Behringer

Please be informed that this item comes with an international adaptor, you will need to get SA converter for it. RD-6-SR  Classic Analog Drum Machine with 8 Drum Sounds, 16-Step Sequencer and Distortion Effects  Product Features  Amazing Drum Machine with true analog circuitry for classic sound performance  Authentic reproduction of original circuitry with matched transistors  8 original drum sounds with mixed parameters and global accent capability  Highly acclaimed and authentic clap sound from the DR-110 drum machine  6 independent analog outputs for external processing or recording your rhythms as multi-track audio  Easy-to-use 16-step drum sequencer with real-time switching between 32 separate patterns  Patterns can be chained into full songs with up to 250 bars  Distortion circuitry modeled after the RAT* adds insane spice and edge to your sounds  16 authentic-style step buttons with LED indicators for easy pattern creation  11 controls and 26 switches to give you direct and real-time access to all important parameters  MIDI and USB implementation for synchronization and connection to external devices  Sync options include USB, MIDI, Clock, and Internal for maximum versatility    RD-6-SR  The RHYTHM DESIGNER RD-6-SR provides all the tools you need to become a master beat-maker, including 8 drum sounds and a 16-step sequencer – for a quick and easy-to-use drum machine that’ll shake the house! Whether you’re new to drum programming or a seasoned pro looking to enhance your setup, the RD-6-SR has everything you need to step up to the big leagues.    Masterpiece Rejuvenated  Great care has been taken in designing the RD-6-SR to achieve new possibilities in beat creation by reviving a timeless design from one of the most classic drum machines of yesteryear. By taking a fresh and modern approach on a classic drum machine, the RD-6-SR gives you the power to harness the phenomenal sound of the venerable TR-606 and tap into some new features as well. Punchy bass drums through sizzling hi-hats and even the authentic and renowned BR-110 clap sound can be manipulated to take your rhythm performance to the next level.     Complete Control  Built to enhance the way you perform, the RD-6-SR boasts a 16-step drum sequencer which allows for real-time switching between 32 separate patterns. Start building song structures on-the-fly and even edit them to your liking. Mix any of the 8 drum sounds by adjusting their dedicated level knobs. The RD-6-SR also comes with a distortion based on the venerable DS-1. distortion.    Oberheim DMX  Launched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice, and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls, and flams to create a more human “feel”. The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs.  The DMX’s hard-hitting and convincing drum sound made it attractive to artists and producers in the burgeoning Hip-Hop culture and it is featured on many of the scenes early innovative records. New Order used the DMX to great effect on their 1983 single, “Blue Monday” with its repeating bass drum pattern.    E-mu SP-1200  Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter, and 12-bit sampling resolution. This all contributed to the unit’s gravelly sounds, which have been featured on many hit recordings. The SP-1200’s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy, and Daft Punk.    AKAI MPC60  The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of “Sound-Collage”. The original MPC60 only allowed sample lengths of up to 13 seconds. Sampling memory was expensive at the time, which steered people to records at higher5 speeds in order to gain more time. The side effect was playback at a lower resolution, which contributed to the grittiness of the sound. Famous users include Kanye West, Dr. Dre, and Mark Ronson. 

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HLC 660M  Multipurpose Headphones with Built-in Microphone  Product Features  The ideal headphone/microphone system for DJ's, broadcasters, podcasters, music labs, and gamers  50 mm dynamic drivers deliver wide frequency response (20 Hz - 20 kHz) with deep, rich bass and detailed highs  Combines high-quality, noise-reducing headphones with a super-sensitive microphone  Mic features broad frequency response (100 Hz - 20 kHz) for unparalleled warmth and intelligibility  Over-ear circumaural design with ultra-soft ear cups and fully-adjustable, cushioned headband  Closed-back design ensures a consistent listening environment with exceptional sound isolation  Optimized performance for use with a wide range of professional and consumer audio devices  Designed and engineered in Germany    HLC 660M  Whether you’re mixing a recording, monitoring a bass line – or enjoying a conversation with your favorite friend you want headphones that deliver a wide frequency response and high dynamic range. Behringer's HLC 660M headphones provide incredible high-resolution performance.   Let Them Blow Your Mind  HLC 660M headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring an ultra-comfortable headband; and a ¼ " adapter for the 1⁄8" connector, HLC 660M headphones are compatible with everything from your smartphone – to your mixing console.    Just Listen…  With the amazing HLC 660M headphones, you get truly-exceptional, high-resolution sound reproduction – at a price that will leave money in your pocket for more tunes or more studio gear!  Place your order online today!   

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BB 560M  High-Quality Professional Headphones with Built-in Microphone  Product Features  Ideal headphone/microphone system for DJ's, broadcasters, podcasters, music labs, and gamers  40 mm dynamic drivers deliver wide frequency response with deep, rich bass and detailed highs  Combines high-quality, noise-reducing headphones with a super-sensitive microphone  Mic features broad frequency response (100 Hz - 20 kHz) for unparalleled warmth and intelligibility  Over-ear circumaural design with soft ear cups and fully adjustable, cushioned headband  Closed-back design ensures a consistent listening environment with exceptional sound isolation  Wireless headphones with Bluetooth* connectivity  Optimized performance for use with professional and consumer audio devices  3-Year Warranty Program*  Designed and engineered in Germany    BB 560M  Whether you’re mixing a recording, monitoring a bass line – or enjoying a conversation with your favorite friend you want headphones that deliver a wide frequency response and high dynamic range. Our BB 560M headphones provide incredible high-resolution performance – at a price well within the reach of every budget!    Let Them Blow Your Mind  BB 560M headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring an ultra-comfortable headband and wireless connectivity.    Just Listen…  With the amazing BB 560M headphones, you get truly-exceptional, high-resolution sound reproduction – at a price that will leave money in your pocket for more tunes or more studio gear!   Place your order online today!    

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WB215   White Wall Mount Bracket for EUROLIVE B115 and B215 Series Speakers   Product Features Wall or ceiling mount bracket for EUROLIVE B115 and B215 series speakers
 Heavy-duty steel construction
 Designed for indoor use only
 Designed and engineered in Germany
   EUROLIVE WB215 Elevate your B215A, B215D, B215D-WH, B215XL or B215XL-WH with our wall-mount brackets, which are specially designed to secure these outstanding speaker systems to the wall of virtually any indoor environment. These heavy-duty steel brackets are ideal for installation in theaters, churches, restaurants, etc. A builtin swivel lets you aim the loudspeaker across a wide 180° axis, so you can put the sound where you want it. As stylish as they are functional, WB215 wall-mount brackets are available in your choice of black (WB215) or white (WB215-WH).  

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903A RANDOM SIGNAL GENERATOR   Legendary Analog Noise Generator Module for Eurorack   Product Features  Vintage-sounding 903A noise generator module from the '70s
 Authentic reproduction of the circuitry from the "Modular 55" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 Generates both white and pink noise
 2 outputs per noise source
 Eurorack specs: 4 HP, 25 mA +12 V, 35 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   903A RANDOM SIGNAL GENERATOR Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the ‘70s. An authentic reproduction of the circuitry from the “Modular 55” series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Comes in White or Pink The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.   Eurorack Ready Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 903A RANDOM SIGNAL GENERATOR module from Behringer is a great tool to have when creating amazing music.

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CP35 ATTENUATORS   Legendary Analog Attenuator and Multiples Module for Eurorack   Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 passive attenuators with linked inputs
 Fixed +/-6 Volt CV reference voltage with 2 linked outputs each
 Dual 4-socket multiples for splitting CV or audio signals to multiple destinations
 Eurorack specs: 21 HP, 1 mA +12 V, 1 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP35 ATTENUATORS Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the “Modular 55, 35 and 15” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Attenuators The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - ∞ to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.   More Than Just Outputs Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!   Eurorack Ready Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP35 ATTENUATORS module from Behringer is a great tool to have when creating amazing music.  

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992 CONTROL VOLTAGES Legendary Analog CV Routing Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4-channel CV signal routing to 904A LPF module
 Single external input with inverting attenuator control
 3 switched and summed CV inputs for frequency control of VCF modules
 3 parallel CV outputs can drive multiple 904A LPF and 904B HPF modules
 Eurorack specs: 8 HP, 10 mA +12 V, 10 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   992 CONTROL VOLTAGES Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the “Modular 55 & 35” Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream.   Channels The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.   External Input and Attenuator An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.   Ins and Outs 3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.   Eurorack Ready Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the 992 CONTROL VOLTAGES module from Behringer is a great tool to have when creating amazing music. Get the 992 CONTROL VOLTAGES from your local Behringer dealer today!  

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CP3A-O OSCILLATOR CONTROLLER Legendary Analog Oscillator Controller Module for Eurorack Product Features Authentic reproduction of the circuitry from the "Modular 55 & 35" Series
 Artist roster includes world's most famous pop, rock and jazz musicians
 4 switches allows you to send CV to one or more oscillators
 External input jack with dedicated attenuator control
 3 switched and summed CV inputs for frequency control of VCO modules
 3 parallel CV outputs can drive multiple 921A/B oscillator modules
 Eurorack specs: 8 HP, 5 mA +12 V, 5 mA -12 V
   Modular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.   CP3A-O OSCILLATOR CONTROLLER Enter the Behringer CP3A-O OSCILLATOR CONTROLLER module. An authentic reproduction of the circuitry from the “Modular 55 and 35” series mixers used by the world’s most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that’ll fulfill any synth geek’s wildest dreams.   Switch It Up The CP3A-O Module features 4 routing switches that enable you to send Control Voltages to one or more oscillators. Switches 1 to 3 are connected to Control Inputs 1, 2 and 3; switch 4 can be used to route an external Control Voltage signal via a 3.5 mm TS plug and can be controlled by an attenuator knob.   Ins and Outs You can route up to three external control voltage signals to any of the three summed Control Inputs. Signals from these inputs can be combined by flipping any of the matching routing switches on. The parallel jacks at the bottom will route the final combined voltage signal to any module they’re connected to. A great way to utilize the CP3A-O is to have it drive multiple 921A or B oscillator modules which can allow you to create more intricate patches and hours and hours of fun.   Eurorack Ready Installing the CP3A-O is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CP3A-O to be mixed with other synth modules for a truly unique set up.   Complete Your Collection Whether you’re just getting into modular synths or looking to complete your collection, the CP3A-O OSCILLATOR CONTROLLER module from Behringer is a great tool to have when creating amazing music.  

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.PSU-HSB-ALL All-Country DC 9 V / 1.7 A Power Adapter with Daisy-Chain Connectors, Jumper Cables and All-Country Mains Adapters   Product Features  7 A current capacity can power more than 20 effects pedals, keyboards and other DC 9 V gear
 Supplied with a full complement of connectors and jumper cords for total compatibility
 Includes 4 assorted jumper cables and 2 daisy-chain cables each with 5 connectors
 Takes up only one outlet space and frees up more room for your pedals
 Runs on any AC power supply from 100 ? 240 V; worldwide usability without transformer
 Transformer less design eliminates 50/60-cycle hum and extraneous noise
 Designed and engineered in Germany
   POWER THE WORLD PSU-HSB-ALL When the time comes to put your best foot forward on stage, you need the most dependable power you can get for your stomp boxes – and that’s where the PSU-HB-ALL General Purpose DC 9 V Power Adapter comes in…   Massive Power for Your Pedals and More The PSU-HB-ALL provides a more than generous 1.7 Amps of current for both your analog and digital devices. That’s more than enough power to handle up to 20 FX pedals, your keyboards – and practically anything else you’ve got that runs on 9 V DC!   Works with Virtually all FX Pedals For the ultimate in compatibility, the PSU-HB-ALL comes with 4 assorted jumper cables, plus 2 daisy-chain cables (each with 5 connectors), making it ideal for virtually all stomp boxes and effects pedals. And since it only occupies one AC outlet, you’ll have more room for stomp boxes.   Ready for the World Because we know your gear needs to work wherever you go, the PSU-HB-ALL runs on any AC power supply from 100 - 240 V, we included the most common mains adapters for flawless performance. And PSU-HB-ALL’s transformerless design eliminates 50/60-cycle hum and extraneous noise, making your music sound better than ever!  

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FLOW CLAMP Microphone Stand Mounting Clamp for FLOW Mixers Product Features Mic-stand mounting clamp for FLOW Digital Mixer series Attaches to standard mic stands Quick and easy mounting design Sturdy construction for long life   Simple and Solid The FLOW CLAMP is based on the original TC Helicon PERFORM Series side cap design, using a special material that combines extreme longevity and a dependable, firm connection with the mic stand. It consists of a metal bracket that is screwed to the mixer and the proprietary plastic part that clips on to the mic-stand without any screws. You can choose to mount the clamp to the bracket in 3 angles (0°, 15°, 30°) depending on your preferred mixer orientation.   Control on your Fingertips The FLOW CLAMP is designed to bring your FLOW mixer within reach during your performance. On stage for a small club gig or in a recording setup, the best place will often be right at your microphone stand. It avoids unnecessary cable clutter and keeps the control surface of your FLOW mixer permanently accessible. The clamp is designed for standard 5/8” microphone stands diameter (not exceeding 16.5 mm).   Future Proof Design Tested for a maximum torque of 4 Nm, the construction provides extremely high durability, simplicity and light weight, making it ideal as a multipurpose, one-hand operated microphone stand mount.

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Please be informed that this item comes with an international adaptor, you will need to get SA converter for it.Behringer CAT-SAA Legendary Duophonic Analog Synthesizer CAT Legendary Duophonic Analog Synthesizer with Dual VCOs, 4 Mixable Waveforms, External Signal Processor, 16-Voice Poly Chain, and Eurorack Format Product Features Amazing analog synthesizer with dual VCO design allows for insanely fat music creation Authentic reproduction of original "CAT SRM II" circuitry with matched transistors and JFETs Pure analog signal path based on authentic VCO, VCF and VCA designs 4 variable and simultaneous oscillator shapes (Sawtooth, Triangle, modulated Pulse and Sub-Octave Square) for ultimate sounds Duophonic/Paraphonic mode allows both oscillators to be independently controlled Oscillators can be modulated from 6 different sources with 2 modulation depth attenuators Classic filter design (low pass with peak/resonance) with self-resonance capability Filter can be modulated from 6 different sources with 2 modulation depth attenuators Dedicated and fully analog sine/square wave LFO 2 analog Envelope Generators for modulation of VCF and VCA White noise generator dramatically expands waveform generation 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony Complete Eurorack solution main module can be transferred to a standard Eurorack case 47 controls give you direct and real-time access to all important parameters Audio input for processing external sound sources for enhanced creativity External control inputs and outputs (High Note CV, Low Note CV, Gate, Filter etc.) Comprehensive USB/MIDI implementation with MIDI channel and Voice Priority selection   CAT The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive.   In 1975, a new synth strolled into town. The Cat as it was called was an analog, duophonic, three octave synthesizer that was very similar to the ARP Odyssey. Its keyboard would produce two control voltages that were routed into its two VCOs. An ultra-affordable and even more feature-packed homage to that iconic synthesizer comes in the form of the Behringer CAT. Conjure up the virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF and VCA designs in conjunction with 4 variable and simultaneous oscillator shapes and Duophonic/Paraphonic capabilities. Owning a CAT is like having your own personal time machine, enabling you to freely embrace the past – or shape the future. And the best of all, it doesn’t scratch.   True to the Original Great care has been taken in engineering the CAT, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs that come together to recreate classic tones that are evocative of classic electronic music. This highly-focused attention to detail is what gives the CAT its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads – and all the way to full on dreamy ambience from the far reaches of your imagination.   Big, Fat Tones The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The CAT lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!   Keyboard Control The CAT has the ability to accept any keyboard controller via MIDI. The signals generated can be tweaked via the Pitch Bend slider which can bend a note up or down one octave. Bump this up to two octaves by flipping the Octave Shift switch up or down. Use the Glide slider to change how fast a note transitions to another; up is faster, down is slower. Combine that with the LFO Freq slider to control the LFO and ADSR repeat tempo and you can create some amazing pulsating portamentos.   Two VCOs are Better The very heart of the CAT’s sound is its two VCOs. The Duophonic/Paraphonic nature of the CAT allows both oscillators to be controlled independently. Use the Fine and Coarse Frequency controls to tune VCO1 to VCO2. Keyboard control on the CAT can be set to either Mono or Poly. Poly mode lets VCO1 generate the highest note played on the keyboard while VCO2 handles the lowest allowing two notes to be played simultaneously. Setting the switch to Mono mode makes VCO1 generate the lowest note depressed on the keyboard.   Make Waves Waveform switches on both VCOs allow different waveforms to be patched in from the LFO. Choose between Sine, Square, Sample and Hold and even pitch modulation through each VCO. Turning the Modulation Depth knobs in either direction controls the intensity of the effect. VCO2 also comes with a Sync switch that locks VCO1 with it and has them act as one huge oscillator to produce more complex waveforms and dramatic results. Mix VCO1 into VCO2 or vice versa and the CAT can produce some really tasty tones that make themselves at home in your next synth jam.   Slide In Each VCO on the CAT comes equipped with their own waveform sliders where you can adjust the volume of each type of VCO wave form. Pump up the Sub Octave, Sawtooth, Square, Triangle or Pulse waves or mix them all together and create some truly unique tones.   VCF As if combining two VCOs wasn’t amazing enough, the CAT comes with another set of claws in the form of a VCF filter section. Here you can get more complex and robust tones by incorporating VCO1 into the mix. Introduce more waveforms and manipulate the Q slider to emphasize harmonics and Filter Cutoff slider which acts as a low-pass filter. Turn the CAT into a really funky bass machine or an out-of-this-world synth that creates some searing lead tones. You can even create some amazing drum sounds by manipulating the VCOs, VCF and ADSR.   The Envelope, Please… To give the signal even more character, you can use the CAT’s Transient Generator to create a detailed voltage transient every time a key is depressed. Adjust the Attack, Decay, Sustain and Release via the matching sliders and to shape your signal. The AR transient generator works similarly to the ADSR but with less detailed control over the envelope. You can also set the ADSR to automatically repeat or only when a key is held down. The Sample and Hold switch can be set so the VCO1 setting is sampled or, when set to Noise mode, produce a random output pattern. Slide the LFO Delay control up or down to determine when the LFO will reach its maximum output after a key is depressed.   The Ins and Outs The CAT features a whole slew of Inputs and Outputs that expand its capabilities beyond what you can see out of the box. You can route external control voltages to VCO1 or 2, the VCF and even pump in some external line-level audio into the CAT. You can even connect the CAT to other external synthesizers through the Gate, ADSR, AR or Keyboard Outputs. The CAT’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – and it provides vastly improved reliability and stability over its 1970s and '80s predecessors.   Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, the CAT has 47 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation.   Unleash Your Imagination When it comes to not just pushing envelopes but creating them, the CAT gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer CAT!   Visit your dealer to experience the stunning CAT or get yours online today. Music never felt this good! A Brief History of Analog Synthesis The modern synthesizer’s evolution began in 1919, when a Russian physicist named Lev Termen (also known as Léon Theremin) invented one of the first electronic musical instruments – the Theremin. It was a simple oscillator that was played by moving the performer’s hand in the vicinity of the instrument’s antenna. An outstanding example of the Theremin’s use can be heard on the Beach Boys iconic smash hit “Good Vibrations”.   Ondioline In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon’s “Runaway”.   Storytone Piano Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World’s Fair. Hailed as the world’s first electric piano, the Storytone is prized by musicians and collectors alike for its realistic piano sound – only 500 or so were ever built.   Mellotron Finding a high level of acceptance in the 1960s, Harry Chamberlin’s Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists. Classic tracks from the Moody Blues “Days of Future Passed”, the Beatles “Strawberry Fields Forever”, and the Rolling Stones “She’s a Rainbow” are prime examples. Attribute author: By Buzz Andersen from San Francisco, California, United States Mellotron | NAMM 2007   Arp 2600 Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables. The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock – to name just a few. An Arp 2600 was even used to create the voice of the Star Wars character R2-D2. Attribute author: The original uploader was Kimi95 at Italian Wikipedia - http://www.vintagesynth.com/arp/arp2600blue.jpg e http://www.vintagesynth.com/arp/arp.php, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=7708499   Minimoog Designed to replace the large, modular synths being used in pop music at the time, Bill Hemsath and Robert Moog developed the Minimoog in 1971. The monophonic instrument became the first truly all-in-one, portable analog synthesizer. Thanks to its 3 oscillators and 24 dB/octave filter, the Minimoog produces an extremely rich and powerful bass sound and is still in high demand today. Yes keyboardist Rick Wakeman said the instrument “absolutely changed the face of music.” Attribute author: glacial23 - Early Minimoog Uploaded by clusternote, CC BY-SA 2.0   Yamaha CS-80 In 1976, Yamaha released their CS-80 8-voice polyphonic synthesizer, which provided velocity-sensitive keys and aftertouch that worked on individual voices. The analog instrument featured a ribbon controller, which allowed the user to perform polyphonic pitch bends and smooth glissandos. Composer Vangelis used the CS-80 extensively in the Blade Runner and Chariots of Fire soundtracks. The CS-80 also provided the bass line heard in the BBC 1980 series Doctor Who theme song   Sequential Circuits Prophet 5 Sequential Circuits introduced the Prophet 5, which was the first analog 5-voice polyphonic synthesizers to provide onboard memory storage of all patch settings for instant recall. The great-sounding Prophet 5 revolutionized the synthesizer world and, in spite of its rather expensive price tag, became one of the most successful synths of all time. Designed by Dave Smith and J owen, the Prophet 5 was the keyboard of choice by a very long list of performers that includes Peter Gabriel, Philip Glass, Journey, The Cars, Thomas Dolby, Duran Duran, Gary Numan, Pink Floyd, and countless others. Image attribution: original uploader was Felix2036 at Dutch Wikipedia derivative work: Clusternote (Sequential_Circuits_Prophet_5.jpg) [Public domain], via Wikimedia Commons Which brings us to 1977... A Passion for Keyboards Our founder, Uli Behringer has a deep passion for keyboards. Born in the small town of Baden, Switzerland in 1961, Uli grew up in a musical family where his mother taught him to play the piano at the tender age of four. His father was a scientist who built a massive organ in the family home and taught the young lad all about electronics. So at the age of 17, Behringer built his first synthesizer – the UB-1. Later, while attending college to seek a degree in audio engineering, Uli put his electronics knowledge to use, building his own equalizers and signal processors to fill the gap left by the university's inability to provide enough proper studio gear. Word soon spread about how good his products were, and he began building gear for his friends – the Behringer legacy had begun. The rest, as they say, is history...

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Deluxe Water Resistant Transport Bag for DEEPMIND 12D Product Features Deluxe water resistant transport bag for desktop synthesizers Rugged black multi-layer nylon outer material prevents ingress of dirt and dust Thick interior foam padding provides superior protection in transit Integral carry handles and shoulder strap Ideal for Behringer DEEPMIND 12D Polyphonic Synthesizer Designed and engineered in the U.K. DEEPMIND 12D-TB You depend on your DEEPMIND 12D Polyphonic Synthesizer to work perfectly night after night – so protect it with a custom-fit, deluxe, waterresistant transport bag. Made of super-tough, multi-layer black nylon, the DEEPMIND 12D-TB is a “must-have” accessory for your DEEPMIND 12D synth. Protection Against the Elements The rugged DEEPMIND 12D-TB helps keep your DEEPMIND 12D free from dirt and moisture during transit to and from the gig, and protects it from dust in-between performances. Made to Travel Equipped with convenient carry handles and shoulder strap, the transport bag cradles your DEEPMIND 12D in a thick layer of interior padding for exceptional protection during transit.  

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