's modulation control input
 VCA control for utmost reliability and smooth audio performance
 Polarity switch to match various effect units, keyboards and MIDI controllers
 Adjustable minimum volume
 Standard 9 V battery or 12 V DC adapter operation (not included)
 Battery "low" indicator
 Ultra-compact, road-worthy housing
   FCV100 Get louder, get quieter, or get modulated with the outstanding FCV100. This versatile pedal works equally well as a volume or modulation pedal – without tying up your hands or slowing down your performance.   Routing Options Galore The FCV100 can accommodate two mono or one stereo instrument via its dual ¼” input jacks. By switching into Norm mode, the FCV100 is capable of controlling the volume of two individual instruments. In CV mode, the FCV100 can control modulation and volume levels of other musical instruments by connecting Output 2 to the volume or modulation input of the instrument. When Output 2 is in use while in CV mode, Input/Output 1 can still be used for controlling the volume of another instrument, similar to Norm mode. A built-in polarity switch also allows you to match the FCV100 to various effects units, keyboards and MIDI controllers.   It’s Easy! Once you have determined your hookup configuration, simply depress the pedal to increase sound, then rock back on your heel to decrease the sound. By turning the Min Vol control, you can determine the minimum volume you wish to achieve. You can power this pedal with a 12 V DC power adapter or a 9V battery (not included)   Sound Value Dramatic shifts in volume and modulation can easily make the difference between an enjoyable musical passage – and an extraordinary listening experience! Take hold of these mystifying nuances with the FCV100 and enjoy full control over your tone. See your local Behringer dealer or place your order for the sensational FCV100 today!  

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3-Button Vocal Effects Stompbox with Looping Product Features Compact 3-button vocal multi-effects stompbox with looping makes it easy to have professional sound Quickly create pro studio quality vocals with a suite of production-caliber vocal effects VLOOP performance looper with undo/redo and unlimited overdubs RoomSense mics automatically control harmony, no music theory required Powerful HIT function for punching on multiple effects with a single button press Aux input with Vocal Cancel lets you plug in an MP3 player and sing with your favorite music 200+ song- and artist-inspired presets, with hundreds more presets available online Practice function with statistics collection and real-time pitch display gives you valuable feedback on your singing Adaptive Tone for perfect EQ, compression, de-essing and gating USB for streaming audio, preset downloads and firmware updates Compatible with remote Mic Control using the TC Helicon MP-75 or MP-76 microphones Optional SWITCH-3 foot switch for extended performance control   A Produced Vocal Tone - Anywhere Producers spend more time on perfecting vocals than any other instrument; the number of layered vocal tracks on a studio recording often run well into the double-digits. VOICELIVE PLAY makes this studio magic available to every singer - everywhere.   The Vocal Sounds You Love Automatic backing harmonies, vocal double tracking, pristine EQ and compression, lush reverbs, hard-tuned robo-voice – all the goose-bump effects that make today’s Billboard hit vocals truly stand out are yours.   Hit Performances & Attractive Practice The HIT feature gives you total control to punch in a stunning harmony or other effects precisely when it’s right for your song. When you’re not on stage, plug in your MP3, choose “Vocal Cancel” and practice with your favorite tracks – complete with statistics on your voice.   The Complete Vocal FX Pedal Access your effects directly, choose the presets you want and find the styles you like. Easily browse hundreds of preset sounds. Add dazzling effects for the chorus, or strip it down for the verse, you decide! Dedicated outputs for your voice – plus inputs for head phones, auxiliary devices, an expansion pedal and USB for updates and new presets. Watch It Work Get ready for a hit performance with the effects you want and features such as Genre, Looping, Effect Editing, Practice Mode, RoomSense, Harmony and more. Product specialist Tom Lang takes you for a tour in this video... Vocal FX Highlights Quick & easy access to Hundreds of effects presets     •   Total Harmony control     •   Create your own custom sounds     •   Adaptive Tone = your personal sound engineer     •   VLOOP performance looper µMod µMod, pronounced “micro mod” contains effects that chorus, flange or otherwise modulate the signal. These effects can range from subtle to extreme. Delay Also known as Echo, delay repeats the input sound in various ways, from single “taps” to multiple panned asynchronous repeats. Often, delay is mistaken for reverb in a song. It’s typical in a recording to use a small amount of both delay and reverb to create the desired spatial effect. Reverb Short for Reverberation, reverb simulates an acoustic space like a concert hall or a bathroom. Typically, slower songs use longer reverb and faster songs use shorter reverb. Harmony Likely the most popular and impressive of our effects suite, Harmony creates up to 8 voices of harmony (varies by product), based on your vocal input and surrounds you with professional sounding backup singers. Once you’ve added harmony to your performance, we think you’ll never want to sing without it. Double Doubling creates an effect that makes your voice sound “larger” in the mix. It’s an extremely popular effect in a wide variety of musical styles from Pop to Hip-Hop and everything in between. HardTune Some people know it as the Cher or T-Pain effect. We call it HardTune. It’s a very aggressive form of pitch correction that forces the voice to “jump” from one note to the next in an almost robotic way. The effect works the best when confined to a set scale, where the intervals between notes are more noticeable. To get the most out of the effect, you’ll need to adapt your singing style to help accentuate the way that your voice shifts from note to note. Try sliding between notes. Transducer Any effect that provides overdrive, distortion or filter falls under Transducer effects. You’ll find effects like Megaphone, Radio, Amplifier Emulation and more here. Always take care when using transducer effects in a live situation. Due to the extreme gains and eq’s imparted on the signal, these effects are very prone to feedback. Total Harmony Control Never worry about your key when selecting harmonies. VoiceLive Play actually listens to your MP3 player (via AUX link) or your computer (via USB). And our embedded RoomSenseTM mics can control your harmonies simply from the sounds of nearby instruments.   Dial in Your Custom Sound When you choose an effect you’ll immediately see a unique icon making it easier to quickly find the sound you’re looking for. We call it icon based editing - it's intuitive and simple to use. You easily move through screens, pick your style, tweak some parameters and, voila, you now have your own vocal sound which you can recall any time.   Transform Your Singing with Loops The VLOOP performance looper allows you to create vocal loops for solo jamming or impressive layered live performances. VLOOP is also handy for soundcheck: record a short phrase and walk out into the audience to check levels while your “virtual you” plays!   Your Personal Engineer - Adaptive Tone Adaptive Tone technology intelligently controls Shape EQ and Dynamics (Compression & De-ess) to provide the perfect tonal balance and add smooth dynamic control to fit in any mix. Best of all it’s easy: just set and forget. An adaptive gate can also be added to help suppress feedback and reduce bleed.   RoomSense Mics Embedded stereo RoomSense mics can control your harmonies from instruments nearby, replace the cabled mic for headphone practice or add a bit of room ambiance to your headphone mix.   More Mic, More Control Now you can control your FX from a mic engineered for the sonic realities of modern vocal performance. Add the TC Helicon MP-75, or the Sennheiser e835 FX.   Extend FX Control with Stompbox Expansion Add a Switch-3 accessory pedal to your setup to extend your on-the-fly control of VoiceLive Play’s features. Put Delay on the first switch, your favorite Harmony on the second, and a Scale/Key shortcut on the third – or any custom combination of Vocal FX - or even Looping.   VoiceSupport VoiceLive Play will evolve with you - VoiceSupport gives you new FX presets, new firmware updates, and maintains your personal database of presets. All you need is a Mac or Windows computer with a USB input.

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FTS-CXLRMXLRF5 XLR Male to XLR Female 5m Black (50)Features- XLR Male to XLR Female - Cable Length: 5m- Black 

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FTS-P2RCAF2RCAF 2*RCA Fmle To 2*RCA Fml Plug Dual RCA Component A/V Coupler Cable gender changer Use to join different cable lengths 1 piece

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FTS-CS5M FTS Red/Black Speaker Cable 5m Features - Speaker cable for binding connection - Black and Red - Left and Right Channel - Cable length: 5m

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FTS Soft Pvc Jacket 2RCA Plugs -3 .5mm Stereo Plug Gold Black Cable 2M [2RCA-3.5MM2M]Features:- Soft Pvc Jacket 2RCA Plugs -3 .5mm Stereo- Plug Gold Black Cable 2MWhat's In The Box:- 1 x Soft Pvc Jacket 2RCA Plugs -3 .5mm Stereo Plug Gold Black Cable 2M

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Single Mon to Dual Mono Splitter

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FTS 3.5mm TRS To 3.5mm TRS Cable 1.8M C353518

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. F1320D   Active 300-Watt 2-Way Monitor Speaker System with 12" Woofer, 1" Compression Driver and Feedback Filter Product Features High-power 300-Watt 2-way monitor speaker system for live and playback applications
 Exceptional sound quality, wide frequency bandwidth and dynamic range
 Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
 Adjustable feedback filter and integrated limiter for ultimate system control and speaker protection
 Integrated sound processor for ultimate system control and speaker protection
 Ultra-low noise Mic/Line input with Volume control and Clip LED
 Dedicated 3-band EQ for perfect sound shaping
 Extremely powerful 12'' long-excursion driver provides incredibly deep bass and acoustic power
 High-resolution 1'' HF driver for exceptional high-frequency reproduction
 Proprietary horn design for ultra-wide sound dispersion
 Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption
 Integrated 35 mm pole socket for stand mounting and use as PA system
 3-Year Warranty Program*
 Designed and engineered in Germany
   EUROLIVE F1320D Building on the legacy of our wildly successful EUROLIVE F1220A, we are proud to present the even more powerful EUROLIVE F1320D. This 300-Watt active monitor system features a 3-band EQ, so you can tweak the Highs, Mids and Lows for a clear, true sense of your performance; a long-excursion 12" woofer for punchy and deep bass, and a high-performance 1" high-frequency compression driver for the ultimate in sound quality. And thanks to the Class-D technology we employed in the onboard 300-Watt amplifier, the F1320D weighs less than most passive monitor wedges (40 lbs/18 kg), making them easy to transport and set up.   Beauty is Much More Than Skin Deep Inside these active monitors is the equivalent of a 2-way electronic crossover, a graphic equalizer, a parametric equalizer, a mic preamp and a Class-D power amp! A long-excursion 12'' driver delivers deep, punchy low end, while the 1'' compression driver, mounted in a custom-designed horn, provides ultra-wide dispersion of clean, crisp highs. These systems work together seamlessly, cranking out 300 Watts of super-clean power, and here’s the best part – you don’t have to be a sound engineer to run it!   Class-D - Massive Power, Perfect Sound Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.   Bi-Amplification - The Path to Absolute Signal Integrity With its 300 ultra-clean Watts of digital output delivered through separately-powered drivers, courtesy of true bi-amping (2 amplifiers per speaker system), the F1320D delivers high-resolution sound that really brings out the best in your music. While some of our competitors apply simple passive crossovers, which inaccurately separates the frequency spectrum and degrade driver performance, BEHRINGER has gone the extra mile – driving each woofer and tweeter with a separate amplifier for absolute signal integrity.   Integrated Feedback Filter and Sound Processor The built-in adjustable feedback filter helps eliminate annoying squeals and howls so you can crank up the volume, allowing you to hear yourself above all the raging chaos, a.k.a., your band! After all, the main reason to have a monitor is so you can hear yourself, right? The EUROLIVE F1320D helps you perform up to your true potential. Additionally, a built-in sound processor works behind the scenes, ensuring the ultimate in sound quality, overall system control and speaker protection.   Custom-Engineered Transducers Powerful, high-efficiency Class-D amplifiers and Switch Mode Power Supply technology coupled with state-of-the-art DSP functionality sure sounds impressive – but what about the part of the system you actually hear? Our LF (Low Frequency) and HF (High Frequency) transducers are designed specifically for each application – it’s what sets us apart from the competition. When you buy a BEHRINGER active loudspeaker, you can rest assured that the transducers inside have been engineered to perform flawlessly in conjunction with every other element for truly professional results.   Speaking of Control… The F1320D doesn’t just sound great, it gives you instant control of your monitor, even during your performance – something passive monitors simply cannot deliver! Need more volume? Turn the LEVEL dial until the desired volume is reached, getting too much bass or treble? Just reach down and tweak the 3-band EQ (High, Mid, Low) to tailor a rich, exciting sound. We’ve even provided the first line of defense against feedback, a dedicated Frequency dial you can adjust to eliminate troublesome mic squeals. Total control is always right at your fingertips with the EUROLIVE F1320D.   Instant PA System You can set up an instant sound system with just one F1320D and a microphone or MP3 player. Thanks to the built-in preamp, you can connect a dynamic mic directly to the F1320D and raise and lower the volume with the Level control. Fast and easy to set up, you can be ready for “showtime” at a moment’s notice. There’s even a built-in 35-mm socket, so you can mount the F1320D on a standard speaker pole for use as a PA system. And if you need more coverage, chain together as many F1320Ds as you’d like via the convenient XLR or ¼ " TRS LINK OUTPUT connector.   Versatility When is a monitor more than a monitor? When it’s used as an instrument amplifier. Yes, you read that right; the F1320D can also be used as an onstage amp for keyboards, acoustic guitar, electric violin, etc. You name it—if it’s got either a mic or line-level output, you can connect it to the F1320D. Need a keyboard amp and a vocal monitor, but don’t have the space on stage for both? Use one of our small-format XENYX mixers to sub-mix the Aux Sends from the main mixer with your keys, all into a single active monitor.

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FTS-P63MB FTS 6.35mm Mono Jack With Blue RingFeatures:- Length 6.35mm - Jack Type Mono - Jack With Blue RingWhat's In The Box:- 1 x FTS 6.35mm Mono Jack With Blue Ring

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Targa Comp Pro 6.5'' Mid, Tweeter with crossover [TG-COMP65KIT] Description Introducing the Targa Comp Pro 6.5'' Mid, Tweeter with Crossover [TG-COMP65KIT], a high-quality component speaker kit designed to deliver superior sound clarity and precision in your car audio system. This kit includes a 6.5-inch midrange driver, a dedicated tweeter, and a custom-tuned crossover, all engineered to work together seamlessly for an exceptional audio experience. The 6-inch midrange driver is crafted to produce clear, detailed mids, ensuring that vocals and instruments sound natural and lifelike. The tweeter handles the high frequencies, delivering crisp, sparkling highs that add depth and clarity to your music. The included crossover ensures that each driver receives the optimal frequencies, preventing distortion and enhancing overall sound quality. The TG-COMP65KIT is ideal for car audio enthusiasts who demand high fidelity and accuracy from their sound system. Whether you're upgrading your factory speakers or building a custom setup, the Targa Comp Pro 6'' Mid, Tweeter with Crossover [TG-COMP65KIT] offers a balanced and dynamic soundstage that brings your music to life on the road. Specifications Speaker Size: 6.5” Max Output Power: 900W HD Dual Speakers Thickened T Iron Benefits: Achieve a balanced and dynamic soundstage with mid and high-frequency clarity Reduce audio distortion with an optimized crossover system Enhance your car's sound system with professional-grade components Easy to integrate into existing audio setups What's in the Box 2 x 6'' Mid Tweeter   

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Behringer BEQ700 Ultimate 7-Band Graphic Equalizer BEQ700 Ultimate 7-Band Graphic Equalizer Product Features Shape your sound and eliminate feedback with 7 bands of equalization This Behringer product has been designed to compete head to head with leading products on the market Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic On/Off switch for noise-free operation Designed and engineered in Germany   Master of Tone With 15 dB available boost or cut per band, the BEQ700’s seven frequency bands have been carefully chosen to provide the ultimate tools for EQing the bass guitar, even extended range instruments. Of course, to make full use of its capabilities, you should first understand some basics about the frequency range of your axe.   The BEQ700 covers the audio spectrum from below 50 Hz to over 10 kHz, allowing you to effectively cut or boost specific frequencies that help focus your sound. Special attention has been paid to the critical midrange frequencies, which can either make or break your sound. The following section offers tips that will have you sculpting the perfect bass sound in no time at all.   How Does Equalization Work? Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band.   The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals The right-hand lanes have all the high-frequency stuff , such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix Applying EQ to Bass Instruments When frequencies from 20 Hz - 200 Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low-frequency response.     The fundamental notes of most basses fall within the 40 Hz - 1000 Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200 Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500 Hz to 1000 Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are off ending, and by turning up the overall volume rather than boosting one specific band.   How the specific frequency bands of the BEQ700 can shape your sound 50 Hz (sub-bass) Boost: To thicken up sub-bass content, which is mostly felt rather than heard Cut: To eliminate stage “rumble” and sub-bass content that can rob sound system power 120 Hz (soft bass) Boost: To enhance the lower end of the bass spectrum Cut: To reduce the tendency of low frequency content to overwhelm a small room 400 Hz (hard bass) Boost: To enhance the “hard” bass punch of fundamental tones Cut: To reduce punch for better linkage with the kick drum 500 Hz Boost: or Cut: To control clarity and warmth 800 Hz Boost: To add an aggressive edge to the overall bass sound Cut: For reducing somewhat nasal or horn-like content 4.5 kHz Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone Cut: To eliminate harshness 10 kHz Boost: To bring out the upper harmonics and add edge to the overall bass tonality Cut: Apply a cut to reduce harsh high-frequency content or hiss  

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